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Since October 2022, the Moz-Art-Zone has been offering an interdisciplinary music and art education program that arouses enthusiasm and interest among students and opens the doors of the university wide for this purpose. On November 30, 2022, the first large Christmas Carol Sing Along choir concert took place with 150 Salzburg students.

7 string quartets with musicians from a total of 14 nations, including 14 people from South Korea as the strongest represented nation, will compete for the International Mozart Competition 2023 in the string quartet division from February 3 to 9, 2023. The program highlight is a work by a living composer.

39 singers from 15 countries competed for the International Mozart Competition of the Universtiät Mozarteum in the vocal category from February 10 to 16, 2023. A program highlight was dedicated to the 100th anniversary of the IGNM, which was celebrated in 2022. The final took place on February 16, 2023 in the Solitär.

Festive music from Versailles characterizes the pre-Christmas season with Grands Motets from France. With soloists, the vocalEnsemble and the Baroque Orchestra of the Mozarteum University, truly great sounds are heard under the direction of Jörn Andresen.

News … Home News Ensemble sponsorship award to NAMES Ensemble sponsorship award to NAMES 12.12.2022 Awards & Successes © Fabian Schober The Ernst von Siemens Music Foundation awards the two Ensemble Sponsorship Prizes '23 to the vocal ensemble Ekmeles from New York and the Salzburg-based New Art and Music Ensemble NAMES. The award will be presented for the third time in 2023 to outstanding young ensembles and is endowed with 75,000 euros each. (Press release of the Ernst Von Siemens Music Foundation) With the Ensemble Sponsorship Award, the Ernst von Siemens Music Foundation annually supports two outstanding young ensembles. The prize serves to further their artistic and structural development. This year, the American ensemble Ekmeles and NAMES from Austria prevailed from a large number of excellent applications from 16 countries. The decision was made by the Board of Trustees of the Ernst von Siemens Music Foundation, whose members include Intendant Ilona Schmiel, violinist Carolin Widmann, and composers Isabel Mundry and Enno Poppe. The prize was established in 2020 and will be awarded for the third time in 2023. The American ensemble Ekmeles is one of the few vocal ensembles in the world to focus on contemporary music. The New York singers* convince with a grandiose sound, outstanding precision and intonation, with which they master even the most difficult microtonal works. At the same time, Ekmeles strikes a good balance between new works and the repertoire of past decades. The New Art and Music Ensemble NAMES from Salzburg takes a multi-impulse approach. With eleven musicians from seven European countries, there is great cultural diversity. The ensemble builds bridges to other art forms such as performance, dance, visual arts and literature. As a democratically organized collective, NAMES has shaped its own unique style and aesthetic. For NAMES, the Ensemble Prize is "a huge opportunity to continue to engage with the things that inspire us and to create a sustainable space for our creativity," says Anna Lindenbaum, violinist of the ensemble. "It is great to see how each individual and we as an ensemble have developed over the last 8 years. The Ensemble Prize encourages us in our efforts to unite diverse artistic disciplines in one ensemble and to deal with transdisciplinary concepts. We are very happy about the possibility to continue with this and to accept new challenges again and again! ", emphasizes also  Marco Sala , clarinetist of the ensemble. NAMES will be heard on February 28, 2023 at the opening event of the 50th anniversary of the Ernst von Siemens Music Foundation at the Bavarian Academy of Fine Arts in Munich.  More details (Opens in new tab) Perhaps also interesting ... Awards & achievements (german only) 1.7.2025 Awards & achievements (german only)  Awards & Successes Alexander Bauer and Anna-Maria Stadler awarded the Theodor Körner Prize 30.6.2025 Alexander Bauer and Anna-Maria Stadler awarded the Theodor Körner Prize  The Theodor Körner Fund supports young scientists and artists with the Theodor Körner Sponsorship Award, which is endowed with 5,000 euros. It is awarded for outstanding projects, provides direct support to the winners and is at their free disposal. Two Theodor Körner Prizes go to graduates of the Mozarteum: musician Alexander Bauer and writer Anna-Maria Stadler. Congratulations! Awards & Successes Tyrolean State Prize for Art 2025 awarded to Johannes Maria Staud 11.6.2025 Tyrolean State Prize for Art 2025 awarded to Johannes Maria Staud  The Tyrolean State Prize for Art, worth €14,000, goes to Johannes Maria Staud, a composer born in Innsbruck and professor of composition at the Mozarteum University. The jury unanimously agreed that Staud is one of Austria's most important contemporary composers. We send our warmest congratulations! Awards & Successes Lukas Stangl wins the Salzburg AG Art Prize 2025 11.6.2025 Lukas Stangl wins the Salzburg AG Art Prize 2025  The Salzburg AG Art Prize in the field of visual arts for students at the Mozarteum University Salzburg, worth EUR 10,000 and awarded for the first time, goes to Lukas Stangl (born 1992, Austria). With the Salzburg AG Art Prize, Salzburg AG promotes artistic engagement with the theme of ‘energy’. Theme of the first edition: Data Whispers: Making the Invisible Visible – congratulations! Awards & Successes

