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An inter-university, interdisciplinary project for the visual exploration of hearing

Die Universität Mozarteum zeichnet sich durch eine führende Kunst- und Musikforschung aus, die verwurzelt ist in der kreativen und innovativen Praxis in Zusammenarbeit mit Partner*innen in Wirtschaft, Industrie und in der Konzentration auf die Bewältigung globaler Herausforderungen von heute.

Research … Home Research With Dylan On The Road With Dylan On The Road © Michael Klimt Skip page navigation Overview Gallery Archive Get in touch! Return to slider start With "With Dylan On The Road", the Mozarteum University, together with The International Society of Mozarteum University Salzburg, offers students of all disciplines the unique opportunity to go on a journey with a scholarship in their luggage to develop art projects inspired by Bob Dylan. An initiative of the Research Management Department Responsible for content and concept: Eugen Banauch About "With Dylan On The Road" invites students to rethink "university" and to engage in a discourse of artistic research, learning and doing with the polyartist Bob Dylan - outside their comfort zones. For the application, there were specifications regarding a limited duration of the trip, the form of the project submission and an invitation to submit an interdisciplinary idea. The rest: open. Following the successful first edition of "With Dylan On The Road" in 2022, the project inspired by the polyartist Bob Dylan will enter the next round in 2024. I was born very far away from where I'm supposed to be, and so I'm on my way home Bob Dylan (1941) is a musician, poet, filmmaker, producer and visual artist working in a variety of genres. His work has left its mark on all areas of global culture and has influenced and moulded artists in many different ways. Bob Dylan has received widespread attention for his work, which has absorbed, transcended and transformed existing forms, genres and conventions, and not just since winning the Nobel Prize for Literature in 2016. We understand his work and biography as a "message in a bottle". This floats in the oceans of rock, folk, blues and pop and always in "old, weird America" (Greil Marcus) and invites us to engage in an inspiring dialogue within the framework of self-determined artistic creation. Having been "on the road" himself throughout his life, the study of this exceptional artist suggests extraordinary approaches. In the spirit of his "Never Ending Tour", which began in 1988, we therefore invite you to literally take to the road yourself and artistically explore aspects of his work and his life's journey. Students go on the journey themselves, because the artistic process is just as important as the work and the individual needs to enter into new worlds of experience. With Dylan On The Road 2 Nach der erfolgreichen ersten Edition von „With Dylan On The Road“ 2022 geht das vom Polyartisten Bob Dylan inspirierte Projekt in die nächste Runde. Im Frühjahr 2024 vergab die Universität Mozarteum wieder Reisestipendien für Bob-Dylan-inspirierte künstlerische und künstlerische-wissenschaftliche Teamprojekte, die ersten Teams sind bereits seit Mai 2024 „on the road“. Projekte 2024 Emma Ebmeyer & Bariş Özbük: „Unrooted“Was bedeutet Familie für dich und welche Rolle spielen dabei Bluts- und Wahlverwandschaften? Wir reisen von Salzburg nach Istanbul, wo ein Teil von Bob Dylans Wurzeln liegen und von dort aus zu unseren eigenen Familien. Auf der Reise möchten wir Menschen begegnen, um über das Verständnis von Familie ins Gespräch zu kommen. Roue: Salzburg - Istanbul Carina Jenewein & Hanna Steinlechner: „Echoes of Dylan“Wahrscheinlich kein Land wird so oft in Verbindung mit dem Instrument Harfe gebracht wie Irland. Für uns als Harfenistinnen übt dieses Land allein deshalb schon eine Faszination aus. Auch Bob Dylan galt als großer Bewunderer der irischen Musik und hat irische Volkslieder und Gedichte in seinen Songs vertont. Ähnlich wie er wollen wir uns auf die irische Volkskultur einlassen, irische Spielweisen und Besonderheiten kennenlernen, dokumentieren und in unser künstlerisches Schaffen einfließen lassen. Mit unseren Instrumenten im Gepäck begeben wir uns auf der grünen Insel auf die Spuren Bob Dylans! Route: Dublin – Kilkenny – Waxford – Galway – Cliffs of Moher – Dingle – Belfast - Dublin Alek Niemiro & Laura Trilsam: „Bob Dylan – Masters of War“Ausgehend von Bob Dylans Welttournee-Auftakt im Jahr 1978 in der Nippon Hall Budoka in Tokio begeben sich Laura Trilsam und Alek Niemiro auf eine Reise durch Japan. Auf dieser Reise soll ein Kurzfilm entstehen, der sich in Form assoziativer Bild- und Toncollagen mit der vielschichtigen Kultur Japans, seiner Geschichte und seinem Zeitgeist auseinandersetzt. Route: Tokio - Osaka - Noashima - Teshima - Hiroshima - Tokio Judith Musil & Rosa Schwarz: „textile shift“Judith Musil und Rosa Schwarz begeben sich auf eine Reise durch Skandinavien, um Antworten auf Fragen zu finden, die Bob Dylan in seinen Liedtexten stellt. Die Antworten werden in Form vom assoziativen Prosagedichten auf Stoffbänder geschrieben, verhäkelt und performativ gelesen – eine Verbindung von Text und Textil. Route: Kopenhagen - Göteborg - Oslo  - Bergen  - Stockholm - Malmö Nogati Udayana & Joseph Lang: „Is It All Over Now, Baby Blue? - Ein Song zwischen Seoul und San Francisco“Wir, Nogati Udayana und Joseph Lang, studieren Szenografie und Schauspiel an der Universität Mozarteum. Nach mehreren gemeinsamen Arbeiten wollen wir nun mit unserem Projekt „Is It All Over Now, Baby Blue? - Ein Song zwischen Seoul und San Francisco“ zwei Orte erkunden, die sowohl für die Politisierung von Bob Dylan und Joan Baez als auch für unsere Familien eine große Rolle spielen. Mittels ausschließlich analoger Technologien wollen wir unsere Reise dokumentieren und so einen multimedialen Song schreiben. Route: Seoul & San Francisco Clara Elixmann & Toni Ofner: „POWER UP“Das Projekt POWER UP beschäftigt sich mit Kunst als Protestmittel. Eine mobile Siebdruckstation wird Demoteilnehmer*innen in verschiedenen Städten als Werkzeug der Selbstermächtigung zur Verfügung gestellt. POWER UP trägt damit aktiv zum demokratischen Dialog bei. Route: Glasgow (Printstudio: Treffen mit Ros Lawless und praktische Auseinandersetzung) - Demonstrationen und Workshops in unterschiedlichen deutschsprachigen Städten, z.B. in Berlin, München, Wien und Salzburg Simon Kantner & Maurice Cazzoli: „Ecophonic Atelier“Ecophonic Atelier beschäftigt sich mit der Produktion einer audio-visuellen Performance. Die Reise nach Island dient hierzu als Inspirationsquelle für Soundscapes und generative Visualisierungen. Route: Umfahrung der Insel Johannes Brömmel & Jakob Schulte: „Something's happening, but you don't know what it is (Ballad of a thin man)“Ein Gefühl steter Ungewissheit, ein Portrait unserer Zeit. Wir stehen vor Veränderungen, welche niemand vorhersehen oder abschätzen kann. Wie lässt sich das einfangen? Wie lässt sich ein Narrativ, eine Erzählung, ein Bild finden, das uns hilft, einen Zugang, eine Fantasie zu entwickeln, über das, was bevorsteht? – Wie lässt sich eine neue Folklore, eine neue „Mythologie“ schaffen, die unserer Zeit gerecht wird? Und: Wie und wieso funktioniert das in Japan? In einer 5-wöchigen Reise – durch die ländlichen, unscheinbaren Orte – sammeln wir Informationen, Video- und Audioaufnahmen von Tempeln, Paraden, Gedenkfeiern und schlichten Alltäglichkeiten, um verschiedenen traditionellen wie zeitgenössischen Umgangsweisen mit Folklore zu begegnen. Aus diesen gesammelten Eindrücken entsteht eine installative Performance, in