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Univ.-Prof. of Piano

The Mozarteum University's Artists' Placement Service offers you the opportunity to find the right artisticThe implementation of a ‘Fair Pay’ strategy by the BMKÖS (Federal Ministry of Arts, Culture, Civil ServiceAcademic Foundation since 2016 and received the PROMOS scholarship from the German Academic Exchange Service

The singers Donata Meyer-Kranixfeld and Génesis Beatriz López Da Silva provide insights into their everyday studies at the Department of Opera & Music Theatre at the University Mozarteum. A conversation about the highs and lows on the path to becoming an opera singer.

In autumn 2024, bass-baritone Lisandro Abadie, actress Hanna Binder, conductor Christiane Büttig, visual artist Annette Fauvel, guitarists Giuseppe Feola and Bozhana Pavlova, cultural and media scientist Paul Feigelfeld, composer Laure M. Hiendl, pianist Lei Meng, soprano Allison Oakes and violist German Tcakulov will take up their positions as university professors at the Mozarteum University. We are looking forward to the collaboration!

Judith Valerie Engel is an Austrian pianist, musicologist & feminist. After years of study in Salzburg, Helsinki and Vancouver, she is currently completing a PhD in Historical Musicology at Oxford University. She is a recipient of the Stone-Mallabar Doctoral Scholarship awarded by Oxford College Christ Church. She is also one of the ‘Public Scholars’ in the Public Scholars Initiative of the University of British Columbia. Both academically and artistically, her focus is on historical and contemporary women composers.

A historic moment: On October 12, the first eight Hungarian acting students received their graduation diplomas as part of the "Emergency Exit" cooperation program between Freeszfe Budapest and the University Mozarteum Salzburg!

2025 offers countless opportunities to look back on the past 80 years. The Second World War ended in Europe on 8 May 1945 with “Liberation Day,” marked by Germany’s unconditional surrender and the final collapse of the Nazi regime. In the months leading up to this, Allied forces had liberated the concentration camps.

In the anniversary year "100 Years of the International Society for New Music (IGNM)", a diverse program reflects on its role as a major peace project after World War 1, on Salzburg's role as an international city in the interwar period, and on New Music's timeless claim to (re)learn how to listen.