The Sir Ian Stoutzker Prize, launched at the Mozarteum University in 2019, has produced six winners! In the spirit of interdisciplinarity and inclusion, the selection process was open to all students of the Mozarteum University for the first time. The outstanding winner of the evening is the soprano Veronika Loy.

Which opera houses do you know, where would you most like to visit an opera and how do you imagine a contemporary opera performance? Take part now in the survey as part of the Opera out of Opera project and, with a bit of luck, win one of three vouchers worth 100 euros for a store of your choice! The closing date for entries is January 31, 2023.

Attention composers: The application for ARCo - Art, Research and Creation 2023 is now open! The French-Austrian Academy for Contemporary Composition, a cooperation of the Mozarteum University and the GMEM - Centre national de création musicale Marseille will take place from July 7 to 16, 2023 in Marseille - be part of it!

On December 14, 2022, Elisabeth Eder, a teacher and researcher at the Department of Music Education Salzburg, was awarded the state prize "Award of Excellence" for the 40 best dissertations in Austria in the Aula der Wissenschaften in Vienna.

The first winners of the 15th International Mozart Competition have been announced. The 1st prize in the string quartet category and the traditional special prize of the Mozarteum Foundation for the best interpretation of a string quartet by W. A. Mozart go to the Arete Quartet, the 2nd prize to the Affinity Quartet and the 3rd prize to the Eden Quartet.

Invitation for all students of the department (also with chamber music partners from other departments) to actively participate In the winter semester 2022/23, the Department of Wind & Percussion Instruments will start a pilot project and offer three public "Team Teaching Masterclasses" with two teachers of the department each during the academic year.

30 years of folk music studies and study programs at the University Mozarteum: Together with the Lucerne School of Music, teachers and students of the University Mozarteum go on a search for traces between yodel and yodel, tradition and new trends.

