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Univ.-Prof. of Piano

Univ.-Prof. of Piano

Univ.-Prof. of Piano

Pleasure Space is a tactile installation and theatrical play on sexuality education. Anna Szepes' master project in MA Applied Theatre aims to create safe and playful performative spaces for intergenerational exchange and creative knowledge production around sexuality. In Pleasure Space we use research, interviews, play design, writing, somatic exercises and sound to realise a correspondence between adults and teenagers that is now open to you.

Even in a hyper-eroticized society, hardly any topic is as polarizing as sex work. Whether in feminist debates, political disputes or in private conversations: everyone has an opinion about it. In Johanna Mayrhofer's master's project, sex work as a topic that has always been on the borders of our society is moved from the outskirts to the center of Salzburg in the form of an interactive audio walk.

Jonas Baur, Master's student Applied Theatre invites all men (all bodies, queer-friendly, trans* inclusive) to come together to seek and find answers to what it can mean to make masculinity diverse and caring. The invitation is open to anyone who is curious, interested in sharing about gender roles, wants to see themselves as men in their own way, or wants to prevent discrimination.

The Applied Theatre students are showing try-outs of their work in the module "On Representation - Who cares, who speaks?". Together with co-researchers, accomplices and so-called experts of everyday life, they try to find out which untold stories should be given a stage.

Lecturer in Acting

Department management / overall technical management / Lecturer for stage technology

+ Audio + Theatre + Documentary experience: Master project by Wan Yuk Yu

Installative, performative and interactive work at various locations in Salzburg, as part of the Salzburg summer scene.

Theater-interested, -enthusiastic and -newcomers are welcome! Everyone together, citizens, people who live in Salzburg, students and life artists try out together.

In the WS 2023, the MA Applied Theater – artistic theater practice & society focuses on practices of artivism, performativity and the inscription of one’s own biography in (artistic) work and society.

What is the sound and rhythm of a city? How do people meet in this or another place? Where do they feel free? How does urban architecture inscribe itself into our bodies? How do we walk in the city? What does the climate of a city feel like? How does the memory of a city work? And what happens when we relate our experiences with these questions in places as different as Hong Kong and Salzburg?

The students of the master's program Applied Theater at the Thomas Bernhard Institute, together with Ulrike Hatzer and Trace Müller, deal with Salzburg's "shadow stories" and with the forced labor camp in Maxglan/Leopoldskroner Moos in a participatory documentary theater project. Whether, when and why are painful pasts and shadow stories remembered?

A woman and her istrument share their performative expolrations ans examine the possibilities of lament. What can they archieve, given that every sound refracts the sctructural suffering of an inhuman border regime? Do we find something like hope ans even resistance in musical action?