What is the sound and rhythm of a city? How do people meet in this or another place? Where do they feel free? How does urban architecture inscribe itself into our bodies? How do we walk in the city? What does the climate of a city feel like? How does the memory of a city work? And what happens when we relate our experiences with these questions in places as different as Hong Kong and Salzburg?
The question of how the new comes into the world is a fascinating and equally complex one. The second panel discussion of the Salzburg University Development Impulses in cooperation with the Knowledge Transfer Centre West attempted to shed light on the creative processes that precede the emergence of the new with experts from various disciplines and fields.
Five finalists competed for the coveted 20,000 euro The Sir Ian Stoutzker Prize 2022 (made up from 2021) at the Solitaire of the Mozarteum University yesterday (14 April). The evening's double winner was pianist Robert Bily, who enchanted both the high-calibre jury and the audience with a breathtaking interpretation of Ludwig van Beethoven's Waldstein Sonata (Piano Sonata No. 21 in C major op. 53), Claude Debussy's Images I and Siegfried Thiele's Perpetuum Mobile.
Within the framework of the teacher training program in Visual Education, Innsbruck provides knowledge, skills and techniques for orienting oneself in a visual and digital world, for understanding it and for helping to shape it artistically.
Vincenzo Bellini's highly romantic bel canto opera I Capuleti e i Montecchi celebrates its premiere in the Max Schlereth Saal on 10 December under the direction of Alexander von Pfeil and musical direction of Gernot Sahler. A conversation with maestro Gernot Sahler about Bellini's inventiveness and the challenge of dealing with special stage situations.
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