+++ Study Information Days 2026 for many of our studies: all dates can be found in the event calendar! +++
The winners of the excellent Master's theses 2023/2024 are Tim Anselm Gebel, Carlos Goikoetxea Cancho und Andreas Johannes Neubacher - congratulations!
The start-up grants awarded by the Federal Ministry for Housing, Arts, Culture, Media and Sport (BMWKMS) recognise and support the work of professional artists at the beginning of their careers. They are intended to enable work on new projects, promote artistic development and facilitate entry into the Austrian and international art scene.
Establishing and developing the profile of an ensemble is one of the most demanding and, at the same time, most appealing challenges in artistic development. Many globally successful ensembles were formed during their studies, laying the foundation for an international chamber music career. However, existing study programmes alone can only provide limited incentives and framework conditions for this. The ensemble scholarship is the answer to this: convincing project proposals receive financial support for a period of one year to realise specific artistic projects.
In 2024, the Platform on Politics of the Past was established at the Mozarteum University Salzburg. As a public platform, its purpose is to provide a forum for discussing questions and presenting research findings relating to the historical political positioning and decisions of the Mozarteum University. All university members are welcome to become involved and support its work.
Save the date: The Mozarteum University cordially invites you to experience Lisa Batiashvili (violin) and Claudio Martínez Mehner (piano) in person during a two-day masterclass. We are delighted to welcome these two outstanding musicians to the Mozarteum.
We warmly congratulate the winners of the first Vindobona Song Competition at the Mozarteum University, which took place from 15 to 17 December 2025. In addition to Quang Nguyen, a student of Bernd Valentin and Pauliina Tukiainen, who received the first prize of €6,000, Miriam Bitschnau was awarded the second prize of €3,000 and Gabija Utaraitė and Alice Dreier shared the third prize of €1,500. The prize of €2,000 for the most convincing student piano performance went to Miquel Esquinas.
The interdisciplinary teacher training programmes in art & design and technology & design have not only been given new names, but also a new focus in terms of content.
The Mozarteum University Salzburg is extremely happy and relieved about the release of its honorary professor Maria Kalesnikava and 122 other political prisoners, including Nobel Peace Prize winner and founder of the human rights organisation Viasna, Ales Bjaljazki, from detention in Belarus. Thanks to careful mediation by the USA, Kalesnikava was released from prison on Saturday, 13 October 2025 after almost five years of incarceration in apalling and inhumane conditions.
Leonor Dill received an Award of Excellence for her dissertation entitled ‘Schubert's Metamorphoses. C.G. Jung's Archetype Theory as a Basis for Musical Analysis – An Investigation of the Creative Process’. Congratulations!
2025 offers countless opportunities to look back on the past 80 years. The Second World War ended in Europe on 8 May 1945 with “Liberation Day,” marked by Germany’s unconditional surrender and the final collapse of the Nazi regime. In the months leading up to this, Allied forces had liberated the concentration camps.
Starting in autumn 2026, the Mozarteum University will offer new teacher training programmes in music and instrumental music. Andreas Bernhofer, professor of music education, provides an overview of the new content, perspectives and opportunities for students.
The Mozarteum University Salzburg warmly congratulates all graduates who celebrated their achievement at the ceremony on 9 December 2025 in the Solitär.
26th January 2026 sees the premiere of Benjamin Britten’s The Rape of Lucretia in the Max Schlereth Saal at the Mozarteum University. We spoke to the production team, Lena Matterne and Theresa Staindl, to learn more about their views on female identity, self-determination and social conscience.
Singing brings people together – even online. In the ERASMUS+ research project ‘Choir@Home’, the Mozarteum University Salzburg (Prof. Dr. Heike Henning), in collaboration with the University of Liechtenstein (Dr. Janine Hacker) and Anhalt University of Applied Sciences (Prof. Dr. Alexander Carôt), investigated how singing together can take place in virtual spaces and be reimagined.
The Boy Gobert Prize for young actors in the Hamburg theatre scene, worth €10,000, has been awarded to Payam Yazdani, a 2025 graduate of the Mozarteum University’s Thomas Bernhard Institute. We congratulate him on his success!
Violence against women (and minorities) is omnipresent, firmly anchored in our patriarchal structures, and is one of the most widespread human rights violations. In order to increase the visibility of the numerous initiatives of the United Nations and other organisations in relation to this topic, the UN campaign ‘Orange the World’ (OTW) introduced a uniform, strong subject colour. In keeping with its mission as an educational institution with social responsibility, the Mozarteum University is also taking part in ‘Orange the World’ during the ‘16 days against gender-based violence’ (25 November - 10 December).
Florentine Klepper and Kai Röhrig discuss their upcoming production of the two one-act operas Der Kaiser von Atlantis and L'Hirondelle inattendue, which will premiere on 6 December in the Max Schlereth Saal.
On 8 November 2025, at the closing dinner of the AEC Conference in the Carabinierisaal of the Residenz Salzburg – a gathering that brought together delegates from more than 120 music universities across Europe and beyond – the Mozarteum University awarded honorary doctorates to Dame Janet Ritterman and Professor Michael Worton. This marks only the second time in the university’s history that this distinction has been conferred: after Nikolaus Harnoncourt received the first honorary doctorate in 2008, it has now been bestowed on two individuals who have played a decisive role in shaping the Mozarteum’s research profile.
