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For me, it's a balancing act, because the position in the orchestra is a very classical one.able to answer a few questions for yourself: What can I do differently than the generations before meThe class exchange was always very important and nice for me.

I have to say that my incredibly great colleagues also encouraged me a lot during this time to continueEveryone thought the project was great and that motivated me to keep at it and solve problems.

I came across a call for applications at the Orpheus Institute in Geneva, which immediately excited meof communication between the two sides, which is paradoxical and at some point no longer worked for me

On 18th June 2025, members of the various curiae of the Mozarteum University voted for their representatives in the senate for the term from 1st October 2025 – 30th September 2028. At the constitutive meeting on 27th June, Univ.-Prof. Christoph Lepschy was elected as Senate Chair for the third time.

Alumnus Rupert Pföß has been working as a music teacher at Musikum Salzburg since 1996 and has been head of the folk music and harmonica department since 2012. He is also an extended board member of the Salzburger Volksliedwerk. His busy seminar and jury activities at various music weeks and music competitions enrich his everyday life as a musician time and again. 

Seda Röder, formerly a concert pianist and now an author, entrepreneur and philanthropist who works to promote creativity in society and organizations. She is a sought-after speaker, advisor to DAX companies, and founder of the Sonophilia Foundation, a non-profit organization dedicated to promoting the scientific study of creativity and critical thinking.

Singing brings people together – even online. In the ERASMUS+ research project ‘Choir@Home’, the Mozarteum University Salzburg (Prof. Dr. Heike Henning), in collaboration with the University of Liechtenstein (Dr. Janine Hacker) and Anhalt University of Applied Sciences (Prof. Dr. Alexander Carôt), investigated how singing together can take place in virtual spaces and be reimagined.

Mayumi Hirasaki (Univ.-Prof. of Baroque Violin) is honored in the category “Concert Recording of the Year” for her CD “Pisendel” with Concerto Köln on the Berlin Classic label, Max Volbers (Senior Lecturer at the Department of Early Music) in the category “ Young Artist of the Year” for his CD “Whispers of Tradition” on the Genuin label.

Exhibition by Anna* Marina Ernst, Melina Harting, Mirjam Kämmerer, Sophia Kraus, Leonie Lindinger and Vanessa Veljković from the Department of Fine Arts & Design at the Mozarteum University Salzburg at the Salzburger Kunstverein.

Hans Werner Henze's "Elegy for Young Lovers" will be the second production in the 2023/24 winter semester of the Department of Opera & Music Theatre to take to the stage of the Max Schlereth Saal from 26 January. A conversation with maestro Gernot Sahler about so-called "new music", the major challenges for budding artists and insights into pedagogical practice during rehearsals.

More than 330 years after the premiere of the only complete opera by Henry Purcell, the French composer Henry Fourès composes a musical setting for Dido and Aeneas and calls it Elissa. A conversation with Rector Elisabeth Gutjahr, who wrote the libretto for it.

An inter-university, interdisciplinary project for the visual exploration of hearing

of the Golden Era, that is, the one that predates Astor Piazzolla, when Cuarteto SolTango approached meIn any case, the Mozarteum is not just any university for me.

Ion Marin, internationally sought-after conductor, founder of the Cantus Mundi National Program and holder of the Claudio Abbado Endowed Professorship at the University Mozarteum, will conduct the University Mozarteum Symphony Orchestra for the first time at the Haus für Mozart on October 18. A conversation about truth, happiness and the power of music.

Senior Lecturer in New Music

How do we change perspectives when things and people become strangers to us? The performance OUBLIEZ - WHO(N) WE FORGET focuses on the 'in-between spaces' where communication takes place - between those affected, care staff and relatives - and tries to capture what happens to people who "disappear without being lost".