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On 9 November, musicians from the Department of Wind and Percussion Instruments at the Mozarteum University Salzburg, together with the Chamber Orchestra of the Academy of Music in Krakow, gave a concert at the Krzysztof Penderecki European Centre for Music (ECMKP) in Lusławice, Poland, which was enthusiastically received.

The performance of Vincenzo Bellini's opera I Capuleti e i Montecchi delivered a powerful reinterpretation of the masterpiece. Directed by Alexander von Pfeil, the production centred on the relentless feud between two rival clans and the profound despair of its victims. This staging transcended specific eras, placing the story in a universal, timeless setting that brought Bellini's dark vision of love and war to the stage with harrowing clarity.

Could Dionysus be a queer trans* deity? What if their companions simply do not conform to any norm and are not mad at all? Cat Jugravu's performance DIONYSOS. MADNESS POURS UPON MY LOVELY FACE invites us to reinterpret the myth as a manifesto for otherness and queerness. With the Maenads - the dissident entourage of Dyonisos - the audience tries to approach a life without the norm in ritual, dance and rave.

The International Society of Mozarteum University Salzburg finances an ensemble scholarship for students or graduates of the Mozarteum University - interdisciplinary concepts are welcome!

Sir John Falstaff is a natural phenomenon: his appearance is imposing, his demeanour commanding, his manner possessive. And most fascinating of all: the event does not care about rules, conventions or decorum, it simply exists for its own sake, in a sense for nothing but its belly.

Under the title "Staging Realities" Mozarteum University invites media artists and artist collectives to apply for a funded residency to create an interactive, multi-user XR performance in the newly built X-Reality-Lab. Fully operational in winter 2025, the Lab features cutting-edge projection-based XR technology and is supported by the open-source software framework mozXR developed in cooperation with the Ars Electronica Futurelab.