The Ö1 Composition Prize 2025, endowed with 10,000 euros, goes to the young composer Christiaan Willemse. He is studying composition in the postgraduate programme with Johannes Maria Staud at the Mozarteum University and impressed the jury with his personal and technically advanced works and compositional flair - congratulations!
The only voice teacher Cecilia Bartoli has ever had is her mother, the soprano Silvana Bartoli Bazzoni. We are delighted to announce that from 4 to 8 August 2025, professional singers of all voice types will have the unique opportunity to work personally with Silvana Bartoli Bazzoni on ‘fundamental principles of vocal technique - the basis of a long singing life’ in a masterclass as part of the International Summer Academy at Mozarteum University. Registration is open now.
Tina Geroldinger, a young Austrian composer, and Maurycy Hartman, clarinettist and founding member of the Ensemble for Contemporary Music, in conversation about the new ensemble, opportunities and possibilities for contemporary music in the current music world and about special moments that arise when people engage intensively with each other musically.
Mariia Tkachenko lived in Kyiv until March 2022, where she received singing and violin lessons as a child and has already appeared in several TV productions. Her acting studies at the I. K. Karpenko-Karyi Kyiv National University of Theatre, Cinema and Television were interrupted by the war in Ukraine.
The Ö1 Talentebörse Composition Prize in the amount of 10,000 euros is awarded by Ö1 and the Oesterreichische Nationalbank (OeNB) and will be announced for the tenth time in 2025. The composition prize is a composition commission for a chamber music work, which may also include electronics.
Every year, the Mozarteum University honours students majoring in violin who have shown particular talent and achievement with the Paul Roczek Award, which is endowed with 10,000 euros. The winner of the Paul Roczek Award 2024 is Arieta Liatsi.
Florentine Klepper and Kai Röhrig in conversation about the next major production at the Opera & Music Theatre Department: Christian Jost's Dichterliebe.
Marios Joannou Elia, a graduate of Adriana Hölszky's composition class in 2005, was honoured with the ‘Excellency Award and the Gold Medal of the Republic of Cyprus’.
The International Society of Mozarteum University Salzburg finances an ensemble scholarship for students or graduates of the Mozarteum University - interdisciplinary concepts are welcome!
The performance of Vincenzo Bellini's opera I Capuleti e i Montecchi delivered a powerful reinterpretation of the masterpiece. Directed by Alexander von Pfeil, the production centred on the relentless feud between two rival clans and the profound despair of its victims. This staging transcended specific eras, placing the story in a universal, timeless setting that brought Bellini's dark vision of love and war to the stage with harrowing clarity.
Meral Guneyman is a versatile classical musician, with numerous releases, who is comfortable in both pop and jazz music, has transcribed many original works and is also an enthusiastic arranger and improviser. Her ability to move between classical and jazz with lightning speed and conviction is a rarity. In 2021, her arrangements of classic David Bowie songs were presented for the first time on ‘Steinway-Spirio’ - a high-resolution self-playing system of the highest quality.
The winners of the excellent Master's theses 2022/2023 are Viktoria Anna Hirschhuber, Christiaan Josef Willemse, Giorgio Musolesi and Iris Vonolfen - congratulations!
Last Saturday, after four intensive weeks under the artistic direction of Hannfried Lucke, the International Summer Academy 2024 came to a very successful end with 55 masterclasses, 13 additional courses and 66 concerts. 550 participants from 53 nations (average age 21) were guests in Salzburg. Twelve up-and-coming artists were honoured and each received 1,000 euros in prize money donated by the City of Salzburg's Cultural Fund.
As a play, La Folle journée by the scandalous author Pierre Auguste Caron de Beaumarchais was banned in Vienna. However, Mozart and Da Ponte were able to suggest to Emperor Joseph II that the genre of opera would defuse the revolutionarily objectionable text and were thus commissioned to compose and write the libretto. The question of whether they did not in fact intensify the play in other ways is one that is posed anew in every production. With Le nozze di Figaro, Gernot Sahler and Alexander von Pfeil's opera class continued their Da Ponte cycle, which began with Così fan tutte in May 2023.
Masterclasses, concerts, operettas, contemporary composition and much more between Salzburg, Bad Ischl and Siena: an exciting academy summer awaits at the Mozarteum University!
On 24 May, "Doppler 15" will be the first concert by the newly formed ensemble for new music at Solitär. Kai Röhrig, the ensemble's musical director, flautist Leona Rajakowitsch and composer Anna Skladannaya (both students and founding members of the ensemble) talk about the genesis, current projects, challenges and the hunt for new, unheard-of soundscapes.