News … Home News Great music at the princely court: concert in baroque polychoral style Great music at the princely court: concert in baroque polychoral style 25.04.2022 News Iris Wagner © Christian Schneider In cooperation with the DomQuartier Salzburg and the Johann Michael Haydn Society Salzburg, the Department of Early Music of the Mozarteum University dedicates itself to the two great court conductors of 17th century Salzburg: Andreas Hofer and Heinrich Ignaz Franz Biber. Date 29 April at 19.00 DomQuartier Salzburg Andreas Hofer and Heinrich Ignaz Franz Biber are somewhat overshadowed today by W.A. Mozart and Michael Haydn. While Biber still enjoys a certain fame due to his virtuoso violin sonatas, Hofer, who came from the neighboring town of Bad Reichenhall, is hardly ever performed. This may be due, among other things, to the considerable difficulties of scoring the sacred works. Always conceived in surround sound for the four organ galleries in the cathedral, it requires eight outstanding vocal soloists. In addition, there is a baroque instrumentarium from high tines to baroque trombones to the insignium of prince-bishop power, the choir of virtuoso natural trumpets for at least four voices. This will require a large continuo of dulcian, violone, cello two theorbos, harpsichord and organ. On April 29 and May 1, two four-choir major works by Heinrich Iganz Franz Biber and Andreas Hofer can finally be heard again in concerts in Salzburg and Bad Reichenhall, including a CD presentation. Biber's "Vesperae á 32" are lush vesper settings with Dixit Dominus and Magnificat for 32 voices. Andreas Hofer contributes his equally expansive "Missa Archi Episcopalis." The solo Mozarteum vocalEnsemble will be joined by the Capella dell'halla and students from the Department of Early Music at the Mozarteum University. The concerts also mark the founding of the new "Andreas Hofer Society" based in Bad Reichenhall!   Program: Andreas Hofer (1629-1684), from 1679 Court Kapellmeister at the Salzburg Court Missa Archi Episcopalis Heinrich Ignaz Franz Biber (1644-1704), from 1684 Court Kapellmeister at the Salzburg Court Laetatus sum Vesperæ à 32 Performers: Capella dell 'halla Students of the Department of Early Music Soloists* of the Oratorio Class Mozarteum vocalEnsemble Conductor: Jörn Andresen More News Christiaan Willemse wins Ö1 Talent Exchange Composition Prize 2025 4.6.2025 Christiaan Willemse wins Ö1 Talent Exchange Composition Prize 2025  The Ö1 Composition Prize 2025, endowed with 10,000 euros, goes to the young composer Christiaan Willemse. He is studying composition in the postgraduate programme with Johannes Maria Staud at the Mozarteum University and impressed the jury with his personal and technically advanced works and compositional flair - congratulations! Awards & Successes Masterclass for Voice with Silvana Bazzoni Bartoli 27.5.2025 Masterclass for Voice with Silvana Bazzoni Bartoli  The only voice teacher Cecilia Bartoli has ever had is her mother, the soprano Silvana Bartoli Bazzoni. We are delighted to announce that from 4 to 8 August 2025, professional singers of all voice types will have the unique opportunity to work personally with Silvana Bartoli Bazzoni on ‘fundamental principles of vocal technique - the basis of a long singing life’ in a masterclass as part of the International Summer Academy at Mozarteum University. Registration is open now. News Dreamy, gestural, interwoven, humorous - or a chaotic hustle and bustle 14.4.2025 Dreamy, gestural, interwoven, humorous - or a chaotic hustle and bustle  Tina Geroldinger, a young Austrian composer, and Maurycy Hartman, clarinettist and founding member of the Ensemble for Contemporary Music, in conversation about the new ensemble, opportunities and possibilities for contemporary music in the current music world and about special moments that arise when people engage intensively with each other musically. Interview Braver than before - Mariia Tkachenko 8.4.2025 Braver than before - Mariia Tkachenko  Mariia Tkachenko lived in Kyiv until March 2022, where she received singing and violin lessons as a child and has already appeared in several TV productions. Her acting studies at the I. K. Karpenko-Karyi Kyiv National University of Theatre, Cinema and Television were interrupted by the war in Ukraine. Alumnae & Alumni Stories

Raimonda Žiūkaitė's opera composition "Salt is My Heritage" was chosen as the Work of the Year in the category of stage works by the Composers' Union of Lithuania. The work was performed by Lidia Luciano (soprano), students of the Mozarteum University and the œnm under the direction of Félix Marest. The premiere took place on October 28, 2021, as part of the Crossroads Festival. It was directed by Giulia Giammona and the libretto was written by Franz Jäger.

Awards for excellent master theses 2020/2021 Since the academic year 2016/2017, the Mozarteum University has been awarding the "Prize for excellent master theses". This award recognizes outstanding theses of graduates who dedicate themselves to their chosen topics in an innovative, original, unusual or particularly sustainable way. The winners of the excellent master theses 2020/2021 are: Caroline Fritz (MA IGP Guitar - Classical): "Slavko Avsenik und seine Original Oberkrainer: Untersuchung von Herkunft und Einflüsse mit der Analyse ausgewählter Beispiele" (scientific work, supervisor: Franz Zaunschirm) Pavle Krstic (MA Piano Soloist Training - Concert): "Analyse als Mittel der Interpretation der Préludes op.28 von Chopin" (scientific work, supervisor: Barbara Dobretsberger) We congratulate you!

