An encounter with an outstanding individual can have a lasting impact on one’s entire life: a conversation, attending a rehearsal or performance, a walk, an hour spent together—a personal encounter can mean many things. The International Society of Mozarteum University Salzburg cordially invites you to apply with a proposal for such an encounter.
Alumnus and director Alek Niemiro has been honored with several awards for emerging talent, including the 2025 Austrian Art Alumni Award. He wrote his first plays before he began his studies, and his work has taken him from Hamburg to Warsaw, Berlin, Konstanz, and Salzburg, where he staged “Echtzeitalter”—based on the novel by Tonio Schachinger—at the Schauspielhaus Salzburg this spring. A conversation about positive thinking, the blind spots on German-language stages, antiheroes, as well as the ability to compromise and take responsibility.
It is with great dismay and deep sorrow that we have learned of the far-too-early passing of our esteemed accompanist and colleague, Andrej Hovrin.
From September 24 to 26, as part of the “Staging Realities” festival, the Mozarteum University will open the doors of its new X-Reality Lab for the first time—a high-end research facility that systematically breaks down the boundaries between the arts and digital media technology.
Two violins from Wolfgang Amadé Mozart’s personal collection will accompany this year’s Italian tour of the Bella Musica Pre-College Ensemble of the Mozarteum University in Salzburg, conducted by Stefan David Hummel. Mozart’s extraordinary childhood violin and his concert violin, both from the collection of the International Mozarteum Foundation in Salzburg, will be heard in Rome in September 2026.
From November 27 to 29, 2026, to mark the 50th anniversary of the Department of Fine Arts at the Mozarteum, we would like to trace our shared journey with our graduates, and we warmly invite all alumnae and alumni to join us!
For four intensive weeks, Salzburg once again became an international hub for talented young musicians. Around 500 participants from all over the world took part in the Mozarteum International Summer Academy, working across 50 masterclasses, Young Excellence classes and numerous other programmes under the artistic direction of Hannfried Lucke. Alongside the tuition, public concerts by teaching staff and matinees featuring the prize-winners ensured packed houses throughout.
From August 15 to 16, 2026, the 2026 Festival Academy, under the title FRAUEN.FESTSPIEL.PRÄSENZ*, will focus on the visibility, history, and future of female playwrights and composers at the Salzburg Festival. The two-day symposium will place pressing questions about representation, power structures, and the formation of the canon at the center of the debate.
The Belarusian flutist, conductor, cultural manager, and Honorary Professor at Mozarteum University, Maria Kalesnikava, delivered the opening speech at the Salzburg Festival last weekend. Her moving reflections on freedom, responsibility, and the unifying power of music deeply resonated with the audience, underscoring the vital role of culture in challenging times.
Mozarteum University has recently marked ten years as a member of the Western Partnership for Teacher Education. Together with the University of Innsbruck, the University College of Teacher Education Tyrol, the University College of Teacher Education Vorarlberg and KPH Edith Stein, it prepares young people in Tyrol, Vorarlberg and South Tyrol for a career in secondary school teaching.
The Mozarteum University mourns the passing of Matthias Herbst, Professor Emeritus of Art Education, a dedicated pioneer in art education and a highly esteemed colleague.
Following on from the BioSphere & TechnoSphere 1 conference (Salzburg 2025), the year's conferences aims to place a particular emphasis on issues relating to emotion and the history of emotions. In interdisciplinary research on emotions, emotion and affect are sometimes strictly distinguished conceptually: emotions are understood as cognitive-intentional, communicative, socially shaped and thus historically changeable practices. By contrast, affects are understood as pre-conscious, bodily and instinctive reactions.