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Pleasure Space is a tactile installation and theatrical play on sexuality education. Anna Szepes' master project in MA Applied Theatre aims to create safe and playful performative spaces for intergenerational exchange and creative knowledge production around sexuality. In Pleasure Space we use research, interviews, play design, writing, somatic exercises and sound to realise a correspondence between adults and teenagers that is now open to you.

Could Dionysus be a queer trans* deity? What if their companions simply do not conform to any norm and are not mad at all? Cat Jugravu's performance DIONYSOS. MADNESS POURS UPON MY LOVELY FACE invites us to reinterpret the myth as a manifesto for otherness and queerness. With the Maenads - the dissident entourage of Dyonisos - the audience tries to approach a life without the norm in ritual, dance and rave.

Even in a hyper-eroticized society, hardly any topic is as polarizing as sex work. Whether in feminist debates, political disputes or in private conversations: everyone has an opinion about it. In Johanna Mayrhofer's master's project, sex work as a topic that has always been on the borders of our society is moved from the outskirts to the center of Salzburg in the form of an interactive audio walk.

You choose the material on the test field. And then the playing begins. How does your new body feel? What does it tempt you to do? You are not alone on this exploration, the others must also find themselves in their foreign bodies. A series of recordings accompany you on this journey in an attempt to create an environment that enables collective thinking and relationships, to rethink how we are together and what we learn from each other.

X participants, X directors on X dates with X theater ideas, people interested in theater, theater enthusiasts, theater novices meet students of the Applied Theatre - artistic theater practice & society program. Everyone tries out together, some in playing, others in directing.

Theater-interested, -enthusiastic and -newcomers are welcome! Everyone together, citizens, people who live in Salzburg, students and life artists try out together.

Dates of the Open University workshop series in connection with the Applied Theatre course "Leading, Planning, Facilitating - theatrical work in uncertain settings".

The Applied Theatre Master's programme at Mozarteum University celebrates its 5th birthday. A look back and ahead with Prof. Ulrike Hatzer, who has headed the programme since 2019.

This semester, Applied Theatre's documentary research project deals with Feminist Cities - for the third time in cooperation with Sommerszene.

Andreas Steudtner „Welcome, Servus, Grüß Gott”

Salzburg is an incomparable place to study! Here students can find information on student dormitories, registering their residence and any residency requirements.

Anastasiia Larina receives scholarship from the Federal Ministry for European and International Affairs (BMEIA). She comes from Kherson/Ukraine and has been studying the MA Applied Theater - Critical Theater Practice and Community at the Thomas Bernhard Institute of the Mozarteum University since 2023.

The Thomas Bernhard Institute is one of the most renowned Austrian training centers for aspiring actors, directors, film and theater makers. The examination of text is related to space, body and movement as the fundamental elements of play and acting.

People … Home People George Wacks © Armin Bardel Guest lecturer Mag.art. Georg Wacks ⋅Thomas Bernhard Institute Georg Wacks works in a wide variety of disciplines and institutions as a producer, director, actor, singer, speaker, musician, clown, emcee, musicologist, exhibition designer, publisher and author. He has been teaching ‘Clown’ at the Thomas Bernhard Institute of the Mozarteum University since 2021. Contact wacks.entertainment@gmx.at Georg Wacks studied at the École Philippe Gaulier - International School of Theatre in London, the University of Music and Performing Arts in Vienna and at the University of Vienna. He received vocal training from Sebastian Vittucci and was a soloist at the Vienna Volksoper. From 2010-2022 he was artistic director of the historical cabaret programmes at the Theater an der Wien, and since 2020 he has been artistic director of the summer festival ‘Die Hölle am See’ together with Marie Theres-Arnbom. Until 2023, he was artistic director of the ‘Lobkowitzer Ramasuri’ series at the Vienna Theatre Museum. For several years he worked as a lecturer for voice training, breathing and movement, writing and directing, as well as clown at the international theatre school Ecole Philippe Gaulier in Paris, and since 2023 he has been a lecturer for acting, breathing and movement at the Joseph Haydn Private University of Applied Sciences Eisenstadt. He writes academic books on historical cabaret, conceives and writes historical cabaret programmes, children's plays and music education programmes, among other things.

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