+++ Study Information Days 2026 for many of our studies: all dates can be found in the event calendar! +++
Masterclasses, concerts, operettas, contemporary composition and much more between Salzburg, Bad Ischl and Siena: an exciting academy summer awaits at the Mozarteum University!
The silent girl is an allegory and direct reference to the German right-wing extremist and member of the NSU terrorist group: Beate Zschäpe. The National Socialist Underground (NSU) was a right-wing extremist and right-wing terrorist group that existed between 1998 and 2011. Between 2000 and 2007, the NSU systematically murdered ten entrepreneurs living in Germany - mainly with Greek and Turkish immigrant backgrounds.
Nikita Buldyrski, actor and graduate of the Thomas Bernhard Institute, is honoured with the prestigious Alfred Kerr Actor Award. The prize is awarded annually for an outstanding performance by a young actor in one of the ten productions at the Berlin Theatre Meeting. It is endowed with 5,000 euros in prize money and is awarded by the Alfred Kerr Foundation with the support of the Berliner Festspiele.
Sir John Falstaff is a natural phenomenon: his appearance is imposing, his demeanour commanding, his manner possessive. And most fascinating of all: the event does not care about rules, conventions or decorum, it simply exists for its own sake, in a sense for nothing but its belly.
On 15 May, Giuseppe Verdi's last opera Falstaff celebrates its premiere under the musical direction of Kai Röhrig and directed by Florentine Klepper. The two artists provide exciting insights into the production and its creation in a double interview.
Florentine Klepper has been Professor of Music Drama (scenic) at the Department of Opera & Music Theatre since the summer semester 2024. In the interview, she provides insights into her working methods, previous and ongoing projects and shares her thoughts on the various facets of music theatre.
The singers Donata Meyer-Kranixfeld and Génesis Beatriz López Da Silva provide insights into their everyday studies at the Department of Opera & Music Theatre at the University Mozarteum. A conversation about the highs and lows on the path to becoming an opera singer.
As part of the Salzkammergut Capital of Culture 2024, the Lehár Theatre in Bad Ischl, in cooperation with the Mozarteum University and the Lehár Festival, will be the venue for a short operetta festival that aims to revive the operetta condemned by the National Socialists. The aim: short, topical, critical.
How does one actually become an actor? How does an acting class work? This is what those interested in acting can try out for themselves for a week during the summer holidays, when the Thomas Bernhard Institute opens the doors of the university wide and sets the stage for the summer camp.
The Applied Theatre students are showing try-outs of their work in the module "On Representation - Who cares, who speaks?". Together with co-researchers, accomplices and so-called experts of everyday life, they try to find out which untold stories should be given a stage.
"What qualities must a person possess in order to dominate both dramaturgically and vocally in an opera?" and "What must a man of mature age look like who is in close relationships with a crazy old lady, a young girl and a doctor at the same time?"
Theater-interested, -enthusiastic and -newcomers are welcome! Everyone together, citizens, people who live in Salzburg, students and life artists try out together.
Alexander von Pfeil, director of the upcoming opera production "Elegy for Young Lovers" by Hans Werner Henze and professor of music drama, has thought about the piece and his production in advance and reflects on the opera's major themes in a interview.
This winter semester, the directing students at the Thomas Bernhard Institute are developing workshop productions based on the examination of contemporary theatre texts. The content of the preparatory courses focussed on the experimental writing of authors.
Hans Werner Henze's "Elegy for Young Lovers" will be the second production in the 2023/24 winter semester of the Department of Opera & Music Theatre to take to the stage of the Max Schlereth Saal from 26 January. A conversation with maestro Gernot Sahler about so-called "new music", the major challenges for budding artists and insights into pedagogical practice during rehearsals.
With her production, Rosamund Gilmore embarked on a journey into the subconscious and combined the deep psychological layers of the fairy tale with the film-visualized works of Claudia Lehmann's students.
A conversation with director Rosamund Gilmore about Engelbert Humperdinck's fairytale play "Hansel and Gretel", which premieres on December 7 in the Max Schlereth Saal at the Mozarteum University. Insights into the directing concept, into the joint development and creation of roles and about truthfulness on the opera stage.
Starting on December 7, the Department of Opera & Music Theater, together with the voice classes and students of Claudia Lehmann, will bring Engelbert Humperdinck's fairy tale play "Hansel and Gretel" to the stage of the Max Schlereth Hall at the Mozarteum University. Five questions to the musical director of the production, Kai Röhrig.
Directing graduate Ebru Tartıcı Borchers is nominated for the prestigious German theater award DER FAUST 2023! The award honors outstanding artistic achievements that reflect the diversity of the theater landscape in Germany.
Even in a hyper-eroticized society, hardly any topic is as polarizing as sex work. Whether in feminist debates, political disputes or in private conversations: everyone has an opinion about it. In Johanna Mayrhofer's master's project, sex work as a topic that has always been on the borders of our society is moved from the outskirts to the center of Salzburg in the form of an interactive audio walk.
