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Giuditta  Caught between Baroque and contemporary music, Kai Röhrig and Florentine Klepper's opera class setOpera production Wolfgang Amadé Mozart: Le nozze di Figaro 26.6.2024 Wolfgang Amadé Mozart: Le nozzedi Figaro  As a play, La Folle journée by the scandalous author Pierre Auguste Caron de BeaumarchaisWith Le nozze di Figaro, Gernot Sahler and Alexander von Pfeil's opera class continued their Da Ponte

The performance of Vincenzo Bellini's opera I Capuleti e i Montecchi delivered a powerful reinterpretation of the masterpiece. Directed by Alexander von Pfeil, the production centred on the relentless feud between two rival clans and the profound despair of its victims. This staging transcended specific eras, placing the story in a universal, timeless setting that brought Bellini's dark vision of love and war to the stage with harrowing clarity.

The only voice teacher Cecilia Bartoli has ever had is her mother, the soprano Silvana Bartoli Bazzoni. From 3 to 8 August 2026, the Mozarteum International Summer Academy will once again offer young professionals a unique opportunity to work personally with Silvana Bazzoni Bartoli.

The only voice teacher Cecilia Bartoli has ever had is her mother, the soprano Silvana Bartoli Bazzoni. We are delighted to announce that from 4 to 8 August 2025, professional singers of all voice types will have the unique opportunity to work personally with Silvana Bartoli Bazzoni on ‘fundamental principles of vocal technique - the basis of a long singing life’ in a masterclass as part of the International Summer Academy at Mozarteum University. Registration is open now.

Musical direction kai Röhrig Director wolf Widder Set design michael Hofer-Lenz Lighting design stefan/ PUPPET MONKEY KING: Dagur Thorgrimsson, Huang Shan SEIKYO: Mate Herczeg, Jakob Hoffmann EMPEROR: Di

Florentine Klepper, Volker Wahl and Kai Röhrig in conversation with Magdalena Croll about Giacomo Puccini’s *Suor Angelica* and *Gianni Schicchi*

In autumn 2024, bass-baritone Lisandro Abadie, actress Hanna Binder, conductor Christiane Büttig, visual artist Annette Fauvel, guitarists Giuseppe Feola and Bozhana Pavlova, cultural and media scientist Paul Feigelfeld, composer Laure M. Hiendl, pianist Lei Meng, soprano Allison Oakes and violist German Tcakulov will take up their positions as university professors at the Mozarteum University. We are looking forward to the collaboration!

We are proud to announce that, after two and a half years of construction work, the Mozarteum University’s newest building, located in Schwarzstraße 36, is now complete and officially open! This exciting new space, with a surface area of 1,895m2, is dedicated to teaching, rehearsing, research, advancement and appreciation of the arts, and digital arts.

Vincenzo Bellini's highly romantic bel canto opera I Capuleti e i Montecchi celebrates its premiere in the Max Schlereth Saal on 10 December under the direction of Alexander von Pfeil and musical direction of Gernot Sahler. A conversation with maestro Gernot Sahler about Bellini's inventiveness and the challenge of dealing with special stage situations.

Musica “Claudio Monteverdi” di Bozen Scuola di Musica di Fiesole Conservatorio di Musica “Arrigo BoitoDall'Abaco", Verona Accademia di Belle Arti di Venezia Conservatorio di Musica “Benedetto Marcello” diVerdi" di Milano Conservatorio di Musica “A.Goals and purposes For the performance agreement period 2022-2024, the Mozarteum University Salzburg set

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The training at the Department of Voice is tailored to the needs of singers in the 21st century who can take on roles with demanding physical requirements and are also masters at working with colleagues, directors and conductors from around the world.

From gathering atmospheric images to analyzing characters. From conception to craft: a conversation with set designer Yea Eun Hong about the process of designing the stage for Benjamin Britten's comic opera "Albert Herring".

The singers Donata Meyer-Kranixfeld and Génesis Beatriz López Da Silva provide insights into their everyday studies at the Department of Opera & Music Theatre at the University Mozarteum. A conversation about the highs and lows on the path to becoming an opera singer.