der mythologische Wesen und Figuren durch Schauspiel, Tanz, Musik und Video auf unsere Zeit aufschlagen. Route: Osaka - Kyoto - Sapporo Chiara Gruber & Susanne Schimmerl: „Do(nt) look back“Unser dreiteiliges Projekt „Do(nt) look back“ beschäftigt sich anhand von Straßeninterviews mit der Präsenz Bob Dylans Schaffen und Person in der heutigen Gesellschaft. Durch Interviews werden Melodien gesammelt, die zu einer gemeinsamen Audiospur verbunden werden, zu der durch Eindrücke der Reise auch ein Musikvideo entsteht, sowie ein Cover aus Zeichnungen, die in den Interviews entstehen, die die Reise und somit das Projekt abrunden. Route: London - Manchester - Newcastle - Birmingham - Leicester - Liverpool - Sheffield - London Lenni Hofer & Samuel Obernosterer: „Feed the document“Is it time to go Elektrik? Inmitten von carbon capture und batteriebetriebenen Containerschiffen, archivieren Lenni Hofer und Samuel Obernosterer die Sedimente des Klimadiskurses. Ihre Auseinandersetzungen mit Bergbau und Landwirtschaft präsentieren sie essayistisch in einer Mehrkanal-AV-Installation. Route: Deutschland, Frankreich, Spanien, Portugal Press   20.8.2025, Radio FRO Linz (Anna Jungwirt)Häkelnadel und wort:netz bei TEXTERosa Schwarz und Judith Musil erzählen von ihrem Projekt "textile shift" 15.12.2023, Salzburger Nachrichten (Martin Behr)Im Geiste Bob Dylans auf Reisen gehen und kreativ sein News With Dylan On The Road II 14.11.2024 With Dylan On The Road II  The ‘With Dylan on the Road’ travel grant was conceived for the first time in 2022, enabling artistic teams to travel in the footsteps of Bob Dylan and develop projects. The trips took them to European countries as well as (North and South) American and African countries and brought back a variety of artistic works, from performance to song, from graphic work to theatre pieces, from video installations to artistically sophisticated documentation. With ‘With Dylan on the Road 2’, the Asian region (Japan, Korea, but also Turkey) is now also included in the above-mentioned geographical area, or rather opened up by the ten new artistic-scientific projects. Student project With Dylan on the Road: Call 2024 15.11.2023 With Dylan on the Road: Call 2024  After the successful first edition of "With Dylan on the Road", a competitive travel scholarship program of the Mozarteum University, the project inspired by the polyartist Bob Dylan is entering the next round. News With Dylan on the Road - Bringing it all back home 6.10.2022 With Dylan on the Road - Bringing it all back home  Inspired by the polyartist Bob Dylan and his approaches of appropriation and transformation, nine artistic-explorative teams of two from the Mozarteum University were on the road in South Africa, the US, Mexico, Europe and Latin America during the first half of 2022. The results are nine art projects that will be premiered on October 14 and 15 as part of Jazz & The City, accompanied by a symposium "Inspired by ... commemorating 60 Years of Bob Dylan.". News Controlled loss of control 11.6.2022 Controlled loss of control  With the project "With Dylan On The Road" the Mozarteum University together with The International Society of Mozarteum University Salzburg offers students the unique opportunity to go on a journey with a scholarship in their luggage to develop art projects inspired by Bob Dylan. Student project Gallery Skip slider © Kantner/Cazzoli © David Prokop © Alek Niemiro / Laura Trilsam © Musil/Schwarz © Emma Ebmeyer © Fabian Schober © Christian Schneider © Felix Buschbeck Jump to slider start Support Many thanks to The International Society of Mozarteum University Salzburg  and its generous members. Special thanks go to Prof Dr Max M. Schlereth, Dipl.-Ing. Christian Dreyer, MBA, Dr Marie-Christine von Ungern-Sternberg and Leonie von Ungern-Sternberg. Archive With Dylan On The Road 1 - Projects With "Living Dylan's Mozambique", guitarists Felix Buschbeck and Angus Garway-Tempelman set off on a journey to Mozambique. They explore African rhythms and integrate them into percussive fingerstyle playing to create their own Dylan-inspired content. NEVERENDINGARTIST (Isabella Heigl, painting and Agustín Castilla-Ávila, music): "We want to facilitate the understanding of transdisciplinarity and propose our own classification based on our artistic practice: according to who practices which discipline with which objects." "... even the birds are chained to the sky." Disguised as a road movie, this free-form documentary by Magdalena Hofer and Samuel Obernosterer compares the utopian ideas inscribed in society with Dylan with an ever-approaching future. Based on Dylan's search for his homeland, encounters and exchange are the central driving force behind Elena Lengauer and Leonie Lindinger's journey. They immerse themselves in Bob Dylan's reception and points of contact in South America. Their impressions can be experienced visually as a video essay and pictorial-photographic-linguistic diary excerpts. Gerlinde Radler and Monika Eliette Jandl are travelling to Spain as the duo CORIMEJ with "Blowin' in the Wind" in a VW bus and an organically growing, experimental exhibition format. They collect messages from artists of all genres and bring a piece of zeitgeist back home. Lara Schnepf and Lukas Stangl hike through Normandy: "There are 357 kilometres, old railway tracks, coastal paths, the sea and two pairs of "Boots of Spanish Leather" between the start and end point. What happens in between and where do we end up?" Paulina Maike Strobel and Alina Hausmann use "The Times They Are A-Changin'" to ask themselves how they can take an artistic stance on current socio-political issues such as the climate crisis. They visit places where major climate policy conflict issues manifest themselves. Antigoni Baxe and Zuzanna Wężyk are also devoting themselves to Dylan's song "Boots of Spanish Leather": "In Spain, we want to find out how culture has influenced Dylan's music and bring his work to the classical guitar stage." "Never mind mummy (we're just bleeding)": Inspired by Dylan's all-absorbing gaze, Carla Schmutter and Henry Schlage want to poetically process their own experiences in an evening of theatre that invites the audience to find reflective sympathy with a world in which they themselves are at home. With Dylan On The Road 1 - Press   23.5.2022, Kulturport.de Studieren auf Reisen - With Bob Dylan on the road   24.5.2022, Salzburger Nachrichten (Thomas Neuhold) Salzburger Mozarteum mit Bob Dylan "on the road"   14.10.2022, Salzburger Nachrichten (Anna Boschner) Studierende auf Reisen: "In den Schuhen" von Bob Dylan durch die Normandie   14.10.2022, Ö1 (Radiobeitrag) Intrada - Österreichichs Musizierende im Porträt   17.10.2022, Salzburger Nachrichten (Bernhard Flieher) Universität Mozarteum on the road mit Bob Dylan: Eine akademische Bobisierung

