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How do I set goals and achieve them? How do I organise and develop the company?

Univ.-Prof. of Stage Design

As thought leaders of social development, universities are particularly challenged to live up to their pioneering role with regard to sustainable development. A conversation with Maria Kalleitner-Huber, Head of the Department for Sustainability at the Mozarteum University, about potentials and challenges at an (art) university.

Co-CreART is a four-year project of the Mozarteum University Salzburg, which is funded by the Climate and Energy Fund and was honoured with the Sustainability Award in Gold in November 2024.

Matthias Bartolomey has been professor of concert violoncello at the Mozarteum University since October - and he has a lot planned for the future, starting with a course on progressive playing techniques in addition to repertoire teaching, which combines his diverse chamber music and soloist experience with new, intuitive improvisational approaches.

Giuditta  Caught between Baroque and contemporary music, Kai Röhrig and Florentine Klepper's opera class set

Wisely, I set up a space at home to work. The good thing was that there was always nice weather.

Platform for quality, research-based education of music, art and theater educators

Florentine Klepper has been Professor of Music Drama (scenic) at the Department of Opera & Music Theatre since the summer semester 2024. In the interview, she provides insights into her working methods, previous and ongoing projects and shares her thoughts on the various facets of music theatre.

Against oblivion: when Cécile Chaminade (1857-1944) looked back on her extremely productive life of some 400 compositions two years before her death, she seemed skeptical: "I hope not to be forgotten."

With various ensembles, choirs and orchestras, the Mozarteum University offers a wide range of opportunities for students to gain valuable practical experience, to participate in large projects inside and outside the university and to work with renowned performers and conductors already during their studies.

The training at the Department of Voice is tailored to the needs of singers in the 21st century who can take on roles with demanding physical requirements and are also masters at working with colleagues, directors and conductors from around the world.

Once a year, students of visual education are invited to perform in the Great Hall of the Salzburg Künstlerhaus. This close relationship between an art association and students in the experimental phase is unique in Austria - and a challenge for the students.

How did you set up the piece?