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Mozart's „Le nozze di Figaro“ will celebrate its premiere on 18 June in the Max Schlereth Saal at Mozarteum University. The director of the production, Alexander von Pfeil, and set designer Thorben Schumüller talk about the creation process, inspirations and the opera's major themes: hierarchies, power relations, gender roles...

That the ensemble has caught fire incredibly for this opera, of course, makes me very happy."

Return to slider start "The idea of once making Olympus equal to our own Earth has always fascinated me

Five decades of art, design and education: What began in 1976 with 40 students and a new Department of Art Education has grown into a versatile space for artistic practice, experimentation and social issues. To mark this anniversary, the Department of Fine Arts and Design looks back — and, of course, looks ahead.

Five finalists competed for the coveted 20,000 euro The Sir Ian Stoutzker Prize 2022 (made up from 2021) at the Solitaire of the Mozarteum University yesterday (14 April). The evening's double winner was pianist Robert Bily, who enchanted both the high-calibre jury and the audience with a breathtaking interpretation of Ludwig van Beethoven's Waldstein Sonata (Piano Sonata No. 21 in C major op. 53), Claude Debussy's Images I and Siegfried Thiele's Perpetuum Mobile.

On 21 October 2026, Constanze Wimmer officially took office as Rector of the Mozarteum University at a festive inauguration ceremony, having already been at the helm of the university community since 1 April. She celebrated the occasion together with her team and numerous guests of honour from the worlds of politics, the arts and academia under the theme ‘Side by Side’.

With the first edition of the new interdisciplinary ORA Early Music Festival, the Mozarteum University is celebrating a special premiere. Over three days, early music, contemporary musical language and improvisation come together in numerous concerts and sound performances.

Vincenzo Bellini's highly romantic bel canto opera I Capuleti e i Montecchi celebrates its premiere in the Max Schlereth Saal on 10 December under the direction of Alexander von Pfeil and musical direction of Gernot Sahler. A conversation with maestro Gernot Sahler about Bellini's inventiveness and the challenge of dealing with special stage situations.

The focus is on openness and creativity in dealing with diverse forms of musical expression, research, the development of new media forms of mediation, as well as cooperation with cultural institutions in the Salzburg area and the promotion of international exchange.

The commissioning of a "European Symphony" marks the start of a wide-ranging research project that combines digital technology and classical music in a new way: Musicians in 12 different locations will use innovative technology to overcome physical distances and perform a joint concert for symphony orchestra and large chorus. The Mozarteum University is also contributing to the project, in the form of a choir.

On January 20 and 21, the Thomas Bernhard Institute, in cooperation with the Department of Scenography of the Mozarteum University, presented Philoktet by Heiner Müller, Gaia in a version by Till Ernecke and The Bacchae by Euripides, three directorial works on the theme of classical music at the Theater im KunstQuartier.

Two violins from Wolfgang Amadé Mozart’s personal collection will accompany this year’s Italian tour of the Bella Musica Pre-College Ensemble of the Mozarteum University in Salzburg, conducted by Stefan David Hummel. Mozart’s extraordinary childhood violin and his concert violin, both from the collection of the International Mozarteum Foundation in Salzburg, will be heard in Rome in September 2026.

With the Moz-Art-Zone, the Mozarteum University will offer an expanded music and art education program starting in the winter semester of 2022/23 with an interdisciplinary offering that aims to awaken enthusiasm and interest in students and opens the doors of the university wide for this purpose.

As thought leaders of social development, universities are particularly challenged to live up to their pioneering role with regard to sustainable development. A conversation with Maria Kalleitner-Huber, Head of the Department for Sustainability at the Mozarteum University, about potentials and challenges at an (art) university.

The Association Européenne des Conservatoires, Académies de Musique et Musikhochschulen (AEC) is a trans-national organisation with the aim of networking music colleges across Europe and jointly maintaining high international standards of education. Between 5 and 8 November 2025, the AEC will hold a congress at the Mozarteum University in Salzburg, which will focus on topics such as leadership, resilience, professional skills and health care within university-level music education.