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The rediscovery and revival of (choral) works of the Baroque are matters close to the heart of Jörn Hinnerk Andresen, who has been Professor of Choral Conducting at the Mozarteum University since fall 2019.

An applicant in a wheelchair, with physical and speech impairments, wishes to study acting. Doubts among the teaching staff, uncertainty about how to interact with him, organisational hurdles – and yet the commitment not to judge too hastily, but to look more closely: at his enthusiasm for acting, his spontaneity, his ability to work in a group, and his sense of humour.

Every year, the Paul Roczek Award in the amount of 10,000 euros is presented by the Mozarteum University to students majoring in violin who have demonstrated exceptional talent, special achievement or unusual commitment to the artistic goals of the Mozarteum.

Personal ambition, egomania and sexuality as an instrument of power: Claudio Monteverdi's (1567-1643) "L'incoronazione di Poppea" is as topical as ever, even 380 years after it was written. A conversation with Gernot Sahler, the musical director of the opera production.

Since October 2019, Spot On MozART has been dedicated to the visual exploration of listening and thus to a new understanding of the music of Wolfgang Amadé Mozart. At the end of the project in autumn 2023, the Mozarteum University will present a retrospective of all implemented art and research projects in a comprehensive publication.

FAiR stands for Female Artist in Residence and is a funding programme for young female artists on their way to becoming university professors. It was recently launched at the Mozarteum University and is committed to greater fairness and equal opportunities in the professional lives of women at music and art universities.

The theory and method handbook "Music and Migration", which was published in July, is dedicated to the manifold aspects, phenomena, interactions and perspectives in the research field between music and migration in 16 thematic complexes.