Illustration einer Trompete

News

Format
Department / Institute
Discipline
Show 199 of 802 news
  • Zwei junge Tänzerinnen | © School of Arts & Education
    7.12.2019

    Approximately 800 of the 1800 Mozarteum students receive pedagogical training. Accordingly, synergies between the departments involved are important, as they were created in 2012 by the School of Music and Arts Education (SOMA).

    Interview
  • 2.12.2019

    For his artistic-music pedagogical project "voice & piano" Reinhard Blum, lecturer at the Department of Music Education Innsbruck, was nominated together with Christian Kraler (University of Innsbruck) for the shortlist of the Ars Docendi State Award for Excellent Teaching 2019 in the category "Research-related or art-guided teaching".

    Awards & Successes
  • Gruppenbild, alle lächeln in die Kamera | © Christian Schneider
    20.8.2019

    Press release
  • Maxim Vengerov mit Studierender bei einer Masterclass im Solitär | © Christian Schneider
    19.8.2019

    The management of the Mozarteum University has succeeded in acquiring an endowed professorship for the first time. This is an entirely externally financed university professorship in violin awarded to an internationally outstanding artistic personality. Maxim Vengerov, one of the world's most celebrated violinists, is coming to Salzburg to work at the Mozarteum University for three years from the beginning of the winter semester 2019/20. The public is invited to experience his masterclasses on October 14, 2019 in the Solitär and on December 9, 2019 in the Great Hall of the Mozarteum Foundation.

    News
  • Il Monde Della Luna | © Christian Schneider
    21.6.2019

    Opera production
  • Oper Hoffmanns Erzählungen | © Judith Buss
    10.5.2019

    Opera production
  • Oper Don Quichotte | © Christian Schneider
    19.1.2019

    Opera production
  • Oper Reigen | © Judith Buss
    5.12.2018

    Opera production
  • Oper A Midsummer Night's Dream | © Christian Schneider
    21.6.2018

    Opera production
  • Oper La Finta Simplice | © Judith Buss
    2.5.2018

    Opera production
  • Anna El-Khashem in rotem Kleid in der Stiftung Mozarteum | © Christian Schneider
    16.2.2018

    The 13th International Mozart Competition of the University Mozarteum Salzburg came to an end with the final concert of the vocal section on February 15 in the Great Hall of the Mozarteum Foundation. The 1st prize of 15,000 euros, donated by the International Salzburg Association, went to the soprano Anna ElKhashem.

    International Mozart Competition
  • Oper Alcina
    5.12.2017

    Opera production
  • Illustration eines Auges
    1.9.2017
    Sound Christmas trees and other gifts. "Silent Night" in the artistic-scientific field of tension 

    An autograph from the hand of Joseph Mohr, written around 1820, is the oldest surviving autograph of a carol which, starting in Oberndorf, quickly spread throughout the 'old' and 'new' world. Silent Night" is a song that - translated into many languages - has become an integral part of the Christmas message of peace. To what extent can a 100-year-old song appeal to young people today and become an impulse for creative work? Pupils of the BORG Oberndorf and the BORG-Gastein are invited to deal imaginatively with the topics opened up by the song and to reflect on and evaluate the products of their work together.

    Research project
  • 1.10.2013
    Workshop Academy for New Music 

    Within the Mozarteum, the Werkstatt-Akademie addresses students of composition, conducting and interpretation (instrument, voice). Through intensive cooperation with the Austrian Ensemble for New Music (oenm), competences and experiences are brought into the teaching which are not (yet) available in this concentration at the Mozarteum. We expect a strengthening of competences in the field of New Music for the composers, conductors and interpreters studying at the Mozarteum.

    Research project
  • Illustration eines Auges
    1.10.2012
    Individual ↔ Collectivum 

    Students of the 7A class of the BORG-Nonntal will create a music-theatrical performance of the improvisational-experimental score Individuum↔Collectivum (1979) by the composer Vinko Globokar. How can experimental-improvisational artistic interactions be described as aesthetic and social phenomena? Which methods prove to be particularly suitable for this purpose and what conclusions can be drawn in order to specifically promote aesthetic competences in music lessons?

    Research project