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The only voice teacher Cecilia Bartoli has ever had is her mother, the soprano Silvana Bartoli Bazzoni. We are delighted to announce that from 4 to 8 August 2025, professional singers of all voice types will have the unique opportunity to work personally with Silvana Bartoli Bazzoni on ‘fundamental principles of vocal technique - the basis of a long singing life’ in a masterclass as part of the International Summer Academy at Mozarteum University. Registration is open now.

The only voice teacher Cecilia Bartoli has ever had is her mother, the soprano Silvana Bartoli Bazzoni. From 3 to 8 August 2026, the Mozarteum International Summer Academy will once again offer young professionals a unique opportunity to work personally with Silvana Bazzoni Bartoli.

Award-winning composer Sarah Nemtsov is one of the most sought-after musical voices of her generation. A conversation about her professorship at the Mozarteum University, her personal creative process, and one of her 2022 highlights.

Univ.-Prof. of Tuba / Director of the Bläserphilharmonie Mozarteum Salzburg

Head of Section Elmar Pichl, BMBWF and Head of Section Christian Holzer, BMK presented the Sustainability Award 2024 in Gold to the Co-CreART project team yesterday. Co-Creating Change! Vice-Rector Mario Kostal and Elke Zobl from the Inter-University Science & Art Centre accepted the award at a festive awards ceremony in the Vienna Boys' Choir Concert Hall.

/ PUPPET MONKEY KING: Dagur Thorgrimsson, Huang Shan SEIKYO: Mate Herczeg, Jakob Hoffmann EMPEROR: Di

"Go back, Tarquinius!" – comes the warning from the opera's narrator to the son of the Etruscan king. But the tragedy is already unfolding at pace: Tarquinius falls upon Lucretia, the wife of his comrade Collatinus, and rapes her, in spite of her fierce reistance. The next day, Lucretia takes her own life in public. Benjamin Britten's dark chamber opera, premiered in 1946 at Glyndebourne, resounds with the traumatic experiences of fascism and war.

A conversation with director Rosamund Gilmore about Engelbert Humperdinck's fairytale play "Hansel and Gretel", which premieres on December 7 in the Max Schlereth Saal at the Mozarteum University. Insights into the directing concept, into the joint development and creation of roles and about truthfulness on the opera stage.

Mariia Tkachenko lived in Kyiv until March 2022, where she received singing and violin lessons as a child and has already appeared in several TV productions. Her acting studies at the I. K. Karpenko-Karyi Kyiv National University of Theatre, Cinema and Television were interrupted by the war in Ukraine.

Senior Artist in the field of painting

The art and love of the viola led German Tcakulov from Vladikavkaz to St. Petersburg, on to Berlin, Munich, Karlsruhe and now to Salzburg, where he took up a professorship for viola on 1 October 2024.

The versatile and renowned violinist, project manager and lecturer Franziska Strohmayr grew up in Augsburg and came to Salzburg to study, where she still lives today after graduating from the Mozarteum University under Prof. Martin Mumelter and Prof. Wolfgang Gratzer and from the Guildhall School of Music and Drama in London under Prof. Jacqueline Ross.

Technology.Textiles program, together with students from the Department of Stage and Costume Design, Film

The flutist and instrumental music teacher Sofiia Musina came to Salzburg to study at the Mozarteum University in April 2022. From 2017 to 2022, she studied at the Borys Grinchenko Kyiv University in Ukraine and obtained a Master's degree in ‘Master of Musical Art. Educational and Professional Programme: Musical Art’. She wrote her master's thesis on the Ukrainian composer Myroslav Skoryk.

26th January 2026 sees the premiere of Benjamin Britten’s The Rape of Lucretia in the Max Schlereth Saal at the Mozarteum University. We spoke to the production team, Lena Matterne and Theresa Staindl, to learn more about their views on female identity, self-determination and social conscience.

Salzburg music sources, bibliographies, pre & post bequests as well as academic theses on Salzburg music history