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News … Home News Claudio Monteverdi: L'Incoronazione di Poppea Claudio Monteverdi: L'incoronazione diIn the 35 years between his first opera, L'Orfeo, and his last, L'incoronazione di Poppea, he often commentedThe opera L'incoronazione di Poppea therefore has the distinction of being the first opera with a realistic

Mozart: La Clemenza Di Tito Wolfgang Amadé Mozart: La clemenza di Tito 29.01.2021 Opera production ©Régime are shaken when Wolfgang Amadé Mozart is commissioned to compose the music for "La clemenza di

Univ.-Prof. of Horn

Hollitzer Verlag, Wien 2024

Univ.-Prof. of Violoncello, Head of Cello Studies

Mozart's „Le nozze di Figaro“ will celebrate its premiere on 18 June in the Max Schlereth Saal at Mozarteum University. The director of the production, Alexander von Pfeil, and set designer Thorben Schumüller talk about the creation process, inspirations and the opera's major themes: hierarchies, power relations, gender roles...

A semester abroad led her to the Accademia di Belle Arti Venice.They recognize the material they often deal with in a different context.The handling of the material is the most important thing.Everyday or disposable material is always used in my work in an unconventional way.

Personal ambition, egomania and sexuality as an instrument of power: Claudio Monteverdi's (1567-1643) "L'incoronazione di Poppea" is as topical as ever, even 380 years after it was written. A conversation with Gernot Sahler, the musical director of the opera production.

In cooperation with the Austrian Paper Museum Steyrermühl, students intensively explored the material paper, examining material, form, technique, color, structure and haptics, and developed projects in different scales that were subsequently shown publicly in the museum.

Musikfestival, Musiktriennale Köln, Aurora Chambermusic Festival, Rheingau Musikfestival, Festival Musicale diArtistic as well as tutorial videos with Christine Hoock and sheet music material are present in social

The research project investigates the combination of textile and sound. The aesthetic potential of the textile-sound combination is explored and new possibilities of artistic expression are explored. Textile is an interactive medium and metaphor in its form of presentation and interpretation. Textile is material that uses certain techniques without naming the material or technology itself, similar to architecture. The term sound encompasses the artistic fields of sound art, music, ambient noise, transacoustic fields and silence. Sound is based on a conceptual compositional process in terms of the organisation of sounds, but also has a physical aspect in that the perception of sound is strongly linked to bodily processes such as breath, movement and heart rate.

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On 23 June, the Opera Studies Department at the Mozarteum University Salzburg will celebrate the world premiere of Agamemnon (Musical Director: Gernot Sahler; Director: Alexander von Pfeil). The commissioned work was created by the young Slovenian composer Vid Ožbolt, who is currently studying composition with Sarah Nemtsov. In a conversation with the composer and with set and costume designer Laura Trilsam, a student in the Department of Scenography, we take a look behind the scenes and at the creative process behind the production.

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