Study … Home Study International Affairs Erasmus International Affairs & Erasmus+ © Christian Schneider Skip page navigation Overview Get in touch! Return to slider start The Department of International Affairs is responsible for organising and coordinating international activities at the Mozarteum University. It is the service point for all members of the university who wish to spend time studying or teaching at a partner institution abroad, as well as for the incoming students and teachers we welcome for a guest stay at the Mozarteum. Our tasks include organising and facilitating international cooperations, cultivating relationships with foreign organisations, institutions and personalities, and opening the doors for mobility. International Affairs Department+43 676 88122 418+43 676 88122 336international@moz.ac.at Mirabellplatz 15020 Salzburg Office: Schrannengasse 10a/ Room 2012   Erasmus-CodeA  SALZBUR02OID: E10093810PIC: 949452879   Downloads Erasmus+ Inclusion support Erasmus+ Data protection information About Erasmus+ & Bilateral Partnerships Erasmus+ is the most successful programme of the European Union in the field of education. The experience gained abroad is a valuable asset for both professional and personal development. Following a successful application to the European Commission, the Mozarteum University Salzburg was awarded the Erasmus Charter for Higher Education for the full period of the programme (2021-2027); the Mozarteum's "Erasmus Declaration on Higher Education Policy" can be read here. The charter entitles the holder to participate in all activities under the EU Erasmus+ programme, including participation in the mobility scheme for students and staff wishing to complete a teaching stint or professional development activity abroad. Find out more about Erasmus+ Supplementary Certificate in International Affairs Interdisciplinary Supplementary Certificate in International Expertise Funding & Calls for Applications Applications currently open As of 14th June 2025  Austrian Fulbright Scholarship ProgrammeThe Austrian Fulbright Scholarship Programme is aimed at both emerging and established academics. It furthers the prospects of Austrian scholars at the beginning and in the middle of their careers by offering them the opportunity to teach and conduct research at institutions in the USA.Application Period: 15th February–30th October 2025Grant Length: 4 monthsStarting Date: 2026–27 academic year Scholarships through bilateral "Actions"The three bilateral sponsorship programmes "Actions" support cooperations and cross-border mobilities in the tertiary education sector between Austria and its neighbours Slovakia, Czechia and Hungary. The main focus of these schemes is on encouraging young academics. Up to four calls for applications are made each year, depending on the scheme, and deadlines vary. The scholarships are funded by the OeAD.Submission: various application deadlines Year-round applications  Erwin Schrödinger Programme (postdoc programme)Those looking for opportunities develop their career by expanding their academic profile should strongly consider gaining experience at a new centre of excellence. Mobility is the key to success: The Erwin Schrödinger Programme provides opportunities for highly qualified postdoc researchers to further their career prospects by spending a period at an internationally renowned research centre. Deadline: applications accepted year roundFunded by: FWF ESPRIT (Early-Stage Programme: Research – Innovation – Training) (Postdoc Programme)The programme ESPRIT (Early-Stage Programme: Research – Innovation – Training) aims to support up-and-coming researchers from  all fields to develops their competences and further their careers by conducting an independent research project.Deadline: applications accepted year roundFunded by: FWF Additional possibilities Grants.atAustria's largest database of scholarships and research funding for all academic fields. The funding available for students, graduates and researchers ranges from classical scholarships, subventions and prizes to comprehensive national, EU and international research funding programmes. General information International Education Policy at the Mozarteum University In an era of an increasingly integrated European Union, where internationalisation and globalisation are more than idealistic visions and a common European educational area is becoming a reality, educational institutions are called upon to step up and invest further in cooperative projects at both national and international levels. Thanks to its geographical position along the North-South axis, a crossroads of cultures since the 8th century, Salzburg has always maintained close contact with European cities and cultural centres beyond national borders. The idea of a united Europe has a centuries old tradition in Salzburg. Salzburg’s most famous son, W.A. Mozart, undertook tours to cities such as London, Paris, Milan, Naples and Prague, thus enriching the musical life of his home town by introducing cosmopolitan flair. This international mindset continued into the following century with numerous music festivals, reaching a new level with the founding of the Salzburg Festival in the 20th century. Salzburg opened its gates not only to its European neighbours, but to the world, strengthening connections and furthering artistic exchange. Internationality is also woven into the fabric of the Mozarteum University. Students from a wide range of countries take the opportunity to train at an institution that has brought renowned artists from around the globe to its faculty. These teachers not only pass on their skills and artistry with dedication, but also play an active role in cultural life worldwide as artists, teachers and jurors. In doing so, they help build connections with other cultural institutions at both European and international levels, fostering cooperation within the Erasmus+ programme and beyond. Erasmus Charter for Higher Education (ECHE) Erasmus+ Policy Statement Mobility is an inherent aspect of the arts and life as an artist, with its importance reflected in many areas of activity at the university. The Mozarteum University views international mobility as a natural element of academic life. Experiences abroad allow students, early-career researchers, faculty, and non-teaching staff to gain knowledge and develop their skills. The Mozarteum University Salzburg is therefore committed to actively encouraging students and staff to take part in mobility projects, with the aim of making study or work abroad a firmly established norm. Through the Erasmus+ Programme, our institution maintains partnerships across Europe that would not be possible at this scale without EU support. We believe all students, regardless of socio-economic background, should have access to high-quality educational opportunities. The new generation of the Erasmus+ Programme enables the Mozarteum University Salzburg to introduce new incentives for participation in Erasmus+ mobility (including for people from underrepresented backgrounds). The introduction of ‘Blended Mobility’ and short-term mobility options ensures that students who work alongside their studies are also given the chance to experience study and life abroad, and we hope this will lead to an increase in student participation in mobility programmes at the Mozarteum University Salzburg. Internationalisation strategy and Erasmus+ The Mozarteum University Salzburg is already highly international in both its makeup and outlook. Over 70 countries and five continents are represented within our 2000-strong student body. Our teaching faculty is similarly cosmopolitan, with our 550 members of staff being drawn from 38 countries across three continents. In the performance agreement period 2019-2021, the Mozarteum University Salzburg rose to place 11 in the “QS World University Ranking“ (by subject), up from 52nd place in 2018. The university is constantly striving to improve its international standing, and has taken numerous measures to this end. Thus the International Summer Academy at the Mozarteum University Salzburg has, over its 100 year history, established a worldwide reputation for itself, as is testified by the high number of applications it receives each year from highly talented musicians year on year. The biennial International Mozart Competition, whose final is regularly streamed by Austrian national broadcaster