Search

Anna Barbara Kastelewicz, a graduate of the Department of Musicology at the Mozarteum University, was recently honoured with the Award of Excellence for her dissertation on "Music, culture and cultural activities in the special camps of the Soviet occupying power 1945 - 1950 in the Soviet Occupation Zone and the GDR". Congratulations!

In autumn 2024, bass-baritone Lisandro Abadie, actress Hanna Binder, conductor Christiane Büttig, visual artist Annette Fauvel, guitarists Giuseppe Feola and Bozhana Pavlova, cultural and media scientist Paul Feigelfeld, composer Laure M. Hiendl, pianist Lei Meng, soprano Allison Oakes and violist German Tcakulov will take up their positions as university professors at the Mozarteum University. We are looking forward to the collaboration!

On January 20 and 21, the Thomas Bernhard Institute, in cooperation with the Department of Scenography of the Mozarteum University, presented Philoktet by Heiner Müller, Gaia in a version by Till Ernecke and The Bacchae by Euripides, three directorial works on the theme of classical music at the Theater im KunstQuartier.

From August 15 to 16, 2026, the 2026 Festival Academy, under the title FRAUEN.FESTSPIEL.PRÄSENZ*, will focus on the visibility, history, and future of female playwrights and composers at the Salzburg Festival. The two-day symposium will place pressing questions about representation, power structures, and the formation of the canon at the center of the debate.

After their first concert at the end of May, musical director Kai Röhrig and flautist Leona Rajakowitsch, founding members of the newly formed ensemble for contemporary music at the Mozarteum University, and composer Anna Skladannaya reflect on the potential and significance of new music - with a view to more to come.

At the Department of Scenography, interdisciplinary education in the fields of literature, theatre, music, cultural and art history, architecture, stage, space, costume, film, exhibition design and photography form the basis for the artistic and technical examination of the scene, the body and the object in space.

Univ.-Prof. of Violoncello, Head of Cello Studies

On 23 June, the Opera Studies Department at the Mozarteum University Salzburg will celebrate the world premiere of Agamemnon (Musical Director: Gernot Sahler; Director: Alexander von Pfeil). The commissioned work was created by the young Slovenian composer Vid Ožbolt, who is currently studying composition with Sarah Nemtsov. In a conversation with the composer and with set and costume designer Laura Trilsam, a student in the Department of Scenography, we take a look behind the scenes and at the creative process behind the production.