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This is an existential experience that has great significance for me.Each work challenges me in a different way and I have to adapt to it.For me, the process of writing on paper is part of the work.Teaching is very enriching for me on several levels.

Dresden-born Christiane Büttig has been a university professor of choral and ensemble conducting at the Mozarteum University since fall 2024. As a conductor and choir director, Christiane Büttig brings international experience to Salzburg and aims to expand the choral scene with practice-oriented training in children's and youth choirs and to develop and establish a high-performance chamber choir. A conversation about formative experiences, choral work in all its facets and upcoming projects.

Working with existing materials, on the other hand, has accompanied me since my childhood.I grew up in simple circumstances and was very stubborn, which led me to simply make things I wantedThe tarpaulins from the EmailWerk are very special to me because they convey the cultural so well andIf other "things suddenly fly out at me," I'm sure I'll deal with them, too.

The 3sat Prize of 10,000 euros at the 60th Berlin Theatertreffen goes to stage designer Mirjam Stängl for her stage in the production "Zwiegespräch" directed by Rieke Süßkow at the Burgtheater in Vienna.

For me, I used this time very productively, learned and worked a lot.For me, being a concertmaster has been a good fit.I always knew that just being self-employed was not for me.Salzburg to Vienna to study conducting, but not to become a conductor, but as an artistic complement for me

The versatile and renowned violinist, project manager and lecturer Franziska Strohmayr grew up in Augsburg and came to Salzburg to study, where she still lives today after graduating from the Mozarteum University under Prof. Martin Mumelter and Prof. Wolfgang Gratzer and from the Guildhall School of Music and Drama in London under Prof. Jacqueline Ross.

Armela Madreiter, graduate of the Mozarteum University and dramaturge for the current music theatre production by Florentine Klepper and Kai Röhrig's opera class, Medusa / Giuditta, talks about fruitful collaboration, exciting female characters and crossing boundaries.

Winterreise op. 89 Samuel Beckett: Texte um Nichts … what do I speak much of form being, it presses melove no Lieder poet except Goethe as much as you…Only you, Wilhelm Müller, remain purely enjoyable to me

FAiR stands for Female Artist in Residence and is a funding programme for young female artists on their way to becoming university professors. It was recently launched at the Mozarteum University and is committed to greater fairness and equal opportunities in the professional lives of women at music and art universities.

The Corona period was an extremely productive one for me right from the start.The biggest challenge for me was the social distance.Now is a good time for me to take initiative, be active and initiate projects.

Departmental Secretary - Music Education (Innsbruck) / Teacher Training in ME and IME

The interdisciplinary teacher training programmes in art & design and technology & design have not only been given new names, but also a new focus in terms of content.

Florentine Klepper has been Professor of Music Drama (scenic) at the Department of Opera & Music Theatre since the summer semester 2024. In the interview, she provides insights into her working methods, previous and ongoing projects and shares her thoughts on the various facets of music theatre.

Based on the research findings of Josephine Fenger (2009), Claire Cunningham's solo performance "Give meMaria Ladurner Give me freedom (Artistic master thesis supervised by Kai Bachmann) The artistic masterthesis in the form of a CD production refers to the central and titular motto "Gib Freiheit mir" (Give meIt was important to me to draw the listeners' attention to possible gender-specific listening expectations

After their first concert at the end of May, musical director Kai Röhrig and flautist Leona Rajakowitsch, founding members of the newly formed ensemble for contemporary music at the Mozarteum University, and composer Anna Skladannaya reflect on the potential and significance of new music - with a view to more to come.

At the beginning of 2025, Florentine Klepper and Kai Röhrig's opera class at the Mozarteum University will bring Christian Jost's ‘Dichterliebe’ to the stage. The two set designers Carla Schwering and Yvonne Schäfer talk about the ideas and realisation of their visions for the stage design.