ORF, is firmly established in the top league of international competitions. In recent years, the Mozarteum University Salzburg has significantly expanded its active participation in key international networks, thereby taking on a role in shaping the global educational landscape in the arts. The Development Plan for 2022–2027 also envisages the introduction of several degree programmes with an international dimension, aiming to further strengthen internationalisation in teaching and learning. System Objective 6 of the GUEP 2022–2027 and Chapter VI of the University Mozarteum Salzburg’s Development Plan for 2022–2027 provide a detailed outline of the vision and strategic directions for internationalisation. The Mozarteum University Salzburg has identified six targets that are closely linked to the Development Plan: Raising the international presence and profile of the university as a whole Continuing the development of degree formats Promoting awareness, discourse, and active participation in shaping international quality standards in research, the advancement and appreciation of the arts, and teaching Mobility as an extension of students’ and teachers’ range of experience Dialogue between cultures Internationalisation at home The ERASMUS+ Programme plays an important role in achieving these goals. The themes of mobility, as well as “dialogue between cultures” and “internationalisation at home,” are reinforced by the programme, since mobility – in the form of bilateral exchanges with partner institutions – also supports on-site internationalisation. The Mozarteum University Salzburg is committed to participating in Erasmus Key Action 1 (KA1) – Learning Mobility of Individuals. Existing forms of mobility should not only continue but be further strengthened (study periods abroad, Erasmus+ mobility for teaching and non-teaching staff). The process will also be increasingly digitised through the introduction of Online Learning Agreements and the European Student Card. The new Erasmus generation also enables the Mozarteum University Salzburg to broaden its range of collaborative projects with global partners and launch new initiatives. The Mozarteum University Salzburg aims to fulfil the goals of the new programme by taking the following steps: Promoting the use of eco-friendly methods in all activities related to the programme Creating incentives for people from disadvantaged communities to participate Implementing the programme’s digitalisation measures Encouraging participants to get involved in activities within the wider community before, during, and after their stay Aims and Purposes For the performance agreement period 2022-2024, the Mozarteum University Salzburg set itself the following goals: To increase the number of regular students enrolled at the Mozarteum participating in an international mobility programme (outgoing students) To increase the number of students enrolled at other universities welcomed at the Mozarteum through an international mobility programme (incoming students) Additionally, short mobility schemes for students wil be promoted, with the introduction of blended intensive programmes helping to increase the number of student mobilities at the university and enabling students to gain valuable learning experiences abroad. Regular evaluation of mobility activities (for both students and staff) will be carried out to ensure quality control. The partnerships maintained by the Mozarteum University will also continue to be reviewed regularly. One example of a mobility project currently in development is a project on artistic work with the theme “On the Move,” which offers a travel scholarship, network support, and the opportunity to give a presentation at the international Bob Dylan Symposium. In order to support and encourage mobility, the Department of International Affairs underwent a restructuring in 2021, which included the creation of new staff positions. The extension of the regional mapping project, planned for the performance agreement period 2022–2024, into international cooperations is intended to strengthen services, improve the orientation of mobility and enhance the quality of international partnerships. Another measure in the area of mobility for the 2022–2024 performance agreement period is the planned relaunch of the Mozarteum University Salzburg website. This will go hand in hand with a redesign of the “International Affairs” section, so that information about mobility and exchange programmes for students and staff is presented in a more intuitive way. An additional goal for this performance agreement period is to advance the internationalisation of teacher training and to increase mobility opportunities for instructors in teacher training programmes. The Development Plan 2022–2027 will also give details of structural measures that have been conceived to further project-related student mobility that is independent of ERASMUS. Further points for discussion include the development of mobility windows, the structural anchoring of cooperations, the special case of Brexit in the context of university mobility, and the quality management of international activities. With regard to the goal “Internationalisation at Home,” the goals for the performance agreement period, as detailed in the Development Plan 2022–2027, are as follows: Exploring the repertoire of a particular culture in detail Multilingualism in concert performances Cultivating contact with consulates and embassies, providing students for concert performances in order to realise joint cultural programmes Offering courses and access to research findings in the academic field Music and Migration International Networks The Mozarteum University Salzburg is a member of the following networks and organisations: AEC - Association Européenne des Conservatoires, Académies de Musique et Musikhochschulen Erasmus+ - Bildungsprogramm der Europäischen Union Nationalagentur Erasmus+ Bildung Bologna-Prozess ELIA - The European League of Institutes of the Arts EUA - European University Association Forum Internationales der Österreichischen Universitätenkonferenz OeAD - Österreichische Agentur für internationale Mobilität und Kooperation in Bildung, Wissenschaft und Forschung ASEA-UNINET - ASEAN-European Academic University Network EURASIA PACIFIC UNINET Mitos21 E:UTSA European Platform for Artistic Research in Music (EPARM) European Textile Network (ETN) Salzburger Hochschulkonferenz (SHK) Cooperations and partnerships People Skip slider Nadine Story Nadine Story Department management Service department management Employee Caroline Maria Hasenschwandtner Caroline Maria Hasenschwandtner Employee Jump to slider start

