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stage and costume design at the Mozarteum University and has already been responsible for costume and setYou are a set and costume designer and obviously feel very comfortable with directing as well? Yes!In set design, you actively search for spaces, you do location scouting.How can you imagine the process of creating a stage set or the costumes for a production? 

Alexander von Pfeil, director of the upcoming opera production "Elegy for Young Lovers" by Hans Werner Henze and professor of music drama, has thought about the piece and his production in advance and reflects on the opera's major themes in a interview.

Establishing and developing the profile of an ensemble is one of the most demanding and, at the same time, most appealing challenges in artistic development. Many globally successful ensembles were formed during their studies, laying the foundation for an international chamber music career. However, existing study programmes alone can only provide limited incentives and framework conditions for this. The ensemble scholarship is the answer to this: convincing project proposals receive financial support for a period of one year to realise specific artistic projects.

Mozart's „Le nozze di Figaro“ will celebrate its premiere on 18 June in the Max Schlereth Saal at Mozarteum University. The director of the production, Alexander von Pfeil, and set designer Thorben Schumüller talk about the creation process, inspirations and the opera's major themes: hierarchies, power relations, gender roles...

Florentine Klepper, Volker Wahl and Kai Röhrig in conversation with Magdalena Croll about Giacomo Puccini’s *Suor Angelica* and *Gianni Schicchi*

The story of Babar, as part of a series of children's books, was written in 1931 and set to music byIn 1971 it was set to music for solo violin by Alan Ridout.more than 30 new puppets, most of which, including their costumes, were made in-house, with numerous set

Starting in autumn 2026, the Mozarteum University will offer new teacher training programmes in music and instrumental music. Andreas Bernhofer, professor of music education, provides an overview of the new content, perspectives and opportunities for students.

More than 330 years after the premiere of the only complete opera by Henry Purcell, the French composer Henry Fourès composes a musical setting for Dido and Aeneas and calls it Elissa. A conversation with Rector Elisabeth Gutjahr, who wrote the libretto for it.

Katzbichler, München 2013

Botanorama: Homage to the plant world  Student project Pop up mini golf 29.6.2022 Pop up mini golf  The task setStudent project I discover/set the table 1.10.2018 I discover/set the table  On the design of everyday

Hollitzer Wissenschaftsverlag Wien, 2021 | VÖ des Arbeitsschwerpunktes Salzburger Musikgeschichte 8

Exhibition visit & artist talk

The Knowledge Transfer Centre West has set itself the goal of sustainably intensifying and professionalising knowledge transfer through joint actions and measures, tapping into exploitation potential, deepening and broadening cooperation with the economy but also with society as a whole, pursuing transdisciplinary and innovative approaches and using possible synergies to achieve these goals. The Kommunikations.Hub draws on the results of the first call for proposals "Awareness and Accompanying Measures" of the first funding period of the STC. In addition to already established measures within the terms "networking", "knowledge and technology transfer", especially the work package "innovation space" offers new projects. The further training offers - "Transfer Hubs" - designed in cooperation with the WTZ Ost offer spaces of opportunity in the thematic fields of "Post-Grad Life" and "Innovation Matters".

26th January 2026 sees the premiere of Benjamin Britten’s The Rape of Lucretia in the Max Schlereth Saal at the Mozarteum University. We spoke to the production team, Lena Matterne and Theresa Staindl, to learn more about their views on female identity, self-determination and social conscience.

A concert about the magic, the vulnerability and the future of our children. An evening that makes us think about what we want to expect of our children. Conductor: Andreas Martin Hofmeir