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  • © Christian Schneider
    31.1.2025

    Opera production
  • Detail des Schriftzugs Universität Mozarteum an der Betonwand des Solitärs | © Elsa Okazaki
    24.1.2025

    Press release
  • 15.1.2025

    News
  • © Armin Smailovic
    16.12.2024
    Body, Art and Knight Rider 

    Hanna Binder is an actress, performance artist and musician who is at home on stage and in film. Since 1st of September, she has been bringing her passion for bodywork and authentic stage presence to the Mozarteum in Salzburg as a university professor. With a wealth of experience in theatre, film and dance, Binder now dedicates herself to promoting young talent, always with a focus on the physical expressiveness and humanity that makes theatre so special.

    Interview
  • © Irina Gavrich
    16.12.2024
    Change of perspective 

    Paul Feigelfeld has been a university professor for digitality and cultural mediation at the Institute for Open Arts at the Mozarteum University since October. He researches transcultural approaches to the history of media and knowledge, critical perspectives on technologies and their interfaces with art and design.

    Interview
  • © Judith Buss
    15.12.2024
    Vincenzo Bellini: I Capuleti e i Montecchi 

    The performance of Vincenzo Bellini's opera I Capuleti e i Montecchi delivered a powerful reinterpretation of the masterpiece. Directed by Alexander von Pfeil, the production centred on the relentless feud between two rival clans and the profound despair of its victims. This staging transcended specific eras, placing the story in a universal, timeless setting that brought Bellini's dark vision of love and war to the stage with harrowing clarity.

    Opera production
  • © Christian Schneider
    15.12.2024
    Magic, poetics and absurdity 

    At the beginning of 2025, Florentine Klepper and Kai Röhrig's opera class at the Mozarteum University will bring Christian Jost's ‘Dichterliebe’ to the stage. The two set designers Carla Schwering and Yvonne Schäfer talk about the ideas and realisation of their visions for the stage design.

    Interview