+++ Study Information Days 2026 for many of our studies: all dates can be found in the event calendar! +++
Writer, literary and cultural scholar and university lecturer Thomas Ballhausen has been head of the Inter-University Centre for Science & Art since October 2023. A conversation about his new role at the "interface".
Sir John Falstaff is a natural phenomenon: his appearance is imposing, his demeanour commanding, his manner possessive. And most fascinating of all: the event does not care about rules, conventions or decorum, it simply exists for its own sake, in a sense for nothing but its belly.
A city on the move - young, dynamic, full of contradictions. Nine students from the Department of Scenography embark on urban forays with their sketchbooks. From the beginnings of modernism to contemporary architecture. Experimental drawing on selected objects. Between Stalinism, Brutalism and Contemporary, new centre and periphery, indoor and outdoor.
As part of the Salzkammergut Capital of Culture 2024, the Lehár Theatre in Bad Ischl, in cooperation with the Mozarteum University and the Lehár Festival, will be the venue for a short operetta festival that aims to revive the operetta condemned by the National Socialists. The aim: short, topical, critical.
"What qualities must a person possess in order to dominate both dramaturgically and vocally in an opera?" and "What must a man of mature age look like who is in close relationships with a crazy old lady, a young girl and a doctor at the same time?"
With her production, Rosamund Gilmore embarked on a journey into the subconscious and combined the deep psychological layers of the fairy tale with the film-visualized works of Claudia Lehmann's students.
Numerous master classes, a contemporary BaroqueLab, concerts and an opera production: The Baroque Summer Academy of the Department of Early Music of the Mozarteum University will take place for the third time in 2023 within the framework of the renowned Accademia Musicale Chigiana in Siena, Italy. A highlight in 2023 is the performance of the baroque opera "Dido & Aeneas" by H. Purcell with contemporary prologue and epilogue "Elissa" by Henry Fourès and Rector Elisabeth Gutjahr. "Elissa" was successfully premiered at the Mozarteum University in June 2023.
Federal Minister for Education, Science and Research Ao. Univ.-Prof. Dr. Martin Polaschek was a guest at the Mozarteum University on Tuesday, August 8, 2023 and congratulated students on their various engagements at the Salzburg Festival. In a conversation lasting just under an hour, the students told how their engagements came about and why the Salzburg Festival can be an important stage for the future.
On June 29, the Department of Scenography invited to the annual tour, work show and summer party. Diverse insights into the studies, the studios and the created and ongoing projects were complemented with open studios, installations, exhibitions, films and live music.
More than 330 years after the premiere of the only complete opera by Henry Purcell, the French composer Henry Fourès composes a setting for Dido and Aeneas and calls it "Elissa". A second name for the queen that allows the character to exist on its own, without direct ties to Aeneas.
The young officers Ferrando and Guilelmo* do not want to let their fatherly friend Don Alfonso get away with it - after all, he doubts the fidelity of their fiancée! But instead of the demanded duel, they accept his proposal of a wager and thus become handmaidens in the work of destroying their love relationships.
The 3sat Prize of 10,000 euros at the 60th Berlin Theatertreffen goes to stage designer Mirjam Stängl for her stage in the production "Zwiegespräch" directed by Rieke Süßkow at the Burgtheater in Vienna.
MEAOISWIAMIA: Scenography meets Leipzig Book Fair! The Loop "Film Art", curated by Thomas Ballhausen, focused on the lyrical and atmospheric aspects of the encounter between the arts.
Urban forays with the sketchbook by 10 students of the Department of Fine Arts and Design and the Department of Scenography
The Mozarteum University mourns the loss of an extraordinary educator, artist and colleague who was known for his discipline and openness, contributed much to the institution and remained connected to the university as a curious spirit even years after his retirement.
