Musicology
Overview
The Department of Musicology deals primarily with European music history from the Middle Ages to the present; additionally, courses are offered in musical analysis, European folk music and non-European music, as well as cultural studies questions about music.
The research fields of the department lie predominantly in the history of music from the 18th to the 20th century: analytical and interpretative aspects, changes in reception over the years, philology, and cultural, sociological and aesthetic questions are all examined. Further areas for study include popular music, baroque music, Viennese classical music and new music of the 20th century.
Other focal points of research are folk music of the alpine region and questions about music as a cultural phenomenon. Numerous interdepartmental projects as well as cooperation with national and international partners provide space for the exploration of a wide range of topics: questions of reception, treatises on composers, forms of cultural perception (European and American music in comparison) and much more.
In the field of teaching, the Department of Musicology offers a PhD programme as well as musicological courses for students of all music degrees Mozarteum and preparatory courses for academic practice. The teaching staff at the department supervise numerous academic theses (BA, MA, PhD) and cooperate on different levels with the artistic and pedagogical departments in order to emphasise the relevance of musicological competences for interpretation in the vocal, instrumental and conducting fields as well as for music pedagogy.
Courses
Events
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17.11.—30.11.2025Foyer HaupthausMusic, Migration and MobilityThe Story of Émigré Musicians from Nazi Europe in BritainExhibition· Free
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21.11.202503:00 pmExternDurch die ARGEkulturFür den Arbeitsschwerpunkt Salzburger Musikgeschichte führt die Dramaturgin Martina Fladerer, PhD durch das Haus, gibt Einblick in die Arbeitsabläufe in der ARGEkultur und beantwortet allerlei Fragen.Guided Tour· Free entry (Opens in new tab)
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7.12.202504:00 pmKleines StudioLAUT:SPRECHERKann man nach Auschwitz noch eine Oper komponieren?Holocaust-Verarbeitung in Simon Laks „L‘Hirondelle inattendue“. Frank Harders-Wuthenow im Gespräch mit Univ.-Prof.in Dr.in Yvonne Wasserloos, im Rahmen des Themenschwerpunktes „LAUT:SPRECHER - Viktor Ullmann und Simon Laks in dunklen Zeiten“Talk· Free
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7.12.202505:30 pmHörsaalLAUT:SPRECHERFremde PassagiereAuf den Spuren von Viktor Ullmann, im Rahmen des Themenschwerpunktes „LAUT:SPRECHER - Viktor Ullmann und Simon Laks in dunklen Zeiten“Film presentation· Free
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8.12.202503:00 pmKleines StudioLAUT:SPRECHERÜBER:LEBEN: Musik im Konzentrationslager und Ghettomit Univ.-Prof.in Dr.in Yvonne Wasserloos, im Rahmen des Themenschwerpunktes „LAUT:SPRECHER - Viktor Ullmann und Simon Laks in dunklen Zeiten“Lecture· Free