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Im Zuge der Aufarbeitung konnte die über 20.000 Briefe umfassende Korrespondenz erfasst werden. Ferner wurden alle vorhandenen Autographen des Komponisten sowie seine gesamte wissenschaftliche Bibliothek katalogisiert. Darüber hinaus wurden Aufbauarbeiten an einer digitalen Mediendatenbank zur Salzburger Musik gestartet. Im Zuge dieser Arbeiten konnte die systematische Digitalisierung aller relevanten Bestände des Tonbandarchivs vollendet werden. Die aktuellen Aufgaben zielen einerseits auf den physischen Erhalt der Jahrzehnte alten Bestände ab und andererseits auf die Aufarbeitung von rund 40 Regalmetern an bislang nur grob indizierten diversen Restbeständen, die vorrangig Arbeitsmaterial Paumgartners, aber auch vereinzelt Briefe, Kompositionen, Autographe, Notendrucke, Tonträger und Bücher enthalten. Ferner soll der Aufbau der digitalen Mediendatenbank fortgesetzt werden. Werkvertragsnehmerinnen: Anja Arend und Sonja Majkowsky. Projektleitung: Dominik Šedivý.

Univ.-Prof. of Design Practice / DTT Education

Lecturer

The Mozarteum University has a large number of attractive rooms that can be rented for any kind of event.

project nisten 15.4.2026 nisten  Nesting is a quiet, precise act that lies somewhere between instinct and materialJosua Berta provided content support for the resulting projects, which resulted in the exhibition ‘Material

Width  In cooperation with the Austrian Paper Museum Steyrermühl, students intensively explored the materialpaper, examining material, form, technique, color, structure and haptics, and developed projects inColours are systematised, catalogued and traded as material means.the design through different parameters: For one, the starting point was movement, for another the material

Lecturer in Stage Technology & Material Sciences for the Stage

What is the sound and rhythm of a city? How do people meet in this or another place? Where do they feel free? How does urban architecture inscribe itself into our bodies? How do we walk in the city? What does the climate of a city feel like? How does the memory of a city work? And what happens when we relate our experiences with these questions in places as different as Hong Kong and Salzburg?

The Ö1 Talent Scholarship for Visual Arts in the amount of 10,000 euros, provided by Wiener Städtische Versicherungsverein, is being offered by Ö1 for the 16th time this year. The prize serves to promote young talent among students at the Academy of Fine Arts Vienna, the University of Applied Arts Vienna, the Linz University of Art and the Mozarteum University.

Reichert, Wiesbaden 2020

The Ö1 Talent Scholarship for Fine Arts in the amount of 10,000 euros, provided by Wiener Städtische Versicherungsverein, is being offered by Ö1 for the 17th time this year. The prize serves to promote young talent among students at the Academy of Fine Arts Vienna, the University of Applied Arts Vienna, the University of Art and Design Linz, the Mozarteum University Salzburg and the University of Art and Design Graz. A special prize on the theme of "Solidarity" is also awarded.

Edition Helbling, Innsbruck 1993

In the present data collection, manuscripts and prints with music were recorded that were produced in or for Salzburg in older times. Salzburg" is understood to mean the medieval archdiocese of Salzburg, which extended over the present-day province of Salzburg including the Bavarian Rupertiwinkel and also included parts of Carinthia, Styria and Lower Austria. Included are the proper bishoprics of Chiemsee, Gurk, Seckau and Lavant. Independent institutions, such as the monastery of St. Lambrecht, have not been included in the survey, since they went their own liturgical ways, nor has the monastery of Mattsee, which belonged to the diocese of Passau from 907. On the other hand, the music sources of the Benedictine monastery of Michaelbeuern were included, which, despite its ecclesiastical independence, was liturgically oriented to St. Peter and maintained close exchange with Salzburg. The abundance of material - information on about 270 sources was collected - was first divided into music manuscripts, music prints, and music theoretical representations according to the type of source, and then recorded in a chronological order according to centuries. Work contractors: Veronika Obermeier and Karina Zybina. Project management: Andrea Lindmayr-Brandl.

Florentine Klepper and Kai Röhrig in conversation about the next major production at the Opera & Music Theatre Department: Christian Jost's Dichterliebe.