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On 23 June, the Opera Studies Department at the Mozarteum University Salzburg will celebrate the world premiere of Agamemnon (Musical Director: Gernot Sahler; Director: Alexander von Pfeil). The commissioned work was created by the young Slovenian composer Vid Ožbolt, who is currently studying composition with Sarah Nemtsov. In a conversation with the composer and with set and costume designer Laura Trilsam, a student in the Department of Scenography, we take a look behind the scenes and at the creative process behind the production.

The 3sat Prize of 10,000 euros at the 60th Berlin Theatertreffen goes to stage designer Mirjam Stängl for her stage in the production "Zwiegespräch" directed by Rieke Süßkow at the Burgtheater in Vienna.

Higher education in Salzburg takes steps toward a sustainable future: On Thursday, 13 November 2025, members of five Salzburg universities and colleges set off on foot from their respective institutions and made their way to the Frohnburg, symbolically taking steps toward sustainable development. Once assembled at their destination, the five delegations formed a heterogeneous group united in a common cause: rectorate members, students, teaching staff, researchers, administrative staff and sustainability officers—around 50 people in all. Members of the Mozarteum University’s sustainability task force walked side by side with lecturers and students from the Institute for Open Arts.

Vivi Vassileva represents a new generation of percussionists and showcases percussion as an instrument of the 21st century. She takes the audience to the very frontiers of the world of percussion, which she explores and pushes back with incredible passion, brilliant technique, virtuosity and athletic performance. A conversation about her work as a musician, the world of percussion and the athletic aspects of music.

The performance of Vincenzo Bellini's opera I Capuleti e i Montecchi delivered a powerful reinterpretation of the masterpiece. Directed by Alexander von Pfeil, the production centred on the relentless feud between two rival clans and the profound despair of its victims. This staging transcended specific eras, placing the story in a universal, timeless setting that brought Bellini's dark vision of love and war to the stage with harrowing clarity.

Could Dionysus be a queer trans* deity? What if their companions simply do not conform to any norm and are not mad at all? Cat Jugravu's performance DIONYSOS. MADNESS POURS UPON MY LOVELY FACE invites us to reinterpret the myth as a manifesto for otherness and queerness. With the Maenads - the dissident entourage of Dyonisos - the audience tries to approach a life without the norm in ritual, dance and rave.

The International Society of Mozarteum University Salzburg finances an ensemble scholarship for students or graduates of the Mozarteum University - interdisciplinary concepts are welcome!

On 9 November, musicians from the Department of Wind and Percussion Instruments at the Mozarteum University Salzburg, together with the Chamber Orchestra of the Academy of Music in Krakow, gave a concert at the Krzysztof Penderecki European Centre for Music (ECMKP) in Lusławice, Poland, which was enthusiastically received.

Federal Minister for Education, Science and Research Ao. Univ.-Prof. Dr. Martin Polaschek was a guest at the Mozarteum University on Tuesday, August 8, 2023 and congratulated students on their various engagements at the Salzburg Festival. In a conversation lasting just under an hour, the students told how their engagements came about and why the Salzburg Festival can be an important stage for the future.

The International Society of Mozarteum University Salzburg finances an ensemble scholarship for students or graduates of the Mozarteum University - interdisciplinary concepts are welcome!

Under the title "Staging Realities" Mozarteum University invites media artists and artist collectives to apply for a funded residency to create an interactive, multi-user XR performance in the newly built X-Reality-Lab. Fully operational in winter 2025, the Lab features cutting-edge projection-based XR technology and is supported by the open-source software framework mozXR developed in cooperation with the Ars Electronica Futurelab.

Sir John Falstaff is a natural phenomenon: his appearance is imposing, his demeanour commanding, his manner possessive. And most fascinating of all: the event does not care about rules, conventions or decorum, it simply exists for its own sake, in a sense for nothing but its belly.

stage and costume design at the Mozarteum University and has already been responsible for costume and setYou are a set and costume designer and obviously feel very comfortable with directing as well? Yes!In set design, you actively search for spaces, you do location scouting.How can you imagine the process of creating a stage set or the costumes for a production? 

Alexander von Pfeil, director of the upcoming opera production "Elegy for Young Lovers" by Hans Werner Henze and professor of music drama, has thought about the piece and his production in advance and reflects on the opera's major themes in a interview.

and nights as a "handyman for everything" at the lowest level in a Michelin-starred restaurant for a "kitchen

Establishing and developing the profile of an ensemble is one of the most demanding and, at the same time, most appealing challenges in artistic development. Many globally successful ensembles were formed during their studies, laying the foundation for an international chamber music career. However, existing study programmes alone can only provide limited incentives and framework conditions for this. The ensemble scholarship is the answer to this: convincing project proposals receive financial support for a period of one year to realise specific artistic projects.