Search

The aim of the project is to develop professional opportunities and artistic co-productions exploring the ways diverse theatre traditions can effectively converse and contribute to quality artistic diversity and creativity in Europe. The objective of the Pl.ETA is therefore also to create a new artistic value out of the interaction between various theatre traditions and specialties.

On November 25, Hildegard Fraueneder was awarded the Salzburg Prize of the Kulturfonds for her special achievements and commitment.

Ass.-Prof. of Art Pedagogy / Art Education

Senior Lecturer in Piano

With the solidarity event "Woman_Life_Freedom" in the framework of "Practicing Care", the Mozarteum University wants to contribute to maintaining public attention on the criminal machinations and the "state-sanctioned killings" (according to the UN High Commissioner for Human Rights) of the Iranian rulers. At the same time, we want to convey an impression of the concerns and diverse forms of protest, which is supported not least by countless artists.

On 18th June 2025, members of the various curiae of the Mozarteum University voted for their representatives in the senate for the term from 1st October 2025 – 30th September 2028. At the constitutive meeting on 27th June, Univ.-Prof. Christoph Lepschy was elected as Senate Chair for the third time.

Teacher of Jazz and Pop / Percussion

Senior Lecturer / Collaborative Pianist

Piano and harpsichord tuners

Wißner, Augsburg 2011

Univ.-Prof. of Graphic Arts & Painting / Art Education / Representative for the Study of Art and Craft Education Innsbruck

Teacher of Music & Movement

Senior Lecturer / Vocal Coach and Accompanist / Teacher of Piano

The performance of Vincenzo Bellini's opera I Capuleti e i Montecchi delivered a powerful reinterpretation of the masterpiece. Directed by Alexander von Pfeil, the production centred on the relentless feud between two rival clans and the profound despair of its victims. This staging transcended specific eras, placing the story in a universal, timeless setting that brought Bellini's dark vision of love and war to the stage with harrowing clarity.

Master's project Applied Theatre by Cristina Giurgea

The Applied Theatre students are showing try-outs of their work in the module "On Representation - Who cares, who speaks?". Together with co-researchers, accomplices and so-called experts of everyday life, they try to find out which untold stories should be given a stage.