Scanning dimensions opens a space of projection and light as a dialogue and flowing transition between music and video. One of Wolfgang Amadeus Mozart's early pieces, KV15dd, becomes the starting point for the visualization and staging in the space.
KV 15dd
A project by
Conny Zenk
Musical Interpretation
Tzu-Yu Yang , Carlos Goikoetxea, David Ebner and Curtis Hsu
Architectures of light and projection arise in reference to the composition. By means of fog projection, repetitions, references and superimpositions become visible. At the same time, the projection in space plays with sensual perception: the projected light beams hit the bodies of the viewers directly. It is an ephemeral, hardly tangible, but perceptible light architecture, which has a very different effect on the audience through the positioning and places of the spectators. The impression is created of immersing oneself in almost real, almost tangible landscapes and using video animation to expand the space filled with music.
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