Institute for the History of Musical Reception & Interpretation
The Institute for the History of Musical Reception and Interpretation (IMRI) was founded in May 2006. Its aim is to combine relevant research activities in the field of the history of reception and interpretation with tasks in the field of teaching at art universities. Projects of the institute concern both fundamental questions and case studies, with lectures, symposia and studies on the multifaceted examination of W.A. Mozart's musical oeuvre forming a focal point of the institute's work.
The institute, founded in June 2006 by Joachim Brügge, Wolfgang Gratzer and Thomas Hochradner, is dedicated to the reception and interpretation of music of various genres. Based on music-historical, interdisciplinarily oriented methodological concepts, the following is taught in
- academic theses (Bachelor, Master, PhD) supervised by members of the institute
- research projects
- lectures, symposia and publications
- a reference field of different topics is established.
The Institute's publications appear in the series "klang-reden" (2008-) published by Rombach Verlag, as well as in individual essays and book projects by staff members. One focus of the institute's work is the examination of Wolfgang Amadé Mozart's musical oeuvre. This is documented, among other things, in
- publications, including articles on the history of reception in the "Mozart-Lexikon" (2005), the two handbooks on Mozart's "Kirchenmusik - Lieder - Chormusik" (2006) and "Orchesterwerke und Konzerten Mozarts" (2007) as well as Joachim Brügge's study "Intertextualität und Rezeptionsgeschichte. W.A. Mozart, Divertimento in E-flat Major KV 563" (2014).
- three PostDoc projects on the history of interpretation of Mozart's works (Bernadetta Czapraga / Alexander Drcar / Rainer Schwob, 2014-2017),
- work on a handbook of musical interpretation research (Bernadetta Czapraga / Alexander Drčar / Rainer Schwob, scheduled for publication in 2023).