Musicology

Notenbuch

The Department of Musicology deals primarily with European music history from the Middle Ages to the present; additionally, courses are offered in musical analysis, European folk music and non-European music, as well as cultural studies questions about music.

The research fields of the department lie predominantly in the history of music from the 18th to the 20th century: analytical and interpretative aspects, changes in reception over the years, philology, and cultural, sociological and aesthetic questions are all examined. Further areas for study include popular music, baroque music, Viennese classical music and new music of the 20th century.

Other focal points of research are folk music of the alpine region and questions about music as a cultural phenomenon. Numerous interdepartmental projects as well as cooperation with national and international partners provide space for the exploration of a wide range of topics: questions of reception, treatises on composers, forms of cultural perception (European and American music in comparison) and much more. 

In the field of teaching, the Department of Musicology offers a PhD programme as well as musicological courses for students of all music degrees Mozarteum and preparatory courses for academic practice. The teaching staff at the department supervise numerous academic theses (BA, MA, PhD) and cooperate on different levels with the artistic and pedagogical departments in order to emphasise the relevance of musicological competences for interpretation in the vocal, instrumental and conducting fields as well as for music pedagogy.

Courses

News

  • © wildbild Herbert Rohrer
    19.11.2025

    Yvonne Wasserloos, university professor of musicology, has been awarded the International Grand Prize for Science & Research (worth €12,000) by the Cultural Fund of the City of Salzburg for her outstanding achievements in the fields of science and research, including her work on ‘Music and Power – Dimension and Context’ and her research on the social, political and cultural significance of music – especially in connection with democracy and the culture of remembrance. Congratulations!

    Awards & Successes
  • 17.10.2025

    News
  • Musik & Migration | © Carlos /stock.adobe.com
    8.5.2025
    ‘Music and Migration’ nominated for the 2025 Award of the American Musicological Society 

    The handbook compiled by the inter-university research initiative ‘Music and Migration’ Wolfgang Gratzer / Nils Grosch / Ulrike Präger / Susanne Scheiblhofer (eds.), ‘The Routledge Handbook of Music and Migration: Methodologies and Theories’, Routledge 2024 has just been nominated for the prestigious 2025 Award of the American Musicological Society.

    Awards & Successes
  • Illustration einer Trompete
    24.4.2025

    Open Call

Events

  • 17.11.—30.11.2025
    Foyer Haupthaus
    Music, Migration and Mobility
    The Story of Émigré Musicians from Nazi Europe in Britain
    Exhibition
    · Free
  • 7.12.2025
    04:00 pm
    Kleines Studio
    LAUT:SPRECHER
    Kann man nach Auschwitz noch eine Oper komponieren?
    Holocaust-Verarbeitung in Simon Laks „L‘Hirondelle inattendue“. Frank Harders-Wuthenow im Gespräch mit Univ.-Prof.in Dr.in Yvonne Wasserloos, im Rahmen des Themenschwerpunktes „LAUT:SPRECHER - Viktor Ullmann und Simon Laks in dunklen Zeiten“
    Talk
    · Free
  • 7.12.2025
    05:30 pm
    Hörsaal
    LAUT:SPRECHER
    Fremde Passagiere
    Auf den Spuren von Viktor Ullmann, im Rahmen des Themenschwerpunktes „LAUT:SPRECHER - Viktor Ullmann und Simon Laks in dunklen Zeiten“
    Film presentation
    · Free
  • 8.12.2025
    03:00 pm
    Kleines Studio
    LAUT:SPRECHER
    ÜBER:LEBEN: Musik im Konzentrationslager und Ghetto
    mit Univ.-Prof.in Dr.in Yvonne Wasserloos, im Rahmen des Themenschwerpunktes „LAUT:SPRECHER - Viktor Ullmann und Simon Laks in dunklen Zeiten“
    Lecture
    · Free
  • 8.12.2025
    04:00 pm
    Kleines Studio
    LAUT:SPRECHER
    Klavier-Recital
    Klaviersonaten Nr. 5, Nr. 6 und Nr. 7 von Viktor Ullmann (1898-1944): Die 3 Theresienstädter Sonaten, mit Eric Chumachenco (Klavier), im Rahmen des Themenschwerpunktes „LAUT:SPRECHER - Viktor Ullmann und Simon Laks in dunklen Zeiten“
    Concert
    · Free

Publications

Nothing benefits the state like music. The musical performance of the state
Interdisciplinary
Musicology
Writings on the history of political music
Interdisciplinary
Musicology

People

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Kai Bachmann | © Christian Schneider
Kai Bachmann

Ass.-Prof. of Applied Music Theory, Ass.-Prof. of Aural Training & Supervision of Academic Theses

Faculty
Employee
Carlo Bosi

Senior PostDoc in the project "Early Venetian Opera and the Literature of the 'Incogniti"

Faculty

Lecturer & Tutor / Secretariat Institute for Open Arts

Employee
Faculty
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