News

The students approached the design through different parameters: For one, the starting point was movement, for another the material, for a third the form or even the target group, and for the last the function. Courage! and laziness! are terms that the various objects proudly trumpet to their future users.

On the design of everyday life: As part of the design project "I (discover) the table", eleven students of the subject Design: Technology.Textiles asked themselves questions about eating together. How do I eat? What do I eat? Where do I eat? With what do I eat? With whom do I eat? And how do the others eat?

With the beginning of the winter semester 2018/19, the Mozarteum University gets four more top-class professors*: Martin Grubinger for Percussion Instruments - Classical Multipercussion Instruments, Benjamin Kammerer for Piano and Piano Didactics in Innsbruck, Johannes Maria Staud for Composition and Corina Forthuber for Design: Technology. Textile.

Students of the master's project Textiles in Motion at the University Mozarteum Salzburg first dealt with their location in the city of Salzburg, the city in which they moved every day. The question arose as to their very personal 'favourite places' within the city.

An autograph from the hand of Joseph Mohr, written around 1820, is the oldest surviving autograph of a carol which, starting in Oberndorf, quickly spread throughout the 'old' and 'new' world. Silent Night" is a song that - translated into many languages - has become an integral part of the Christmas message of peace. To what extent can a 100-year-old song appeal to young people today and become an impulse for creative work? Pupils of the BORG Oberndorf and the BORG-Gastein are invited to deal imaginatively with the topics opened up by the song and to reflect on and evaluate the products of their work together.

The project sets out to accomplish a data-driven study in musical interpretation, connecting information from human analyses of a number of performances by Karajan, with algorithmically derived data spanning several decades of recordings. Although the project is conceived as a case study on Karajan, we wish to demonstrate the promise of data-intensive, interdisciplinary approaches to musicological studies of expressive performance, and help in establishing this as a new open standard approach in empirical musicology.

The aim of the project is to develop professional opportunities and artistic co-productions exploring the ways diverse theatre traditions can effectively converse and contribute to quality artistic diversity and creativity in Europe. The objective of the Pl.ETA is therefore also to create a new artistic value out of the interaction between various theatre traditions and specialties.