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An event of the Thomas Bernhard Institute in cooperation with the Mozartforum and the Department forstyle of Mozart's time margit Legler Set design thorben Schumüller Details The air is the carrier forthe ephemeral: music.The flesh is carrier for the physical: Dance. Both are transient, both are subject to time.

Parklets to linger, for people and bees: On June 28, two parklets were opened in the city of Salzburg, one of which is TO BEE, a project by students at the Department of Fine Arts & Design (Design: Technik.Textil).

The bodies representing the employees in the enterprise (BR2) have the task of safeguarding and promoting the economic, social, health and cultural interests of the employees in the enterprise.

A variety of projects will explore opportunities for instructional development to provide students with diverse and appropriate learning opportunities, developing and documenting various formats and presenting them at professional and interdisciplinary conferences.

After the Senate and the University Council of the University Mozarteum Salzburg announced the re-election of Rector Prof.in Elisabeth Gutjahr in February 2021, her team was also re-elected in May 2021. Hannfried Lucke (Vice Rector for Arts), Mario Kostal (Vice Rector for Teaching) and Anastasia Weinberger (Vice Rector for Resources) will continue to steer the fortunes of the University alongside Elisabeth Gutjahr.

‘Reflections’ is a project that pursues an egalitarian approach to the development and exploration of the arts: works by female composers from earlier centuries that have been forgotten or overlooked, rarely heard or never heard in this country are reflected in the diverse musical languages of today's musicians.

The diverse offerings of the Mozarteum University include publications from the disciplines of music, performing & visual arts, scenography, music & dance education, research, liberal arts, and interdisciplinary.

At the beginning of 2025, Florentine Klepper and Kai Röhrig's opera class at the Mozarteum University will bring Christian Jost's ‘Dichterliebe’ to the stage. The two set designers Carla Schwering and Yvonne Schäfer talk about the ideas and realisation of their visions for the stage design.

7 world premieres and all works composed by Mozart in 1791, the year of his death. This is the ambitious program that the newly founded Mozart Forum of the Mozarteum University has set itself for 2021, starting with a production of the opera "La clemenza di Tito," which will premiere on February 1 without an audience, but in a livestream.

to the unhoused - and this despite the fact that he places the epitome of the domestic idyll on theWith great musical seductiveness, Britten set Henry James' ambiguous ghost story about the demise ofsecurity, the reign of the forbidden, and fascination with the abyss.– comes the warning from the opera's narrator to the son of the Etruscan king.

"The Mozarteum in distress", "Help us - a cry of distress from the Mozarteum" - headlines like these characterized Salzburg's press coverage in the spring of 1921. After four years of war, during which it had been possible to maintain the teaching activities of the young conservatory, the Mozarteum was on the brink of extinction.

Hollitzer Wissenschaftsverlag, Vienna 2020

In a meeting with the senate chairpersons of Austrian universities at the end of October, representatives of the Ministry of Education provided information about a planned amendment to the Universities Act. The intention to disempower the senates and thus massively restrict the constitutionally guaranteed freedom of science and art is evident.

On June 29, the Department of Scenography invited to the annual tour, work show and summer party. Diverse insights into the studies, the studios and the created and ongoing projects were complemented with open studios, installations, exhibitions, films and live music.

How do we change perspectives when things and people become strangers to us? The performance OUBLIEZ - WHO(N) WE FORGET focuses on the 'in-between spaces' where communication takes place - between those affected, care staff and relatives - and tries to capture what happens to people who "disappear without being lost".