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"What qualities must a person possess in order to dominate both dramaturgically and vocally in an opera?" and "What must a man of mature age look like who is in close relationships with a crazy old lady, a young girl and a doctor at the same time?"

to careful mediation by the USA, Kalesnikava was released from prison on Saturday, 13 October 2025 after

Recorder player Max Volbers and baroque violinist Mayumi Hirasaki were recently awarded an OPUS KLASSIK 2023. A conversation about the lively character of early music, the search for the new and the intensive research into the repertoire at the Department of Early Music at the Mozarteum University.

The New Art and Music Ensemble NAMES recently received the ensemble sponsorship award of the Ernst von Siemens Music Foundation, endowed with 70,000 euros. A conversation with Anna Lindenbaum, violinist and founding member of NAMES.

Univ.-Prof. of Piano

The performance of Vincenzo Bellini's opera I Capuleti e i Montecchi delivered a powerful reinterpretation of the masterpiece. Directed by Alexander von Pfeil, the production centred on the relentless feud between two rival clans and the profound despair of its victims. This staging transcended specific eras, placing the story in a universal, timeless setting that brought Bellini's dark vision of love and war to the stage with harrowing clarity.

The Concorso Ruggiero Ricci for violin and the Concorso Hindemith / Mainardi for viola and cello are held in annual rotation. The internal competitions are aimed at students of the Department of String & Plucked Instruments.

Franziska Strohmayr grew up in Augsburg and came to Salzburg to study, where she still lives today after

Through purgatory to paradise – two voices of resistance. Two works – two perspectives on the unimaginable. Even 80 years after the end of the war, they raise big questions about the value of life, the power of art and human resilience. An evening full of intensity, musical beauty and profound humanity.

secrecy may also constitute a criminal offence, in addition to any consequences under employment or servicetechnology) facilities is accepted, provided it does not interfere with the ordinary operation of the service

Univ.-Prof. of Performance & Theatre Studies

The rediscovery and revival of (choral) works of the Baroque are matters close to the heart of Jörn Hinnerk Andresen, who has been Professor of Choral Conducting at the Mozarteum University since fall 2019.

Personal ambition, egomania and sexuality as an instrument of power: Claudio Monteverdi's (1567-1643) "L'incoronazione di Poppea" is as topical as ever, even 380 years after it was written. A conversation with Gernot Sahler, the musical director of the opera production.

Since October 2019, Spot On MozART has been dedicated to the visual exploration of listening and thus to a new understanding of the music of Wolfgang Amadé Mozart. At the end of the project in autumn 2023, the Mozarteum University will present a retrospective of all implemented art and research projects in a comprehensive publication.

An applicant in a wheelchair, with physical and speech impairments, wishes to study acting. Doubts among the teaching staff, uncertainty about how to interact with him, organisational hurdles – and yet the commitment not to judge too hastily, but to look more closely: at his enthusiasm for acting, his spontaneity, his ability to work in a group, and his sense of humour.