scanning dimensions

Spot On MozART
Projekt: Scanning Dimensions / Projektpräsentation 2021 | © Christian Schneider

Scanning dimensions opens a space of projection and light as a dialogue and flowing transition between music and video. One of Wolfgang Amadeus Mozart's early pieces, KV15dd, becomes the starting point for the visualization and staging in the space.

KV 15dd

A project by
Conny Zenk

Musical Interpretation
Tzu-Yu Yang , Carlos Goikoetxea, David Ebner and Curtis Hsu

Architectures of light and projection arise in reference to the composition. By means of fog projection, repetitions, references and superimpositions become visible. At the same time, the projection in space plays with sensual perception: the projected light beams hit the bodies of the viewers directly. It is an ephemeral, hardly tangible, but perceptible light architecture, which has a very different effect on the audience through the positioning and places of the spectators. The impression is created of immersing oneself in almost real, almost tangible landscapes and using video animation to expand the space filled with music.


Skip slider
Spot On MozART
Jump to slider start

More projects

  • Spot On MozART Publikation | © Michael Klimt
    The "Unruh" of the Mozarteum 

    Since October 2019, Spot On MozART has been dedicated to the visual exploration of listening and thus to a new understanding of the music of Wolfgang Amadé Mozart. At the end of the project in autumn 2023, the Mozarteum University will present a retrospective of all implemented art and research projects in a comprehensive publication.

    Spot On MozART
  • Shift | © Sigi Tomaschko
    Shift KV594 

    W. A. Mozart's composition Adagio in F minor (KV 594) for an organ work in a clock becomes a synesthetic experience in the project Shift, materially visible, audible and tangible. The result was presented in a textile-acoustic concert on July 18.

    Spot On MozART
  • © Ricsi Kassai
    find me! 

    Mozart had to deal with the problem of being an ordinary person and at the same time an extremely sensitive musician. Was it difficult to accept himself? Did he frighten himself when he realised his extraordinary talent? Was his humour helpful in accepting himself? In the search for answers to these questions, many themes can be discerned that can be symbolic and meaningful for any generation and at any time.

    Spot On MozART
  • © stadtwienmarkting / Johannes Wiedl
    Upcoming Spot On MozART Events 

    In its final year, the Spot On MozART is entirely dedicated to the "Spot On" moment: analogue and digital media, festivals, conferences, fairs - the Spot On moment is concerned with the presentation and positioning of the projects in public space.

    Spot On MozART
  • © Davide Vassallo

    In 1770 Mozart lived in Bologna and passed the examination to become a member of the Accademia Filarmonica di Bologna. ALL'ARIA traces his places of residence and shows Bologna as an ancient and modern city - historical places in a modern time. Taken out of the usual setting, the traditional concert halls and the classical theater, we meet Mozart's music outside, in the street, under the arcades and all'aria - in the air.

    Spot On MozART