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Coaching & Career … Home Study Institutes Coaching & Career Book your Artist Vermittlungsbörse für Künstler* innen © Christian Schneider Skip page navigation Overview About Fair Pay Classical Jazz & Pop Soloists Coaching & Career Return to slider start Are you looking for an artistic/musical setting for your company celebration, birthday or wedding party or another event? The Mozarteum University's Artists' Placement Service offers you the opportunity to find the right artistic performance for your celebration and to book the appropriate ensembles or soloists. Contact Franziska Wallnervermittlungsboerse@moz.ac.at   Links & Downloads Booking (via Mail) Take part (via Mail) Data protection  & AGBs (Students) Data protection & AGBs (interested parties) About Welcome to the placement exchange for artists at the Mozarteum University. Here students can present their artistic performances and be booked for events. If you would like to book one of the artists or ensembles, or if you have further questions for us, please contact us via our contact form for booking. Please note our terms and conditions and the data protection information. We will process your enquiry as quickly as possible and put you in touch with the relevant artists. Want to take part? Students who would like to apply for inclusion in our catalogue should register using the contact form for students. All active students of the Mozarteum University can apply. Please note our terms and conditions and the data protection information. General Information In the course of the fair pay development, we ask you to deal with this topic in order to negotiate appropriate fees. In order to facilitate negotiations, contractual agreements and settlements, we provide you with links to relevant information here. Sample contracts (mica Austria) Template for royalty notes (freefinace) Fair pay - fair remuneration for artists and cultural professionals Advocacy organisations in the arts and culture sector have been drawing attention to the difficult situation in the arts and culture industry for years: poor pay, precarious employment and discontinuous working conditions are problems that many arts and culture professionals have to deal with. Periods of unemployment between engagements or projects also mean that an entitlement to unemployment benefit is never realised. An irregular and unpredictable income also results in a lack of social security in the event of illness and a lack of protection against poverty in old age. A large proportion of artists and cultural professionals live at or below the poverty line, as a study on the social situation of artists and cultural mediators in Austria shows (2018)1. The demands of the interest groups IG Kultur Österreich published a Fair Pay Manifesto in 2021, which was developed in cooperation with its more than 800 member initiatives, including the TKI (Tiroler Kulturinitiative). It describes the requirements for fair pay, contains concrete implementation steps and demands for policymakers. Also in 2021, the Austrian Cultural Council published a Fair Pay Reader together with all cultural interest groups in Austria. For the first time, this provides an overview of all fee and salary recommendations currently available in Austria for the arts and cultural sector. It also includes the salary scheme of IG Kultur Österreich and the TKI (Tiroler Kulturinitiative) salary scale, which has been in existence since 2009 - one of the first recommendations for fair pay in the cultural sector in Austria. Moving into politics The issue has now also reached those responsible for cultural policy: The implementation of a ‘Fair Pay’ strategy by the BMKÖS (Federal Ministry of Arts, Culture, Civil Service and Sport) with the federal states, the Association of Towns and Municipalities, and the interest groups of the cultural sector has begun in order to make payment in the Austrian arts and culture sector fairer. In 2022, the federal government launched a pilot phase on fair pay in the arts and culture sector and made around 6.5 million euros available for earmarked fair pay funds for the first time; in 2023, a total of 9 million euros will be made available for subsidies in the spirit of fair pay. Solidarity - the responsibility of each individual However, even if awareness of the problem is increasing in politics and cultural organisations, the salaries are still only guidelines and not legal requirements. The proposed fees are called ‘minimum fee recommendations’ and can serve as a basis for negotiation; however, it is up to each individual to implement them. It is therefore all the more important that artists and cultural professionals show solidarity and do not practise their art below a certain minimum fee - in the knowledge that they are not only negotiating a current amount for themselves, but also weakening their negotiating position for other colleagues and thus the market in the long term if they are underpaid. Minimum fee recommendations for the individual art and cultural sectors can be found on the following pages, among others Fee schedule 2023 for independent cultural work IG Kultur: The current FAIR PAY salary scheme for cultural associations (from 1 January 2023) IG freelance musicians: Fee recommendations music austria: Minimum fee recommendations for the music sector IG visual arts: Guidelines and fee schedule 2023 IG independent theatre work: Lower fee limit Basic ideas on fee structure If you look at the recommended minimum fees, you might initially think that a fee of 350 euros for a single performance lasting one to two hours is already a very high hourly rate. However, if you take a closer look, it quickly becomes clear that the amount of work required to be able to perform at all is many times higher than the pure duration of the performance. Rehearsal and development times, travelling costs, the purchase of appropriate materials, rehearsal rooms, technical equipment, etc. all have to be factored in. It should also not be forgotten that many artists and cultural professionals work on a freelance or hybrid basis; this means that they do not have a regular income, have to pay taxes and insurance on their own and also have to cover office hours for acquiring orders, bookkeeping and organisation. In conclusion, it should be said that the fair pay strategy is currently under development. Theory and practice do not always coincide, compromises have to be made in many areas and personal needs must not be disregarded. Society, politics and cultural organisations need time to rethink. But in order to achieve a minimum, a maximum must be demanded and with every discussion, every negotiation and every engagement with this topic, we move closer to the common goal: fair remuneration for artists and cultural professionals. 1 Source: ‘Social situation of artists and art and cultural mediators in Austria’ 2018 An update of the study ‘On the social situation of artists in Austria’ 2008 Petra Wetzel, with the collaboration of Lisa Danzer (L&R Social Research) Veronika Ratzenböck, Anja Lungstraß, Günther Landsteiner (Austrian Cultural Documentation) Ensembles  Classical (Opens in new tab) Organic Strings (Opens in new tab) Emilia Wutte (Violine), Veronika Seiler (Harfe), Miriam Tiefenbacher (Orgel) Das Trio Organic Strings präsentiert ein eindrucksvolles Programm u. a. mit Werken von Komponistinnen aus Klassik und Moderne. Die außergewöhnliche Besetzung vereint drei eigenständige Klangfarben zu einem nuancenreichen Ensembleklang, der sowohl intim als auch kraftvoll wirken kann. Mit großer künstlerischer Hingabe setzen sich die drei Musikerinnen – Studentinnen der Universität Mozarteum Salzburg – für die Sichtbarkeit weiblicher Kompositionskunst ein. Ihr aktuelles Programm „Starke Töne“ spannt einen Bogen von Lili Boulanger über Henriette Renié bis hin zu Maria Theresia von Paradis und Barbara Heller. Dabei entsteht ein Konzerterlebnis, das berührt, überrascht und neue Perspektiven auf das klassische Repertoire eröffnet. Organic Strings steht für musikalische Tiefe, stilistische Vielfalt und ein bewusst kuratiertes Repertoire jenseits des Gewohnten – getragen von der Freundschaft und dem gemeinsamen Gestaltungswillen der drei Interpretinnen. Hier reinhören! (Opens in new tab) (Opens in new tab) Elikón Ensemble (Opens in new tab) Miguel Rocha (violin), Lucas Garcia Muramoto (cello) & Bella Schütz (piano) The ensemble was founded by three friends who met in Salzburg. With members from Portugal, Japan-Brazil and France, the international award-winning Trio