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Independent scientific publications, peer-reviewed conference papers and teaching assignments at renowned institutions: Our students contribute significantly to representing the Mozarteum University in artistic-scientific research and pedagogy in music theory nationally and internationally. Congratulations to our students in the ZKF Music Theory.

Univ.-Prof. of Dance

Pandora Part I - Her of Tomorrow is an intergenerational dance and music project developed together with the community of the Volksschule Aigen, the Orchesterprojekt Salzburg, the Orff-Institut and freelance artists*. Pandora Part II - Artificial Cataclysm is a dance theater piece that portrays single individuals and connects them through a series of tragedies.

Reichert Publishing House

beginning of the Russian invasion on February 24 has impressively shown how much people can care and look after

Meral Guneyman is a versatile classical musician, with numerous releases, who is comfortable in both pop and jazz music, has transcribed many original works and is also an enthusiastic arranger and improviser. Her ability to move between classical and jazz with lightning speed and conviction is a rarity. In 2021, her arrangements of classic David Bowie songs were presented for the first time on ‘Steinway-Spirio’ - a high-resolution self-playing system of the highest quality.

Seda Röder, formerly a concert pianist and now an author, entrepreneur and philanthropist who works to promote creativity in society and organizations. She is a sought-after speaker, advisor to DAX companies, and founder of the Sonophilia Foundation, a non-profit organization dedicated to promoting the scientific study of creativity and critical thinking.

Senior PostDoc in the project "Early Venetian Opera and the Literature of the 'Incogniti"

After a two-year break due to the pandemic and not entirely easy travel conditions, the International

Univ.-Prof. of Voice

Univ.-Prof. of Violin

Univ.-Prof. for Voice and Vocal Pedagogy (Music Education)

More than 330 years after the premiere of the only complete opera by Henry Purcell, the French composer Henry Fourès composes a musical setting for Dido and Aeneas and calls it Elissa. A conversation with Rector Elisabeth Gutjahr, who wrote the libretto for it.