Colours take on a variety of functions in our everyday lives. The perception of the world, nature, things and all artefacts "in colour" seems self-evident to us. Colours are systematised, catalogued and traded as material means.
Things and non-things. Things in abundance. Things that no one needs. Things that have become old. Things that are broken. Things that don't please. Things en masse. Things that nobody wants. Do you have things that you don't use? Things that you find terrible? Things that are broken? A thing with which you associate a story? Or a thing that is too beautiful to throw away?
Idling refers to the operation of a system or machine without it doing the work for which it is intended. When does an activity make sense? Is idling a reset? a cure? a pause? What happens during the idle time?
The students approached the design through different parameters: For one, the starting point was movement, for another the material, for a third the form or even the target group, and for the last the function. Courage! and laziness! are terms that the various objects proudly trumpet to their future users.
On the design of everyday life: As part of the design project "I (discover) the table", eleven students of the subject Design: Technology.Textiles asked themselves questions about eating together. How do I eat? What do I eat? Where do I eat? With what do I eat? With whom do I eat? And how do the others eat?
With the beginning of the winter semester 2018/19, the Mozarteum University gets four more top-class professors*: Martin Grubinger for Percussion Instruments - Classical Multipercussion Instruments, Benjamin Kammerer for Piano and Piano Didactics in Innsbruck, Johannes Maria Staud for Composition and Corina Forthuber for Design: Technology. Textile.
The European research project "Schools@Concerts - Tuning up for the music experience", which is anchored at the University Mozarteum Salzburg, focuses on cooperations between schools and concert organizers and researches them from different perspectives through a multiple case study.
The 13th International Mozart Competition of the University Mozarteum Salzburg came to an end with the final concert of the vocal section on February 15 in the Great Hall of the Mozarteum Foundation. The 1st prize of 15,000 euros, donated by the International Salzburg Association, went to the soprano Anna ElKhashem.
schnitt # stellen is an interdisciplinary project that incorporates perspectives from artistic research as well as cultural and media pedagogical research. The focus of interest is on interactions and potential synergies between the media cultural lifeworlds of young people attending an urban secondary school and the field of contemporary media art.
A variety of projects will explore opportunities for instructional development to provide students with diverse and appropriate learning opportunities, developing and documenting various formats and presenting them at professional and interdisciplinary conferences.
Students of the master's project Textiles in Motion at the University Mozarteum Salzburg first dealt with their location in the city of Salzburg, the city in which they moved every day. The question arose as to their very personal 'favourite places' within the city.
An autograph from the hand of Joseph Mohr, written around 1820, is the oldest surviving autograph of a carol which, starting in Oberndorf, quickly spread throughout the 'old' and 'new' world. Silent Night" is a song that - translated into many languages - has become an integral part of the Christmas message of peace. To what extent can a 100-year-old song appeal to young people today and become an impulse for creative work? Pupils of the BORG Oberndorf and the BORG-Gastein are invited to deal imaginatively with the topics opened up by the song and to reflect on and evaluate the products of their work together.
The project sets out to accomplish a data-driven study in musical interpretation, connecting information from human analyses of a number of performances by Karajan, with algorithmically derived data spanning several decades of recordings. Although the project is conceived as a case study on Karajan, we wish to demonstrate the promise of data-intensive, interdisciplinary approaches to musicological studies of expressive performance, and help in establishing this as a new open standard approach in empirical musicology.