Callas is known for the uniqueness of its expression, which arises from the coming together of different cultural backgrounds. The ensemble is regularly invited to perform throughout Europe and to tour other continents. Their concert activities have taken them to Japan, Canada, the USA, Brazil, Argentina and Uruguay. In addition to performing the traditional repertoire, the ensemble explores the boundaries of genres by collaborating with and being inspired by artists from outside classical music. Listen here! Hier reinhören! (Opens in new tab) © Amelie Meißner (Opens in new tab) Trio Callas (Opens in new tab) Miguel Rocha (Violine), Lucas Garcia Muramoto (Cello) & Bella Schütz (Klavier) Gegründet wurde das Ensemble von drei Freund*innen, die sich in Salzburg kennenlernten. Mit Mitgliedern aus Portugal, Japan-Brasilien und Frankreich ist das international ausgezeichnete Trio Callas bekannt für die Einzigartigkeit seines Ausdrucks, der aus dem Zusammentreffen verschiedener kultureller Hintergründe entsteht. Das Ensemble wird regelmäßig zu Auftritten in ganz Europa und zu Tourneen auf anderen Kontinente eingeladen. Ihre Konzerttätigkeit führte sie unter andrem nach Japan, Kanada, in die USA, nach Brasilien, Argentinien und Uruguay. Neben der Aufführung des traditionellen Repertoires lotet das Ensemble die Grenzen der Genre aus, indem es mit Künstler*innen außerhalb der klassischen Musik zusammenarbeitet und sich von diesen inspirieren lässt. Hier reinhören! Website (Opens in new tab) © Marinus Kreidt (Opens in new tab) Beija-flor String Quartet (Opens in new tab) Haruna Shinoyama (violin), Tobias Aan (violin), Samuel Poblete, (viola) & Guilherme Moraes (cello) The Beija-flor String Quartet was founded in 2015 by four students with multicultural and intercontinental backgrounds: they come from Japan, Australia, Chile and Brazil and speak a total of seven languages. They find their common language in music. The melting pot of their ideas and personalities, combined with a great deal of curiosity, a serious thirst for knowledge and with beauty as the ultimate goal, results in passionate interpretations that are historically informed, critically reflective, technically sophisticated and phenomenally communicative. The quartet won first prize at the Gianni Bergamo Classic Music Award 2022 and is currently the recipient of the ensemble scholarship of the International Society of the Mozarteum University Salzburg. They have participated in festivals such as the Académia Internacional Quartet (Spain), the Festival Jeux de Chaises (Canada), the Zeister Muziekdagen (Netherlands), Guadix Clásica (Spain) and the Budapest Festival Academy (Hungary) Since 2024, the quartet has been studying in the Master of Chamber Music programme at the Mozarteum University with Cibrán Sierra-Vázquez. Listen here! Listen here! Website (Opens in new tab) © Shirley Suarez (Opens in new tab) ARGE Konsonanz (Opens in new tab) Leona Rajakowitsch (flute) & Malte Höfig (guitar) With ARGE Konsonanz, a young, fresh duo full of inventive spirit takes to the stage. The two artists Leona Rajakowitsch (flute) and Malte Höfig (guitar) captivate with a captivating mixture of eloquence and musical virtuosity. Not only do the personalities of the young talents merge into a harmonious whole - their instruments also combine to create a graceful overall sound full of colour, light and shade. The duo's impressive stage presence as well as their ability to easily penetrate different musical genres is a delight. The two artists have a particular fondness for arranging their own instrumentation. They take great pleasure in exploring the music of other instruments and sometimes other cultures, leaving the realms of the small original repertoire behind them. Rajakowitsch and Höfig are also fascinated by the combination of different artistic forms of expression, be it music, poetry or dance. The name alone shows: This duo is a touch different, more innovative, more exciting and ready to set off on an adventurous quest for artistic intensity. Listen here! Website (Opens in new tab) © Cuarteto Iberia (Opens in new tab) Cuarteto Iberia (Opens in new tab) Marta Peño (violin), Luis Rodríguez (violin), Aurora Rus, (viola) & Arnold Rodríguez (cello) String Quartet Cuarteto Iberia was founded in Madrid in 2018, since then the quartet has been upholding the tradition of the string quartet with its history and bringing a new perspective to the masterpieces of the genre with innovative projects. Since 2021, the members have been studying for a master's degree in string quartet at the Mozarteum University with Cibrán Sierra (Cuarteto Quiroga) and have already performed at international music festivals in Salzburg, Würzburg, Weikersheim, Paris, Montréal, Venice, Milan and Lucca. The Cuarteto Iberia is a member of several European quartet institutions such as ECMA, Le Dimore del Quartetto and ProQuartet. It is one of the 38 string quartets selected to take part in the European MERITA project. They were awarded 1st prize at the XI International Chamber Music Competition ‘Antón García Abril ’ in Granada (Spain) and the 26th International Chamber Music Competition Josep Mirabent i Magrans in Catalonia, among others. Since the beginning of February 2022, the Cuarteto Iberia Quartet has been in residence at the Museo Lázaro Galdiano in Madrid. Listen here! Website (Opens in new tab) © Sergi Panizo (Opens in new tab) Tempus Trio (Opens in new tab) Maria Tió (violin), Ferran Bardolet (violoncello) & Ricard Rovirosa (piano) Piano Trio The Tempus Trio was founded with the desire to explore the great repertoire for piano trio and at the same time to seek a contemporary dialogue in order to further develop the ensemble's literature. Critics describe the trio as one of the most promising of its generation, having achieved significant success at various international competitions: It was awarded the first prize of the ‘Grand Prize Virtuoso’ International Music Competition in Brussels, the platinum medal (first prize) of the ‘WPTA Singapore International Music Competition’, the silver medal of the ‘2nd Vienna International Competition’, the special prize of the ‘BBVA Chamber Music Competition’ and the third prize of the ‘Rising Stars International Competition Berlin’. In 2023, they won first prize ex-aequo at the international competition ‘Città di Padova’ and first prize at the ‘Petrichor International Competition’ in New York, USA. The Tempus Trio is currently studying for a master's degree in chamber music at the Mozarteum University with Cibrán Sierra Vázquez (Quiroga Quartet). They are part of the artistic network ‘Le Dimore del Quartetto’ (Milan). Their professional career has taken them to important festivals and masterclasses in the European concert scene. In the 20/21 season, they were selected by the AiE Foundation (Artists and Players of Spain) as ‘Artistas en Ruta’ (Artists on the Road). They are currently enjoying an artistic residency at the JMM (Association of Musical Youth of Moià, Spain). Listen here! Website (Opens in new tab) (Opens in new tab) Gieres Brothers (Opens in new tab) Mika Gieres (flute) and Max Gieres (piano) The ‘Gieres Brothers’, Mika and Max, are a musical duo from Luxembourg who bring authenticity and passion to the stage. Mika, a flautist with a flair for melody, and Max, a pianist with a flair for harmony, are currently honing their craft at the Mozarteum University in Salzburg. Their performances are characterised by technical precision and musical sensitivity, which they have acquired through intensive study and master classes. With a repertoire ranging from moving classical pieces