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HOW TO FIND MYSELF THROUGH MOZART: GELEBTE KUNST WITH SALZBURGER YOUTH is an artistic-visual and scientific project, which was realized in cooperation with the University of Salzburg as well as the University Clinic for Child and Adolescent Psychiatry of the Paracelsus Medical Private University.

Regula Mühlemann, Thaddaeus Ropac, Gerfried Stocker and many, many more: On July 28 and 29, 2021, there was the first opportunity for all interested parties to gain insights into works that are being created or have already been created as part of Spot On MozART in a comprehensive project presentation with exhibition at Mirabellplatz 1.

Pandora Part I - Her of Tomorrow is an intergenerational dance and music project developed together with the community of the Volksschule Aigen, the Orchesterprojekt Salzburg, the Orff-Institut and freelance artists*. Pandora Part II - Artificial Cataclysm is a dance theater piece that portrays single individuals and connects them through a series of tragedies.

A woman and her istrument share their performative expolrations ans examine the possibilities of lament. What can they archieve, given that every sound refracts the sctructural suffering of an inhuman border regime? Do we find something like hope ans even resistance in musical action?

On 25 and 26 June 2021, the SZENE Salzburg will be the setting for one of the most popular choral works of the 20th century: Carl Orff's "Carmina Burana".

The game project "Black Day," which was created with young people from the NMS Lehen as part of the interdisciplinary artistic as well as cultural and media education research project schnitt # stellen, received a Prix Ars Electronica Award U14. After a Prix Ars Electronica last year and the European Youth Culture Award in the Science and Research category, this is the third major award for the research project.

The students of the master's program Applied Theater at the Thomas Bernhard Institute, together with Ulrike Hatzer and Trace Müller, deal with Salzburg's "shadow stories" and with the forced labor camp in Maxglan/Leopoldskroner Moos in a participatory documentary theater project. Whether, when and why are painful pasts and shadow stories remembered?

The rediscovery and revival of (choral) works of the Baroque are matters close to the heart of Jörn Hinnerk Andresen, who has been Professor of Choral Conducting at the Mozarteum University since fall 2019.