News … Home News International Music Theory Congress at the Mozarteum University International Music Theory Congress at the Mozarteum University 20.09.2022 News © GMTH The leading umbrella organization for music theory in Europe, the Gesellschaft für Musiktheorie (GMTH), meets at the Mozarteum University and addresses current issues. In addition to renowned speakers such as Robert Hatten (Austin/Texas), Otfried Büsing (Freiburg), Cosima Linke (Saarbrücken), Ulrich Kaiser (Munich), Christian Utz (Graz), and Martin Rohrmeier (Lausanne), who will present their latest work, students will also have the chance to present their projects.  GMTH Congress 2022: MODELS September 30 - October 2 Mozarteum University Music theory as a lively and inspiring subject Music is an artistic question or message, a mystery to be deciphered. Craftsmanship: How do you compose a sonata in the style of Viennese Classicism? Analytically: How can the mystery be traced? Historically: How did Mozart learn to compose and what can we learn from him? Scientific: Music is always a testimony of its time, and a variety of approaches and methods are needed to gain insight into it - what can these look like? These are the questions that the discipline of music theory addresses both within and outside its pedagogical sphere at a music university. The subject, which one might still know as a series of dry compulsory subjects, has properly moulted in the last two decades. It is open to artistic questions of all kinds and offers an extremely versatile approach to music with "diverse" answers, but also new questions. Music theory as a discipline thus builds bridges between musicology, research and musical practice, between pedagogy, historical as well as contemporary composition and improvisation.  It encompasses an enormously multifaceted and widespread canon of subjects that is needed at every music education institution. Not only do more than 200 participants from German-speaking and international countries prove that music theory is a lively, inspiring subject that is colorful and anything but dusty. The GMTH congress also shows that music theory is constantly reinventing itself artistically, scientifically, pedagogically and institutionally, questioning its methods and striving to integrate new media and modern technical developments such as Artificial (Artistic) Intelligence. Under the somewhat abstract theme of "Models" and self-deprecating subtitles, the event will feature lectures, workshops, panel discussions ("Battaglia"), presentations of new computer-based approaches ("Lab"), and even a master class. Leading international researchers will present their latest work and students will also have the opportunity to present their projects. The special feature of GMTH's topic selection is that everyone can apply anonymously with a presentation, whether students or international greats: The only thing that counts in the selection is the quality, not the name.   Public events presenting the impressive artistic results of music-theoretical work - the dates: The supporting program of this year's annual congress of the Gesellschaft für Musiktheorie (GMTH) is intended to explore, in view of the congress theme "Models", the field of tension between composition as "historical syntax" and "real" composition. Where does composition begin, where is it "only" composition? Do both belong to art or is there such a thing as "mere craftsmanship"? Does a large transitional area exist, or can composition and composition be clearly separated? - Concert "Young Mozart" Friday, Sept. 30, 2022, 8 p.m., Solitär, Universität Mozarteum Salzburg, Mirabellplatz 1, admission free Do you recognize a piece by Mozart among works by music theory students of the Mozarteum and other music universities? Under the title "Young Mozart", students present their own works composed in the classical style of music of the middle (and late) 18th century. Mixed in will be an original composition by Wolfgang Amadé Mozart. During the concert, the audience is allowed to vote via app which of the pieces is the original one. The "resolution" will only take place at the end of the evening… - Keynote "Models in New Music" Saturday, 1.10.22, 9.30-11.00 a.m., Solitär, Universität Mozarteum Salzburg, Mirabellplatz 1, admission free The keynote consists of two impulse lectures on typical turns and models in new (post-tonal) music. This will be followed by a discussion between the panel and the audience. - "Improvisation Competition and Award Ceremony" Saturday, Oct. 1, 2022, 11 a.m. to 1:15 p.m. and award ceremony 3 p.m. to 3:30 p.m., Universität Mozarteum Salzburg, Mirabellplatz 1, admission free Every year, the GMTH hosts an artistic competition to promote young talent for students. This year it is dedicated to the theme of improvisation. The final round and the award ceremony will take place live during the congress. Similar to the concerts of the supporting program, the contributions move in an open spectrum between style-bound and "artistic freedom". - Concert "Between style-bound composing and avant-garde" Saturday, Oct. 1, 2022, 8 p.m., Solitär, Universität Mozarteum Salzburg, Mirabellplatz 1, free admission This concert offers you several opportunities to approach the questions posed at the beginning with a listening, curious, critical ear. Five composers and music theorists employed at the Mozarteum will present you with compositions that could not be more different. The above-mentioned events can be attended with free admission. Registration is required for participation in the other events of the congress: https://www.gmth.de/veranstaltungen/jahreskongress/anmeldung.aspx To the entire program (Opens in new tab)