to lively contemporary compositions, they reach their audience on a personal level. Their concerts are more than just performances; they are an experience that takes listeners on an emotional journey. The brothers are known not only for their musical excellence, but also for their warm and inviting stage presence that makes every concert a heartfelt event. With their down-to-earth manner and fine musical intuition, the ‘Gieres Brothers’ delight audiences in Luxembourg and abroad. Their professionalism and charismatic demeanour make every concert an unforgettable experience. To the website (Max Gieres) To the website (Mika Gieres) Listen here! (Opens in new tab) Jazz & Pop © MiKaFoto (Michaela Kainhofer) (Opens in new tab) DREA (Opens in new tab) Sophie Gander (voc), Elija Sticker (pno, voc, gtr), Fabian Schumann (zither, bvoc), Magdalena Kufer (bass, bvoc) & Peter Kainhofer (drums, bvoc) DREA combines their own songs with arrangements of personal favourites - from funk to indie, jazz and pop, everything is included. Often in three voices, sometimes dirty and always authentic. ‘The interplay of deep emotion and joy is intense. A band that gives you goosebumps in the first 10 minutes!’ (Jury member Planetfestivaltour). The first two singles ‘Up in Flames’ and ‘Nudlsuppm’, which were recently released, are sure to be followed by more! Listen here! (Opens in new tab) Soloists Jou-Yu Shieh © Jou-Yu Shieh Name: Jou-Yu ShiehInstrument: Klavier Jou-Yu Shieh ist eine Pianistin mit einer fundierten Ausbildung und internationalen Erfahrungen. Sie studierte Klavier im Masterprogramm bei Prof. Claudius Tanski an der Universität Mozarteum Salzburg und setzte ihre Studien im Postgraduate Klavier bei Prof. Jacques Rouvier fort. Zusätzlich absolvierte sie die Meisterklasse/Konzertexamen Klavier bei Prof. Wolfgang Manz an der Hochschule für Musik Nürnberg. Derzeit setzt sie ihr Studium in Klavierkammermusik bei Prof. Connie Shih und im MA Lied (Pianist) bei Prof. Pauliina Tukiainen und Prof. Stephan Genz an der Universität Mozarteum Salzburg fort. Ihre Kammermusikausbildung ergänzte sie mit Kursen bei angesehenen Musikern wie Prof. Andreas Groethuysen, Prof. Cibrán Sierra Vázquez, Prof. Enrico Bronzi, Prof. Thomas Reif und Prof. Marcelo Amaral. Jou-Yu Shieh trat bei verschiedenen Konzerten auf, darunter Kammermusikkonzerte in Salzburg und Nürnberg sowie Klavier-Soloauftritte in Salzburg, Attersee, Nürnberg und Taiwan. Sie spielte als Solistin mit Orchestern wie dem Hfm Nürnberg Symphony Orchestra und dem Shin-Sheng Symphony Orchestra und führte Werke wie das Klavierkonzert Nr. 3 von Beethoven, das Klavierkonzert in a-Moll von Grieg und das Klavierkonzert in d-Moll BWV 1052 von Bach auf. In Wettbewerben hat sie zahlreiche Auszeichnungen erhalten, darunter den Grand Prix Crown of Stars in Music and Stars Awards, den ersten Preis im Euterpe Music Awards, dem Medici International Music Competition und dem G-Clef Piano Competition. Sie wurde außerdem mit dem zweiten Preis im Franz Liszt Center Piano Competition und dem dritten Preis im Windsor International Piano Competition ausgezeichnet. Für ihre Studien wurde sie mit Stipendien des DAAD sowie der Universität Mozarteum Salzburg unterstützt. 2025 wird sie ihr erstes Soloalbum „Timeless Elegance" mit KNS Classical veröffentlichen. Sie verfügt über ein vielseitiges Repertoire, das Werke aus der Barockzeit, Klassik, Romantik und Moderne umfasst. Besonders versiert ist sie in der klassischen Musik aus Österreich, Deutschland, Frankreich und den nordischen Ländern. Neben diesen traditionellen Repertoirebereichen widmet sich diese Pianistin auch intensiv der Erkundung verschiedener Musikstile und Besetzungen. Hier reinhören! (Album "Timeless Elegance") Hier reinhören! (Piano Recital) Hier reinhören! (Piano Recital) Leona Rajakowitsch © Shirley Suarez Name: Leona RajakowitschInstrument: Flute Leona Rajakowitsch, born in Villach in 1999, began playing the flute at the age of 5. When she made her debut in an orchestra at the age of 13 with D. Zanettovich's Concerto for Flute and Strings, the foundation for her musical career was laid. Her desire to pursue her passion for filigree music-making led her to Paolo Taballione at the Mozarteum University, where she began her studies in 2017 and completed her bachelor's degree with honours in 2021. The young flautist is currently completing her master's degree in concert flute. For the academic year 2023/24, she was accepted into the renowned flute class of Sophie Cherrier with the support of Vincent Lucas at the Paris Conservatoire CNSMDP. Leona pursued her curiosity for different musical expressions in masterclasses and courses with recognised flutists such as Emmanuel Pahud, Philippe Bernold, Gudrun Hinze, Michael Martin Kofler, Walter Auer and Jasmine Choi. She has also received further artistic inspiration for her chamber music work from instrumentalists such as Michel Moragues, Stefan Schilli, Radovan Vlatkovic, Cibràn Sierra-Vasquez and Stephen Fitzpatrick. Her high regard for contemporary music is reflected in numerous world premieres and compositions written for her. In June 2023, she played the work ‘postcards’ by French composer Henry Fourès as part of a portrait concert in honour of the composer. The Austrian flautist, winner of the Bruno Gironcoli Prize, is characterised by a broad spectrum of tonal colours and a great willingness to experiment. She loves to create new concert formats and collaborates with various artists from different disciplines and artistic fields. Listen here! Lucas Biegel © Theresa Pewal Name: Lucas BiegelInstrument: Recorder Lucas Biegel is currently studying recorder in the concert class of Dorothee Oberlinger, Matthijs Lunenburg and Olga Watts at the Mozarteum University in Salzburg. Concert engagements have taken him to the Innsbruck Festival of Early Music (AT) and the Handel Festival Halle (DE), among others. He has also performed at the Liebenberg Flute Festival (DE), the Menuhin Festival Gstaad (CH), the Miszla Baroque Academy (HU), the Forum Alte Musik Sankt Gerold in Feldkirch (AT) and the Schwetzingen Winter Festival (DE). In February 2020 he was a finalist at the third Tel Aviv International Recorder Competition (IL) and in March 2024 at the German Music Competition in Bonn. From 2016 to 2022, he studied school music with recorder as his main subject at the Felix Mendelssohn Bartholdy Academy of Music and Theatre in Leipzig. He received recorder lessons from Anna Januj, Sheng-Fang Chiu and Prof. Robert Ehrlich. He was a member of the Leipzig Gewandhaus Choir, has been a scholarship holder of the German National Academic Foundation since 2016 and received the PROMOS scholarship from the German Academic Exchange Service in 2018. He has honed his musical precision on the recorder in masterclasses with Erik Bosgraaf, Maurice Steger and Michael Form, among others. Lucas Biegel loves the versatility of the recorder and expresses this through his mastery of various styles from the Renaissance to contemporary music. From solo performances of baroque and contemporary works to chamber music ensembles and orchestral arrangements, he masters the entire range of recorder literature and is also prepared to experiment with sounds and works outside the classical framework. Listen here! To the website

Service & Support … Home Study Service & Support Health Services for Students Health Services for Students Engaging in artistic activity is, for most, not just a profession but a calling, and it continuously demands peak physical and mental performance. Tension, pain, postural damage, as well as mental strains like performance anxiety or uncertainty about the future are not uncommon and pose additional challenges. Institute for Coaching & Career+43 676 88122 380career@moz.ac.at Mirabellplatz 15020 Salzburg In addition to various subjects embedded in the curriculum, the University Mozarteum supports the long-term physical and mental well-being of its students with additional offerings such as individual coaching and collaborations with external organizations. Elective courses and a rotating selection of programs offered by the Career Center also address these topics from multiple angles. Working with professionals from the fields of medicine, psychology, bodywork, and physiotherapy, the emphasis is placed especially on prevention. The focus is on maintaining health and well-being, to proactively counteract and sustainably prevent occupational illnesses. Individual Coaching for Health Prevention When: Appointments are held as one-on-one sessions and can be arranged individually throughout the semester.Where: In person in Salzburg or InnsbruckWho: Elisabeth Grain – Bernhard Hagspiel – Hanna Keßeler – Karoline Renner – Barbara Rosanelli-GraifRegistration: Please contact the respective coach directly via email. Details on which expert best suits your needs can be found on our website. Through the Institute for Coaching & Career, students can access individual 60-minute coaching sessions in addition to the curricular offerings related to health prevention. These sessions provide personalized approaches to mental and physical health, stress management, and stage presence. Personal advice is also available on concert preparation, overuse injuries, pain when playing, effective practice techniques, relaxation methods, and everything necessary for a healthy, professional life as an artist. This offer is freely available to all students; however, as the number of sessions is limited, each person may attend up to three coaching sessions. Support in Managing Challenging Situations When: Individual appointments throughout the semesterWhere: Online or in-person (Salzburg)Who: Franziska WallnerRegistration: franziska.wallner@moz.ac.at In both private and professional life, we regularly encounter situations that challenge us—studying, applying for jobs, starting a career, dealing with new experiences, etc. These can create imbalance and the need for conversations. This offer provides space to discuss your personal concerns in individual sessions. Topics may include: Managing stress and overwhelm Talking through worries Handling conflicts Support with career orientation Or any other current life challenges Additionally, you can receive help finding the appropriate point of contact for more specialized support. Studying with a Disability or Chronic Illness When: Individual appointments throughout the semesterWhere: Online or in-person (Salzburg)Who: Claudia HaitzmannRegistration: claudia.haitzmann@moz.ac.at Studying with a disability or chronic illness can present unique challenges. The disability representative supports affected students before and during their studies with counseling and tailored solutions developed together based on individual needs. Possible support includes: Assistance with admission and academic exams (e.g., by agreeing on alternative exam formats) Information on financial aid and legal frameworks Mediation in academic-related issues Help with architectural/accessibility barriers Adapted study materials for blind or visually impaired students Individual technical and personal assistance Health Consultation for Musicians (Innsbruck) When: Individual appointments throughout the semesterWhere: Online or in-person (Innsbruck)Who: Isabel GabbeRegistration: isabel.gabbe@moz.ac.at In these sessions, you can discuss your individual concerns, such as: Prevention and health maintenance Physical and mental strain Instrument-specific complaints Breathing, Movement & Meditation (Salzburg & Innsbruck) When: Weekly during the semester (see Career Center program)Where: Salzburg and InnsbruckWho: Brigitte Jakob (Salzburg), Julia Plainer / Denise Luttenberger (Innsbruck)Registration: career@moz.ac.atCourse fee: €40 for studentsElective course: 1 ECTS / 1 contact hour Using exercises from yoga and other Eastern traditions in combination with Western training methods, this course teaches you how to better navigate demanding phases of daily life and ease performance anxiety before concerts or exams. Learn how to: Strengthen, mobilize, and stretch the body Balance muscular and postural imbalances Release physical and mental blockages Practice breathing techniques Improve mindfulness and concentration Gain relaxation and calm through meditation Feldenkrais for Musicians (Salzburg) When: Weekly during the semester (see Career Center program)Where: SalzburgWho: Simone IrmerRegistration: career@moz.ac.atCourse fee: €40 for studentsElective course: 1 ECTS / 1 contact hour This group course explores anatomical and physiological relationships necessary for natural posture and efficient use of the instrument or voice. Through practical exercises, you will improve posture, technique, grip security, intonation, breathing, vocal control, movement, and performance ability. The instrument and voice are regularly incorporated into the sessions. Focus areas: Functional bodywork related to instrument and voice Becoming more aware of and effectively using your body Correcting postural issues and tension Easy exercises for daily practice Supplementary Studies in Physio & Mental Coaching Interdisciplinary Supplementary Certificate in Physiological Health and Mental Coaching Psychological counselling for students The Psychological Student Counselling Service helps students choose and start their studies, supports personal development and provides advice on study-related and personal problems. The following services are available free of charge to all students at the Salzburg and Innsbruck locations: Psychological counselling Personal counselling Study choice counselling Diagnostic assistance with personal study choices Coaching Supervision Workshops on various topics Further information can be found on the website at www.studierendenberatung.at.  You can contact us directly by email or phone: Innsbruck location:Email: Psycholog-Studentenberatung@uibk.ac.at / Tel. +43 512 507 39601 Salzburg location:Email: psb.sbg@sbg.ac.at / Tel. +43 662 8044 6500

Here you will find all questions about Bachelor, Master and Diploma studies at the Mozarteum University, for quick and easy orientation for all students in all fields.

Here you will find all questions about borrowing, fees, accessibility, theses, trainings and much more about the library of the Mozarteum University.

The Mozarteum University makes its support of the principles of Open Science visible by signing the Berlin Declaration, the library provides the necessary infrastructure and the following services.

The glossary provides explanations of terms and information about Open Access and Open Science.

The library's holdings are located in the reading room, the media library, the book depository, and the library's reading room in the Orff Institute. The works in the open access area in the reading room cannot be borrowed and can only be used on site, while the majority of the other media can be borrowed.

Current information on semester fees, scholarship offers and financial support from the Mozarteum University and other legal entities, as well as links and forms.

Information on requirements for studying at the Mozarteum University, admission procedures, required language skills, application video & data protection, semester fees and preparation aids.