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As a play, La Folle journée by the scandalous author Pierre Auguste Caron de Beaumarchais was banned in Vienna. However, Mozart and Da Ponte were able to suggest to Emperor Joseph II that the genre of opera would defuse the revolutionarily objectionable text and were thus commissioned to compose and write the libretto. The question of whether they did not in fact intensify the play in other ways is one that is posed anew in every production. With Le nozze di Figaro, Gernot Sahler and Alexander von Pfeil's opera class continued their Da Ponte cycle, which began with Così fan tutte in May 2023.

Masterclasses, concerts, operettas, contemporary composition and much more between Salzburg, Bad Ischl and Siena: an exciting academy summer awaits at the Mozarteum University!

On 24 May, "Doppler 15" will be the first concert by the newly formed ensemble for new music at Solitär. Kai Röhrig, the ensemble's musical director, flautist Leona Rajakowitsch and composer Anna Skladannaya (both students and founding members of the ensemble) talk about the genesis, current projects, challenges and the hunt for new, unheard-of soundscapes.

Sir John Falstaff is a natural phenomenon: his appearance is imposing, his demeanour commanding, his manner possessive. And most fascinating of all: the event does not care about rules, conventions or decorum, it simply exists for its own sake, in a sense for nothing but its belly.

Sarah Nemtsov, renowned composer and university professor of composition at the Mozarteum University, will receive the Heidelberger Künstlerinnenpreis 2025 for her outstanding contributions to contemporary music. The prize, which has been endowed with 10,000 euros since 2025, is one of the most important cultural prizes in Germany and is the only prize in the world to be awarded exclusively to female composers.

The presentation concert of the scholarship holders of the newly created ensemble scholarship A (one-year) Start Up for Ensemble(s) took place in the impressive ambience of Schloss Leopoldskron at the beginning of April. In cooperation with "The International Society of Mozarteum University Salzburg", over 44.000 euros will be made available to students or graduates of the Mozarteum University Salzburg.

Florentine Klepper has been Professor of Music Drama (scenic) at the Department of Opera & Music Theatre since the summer semester 2024. In the interview, she provides insights into her working methods, previous and ongoing projects and shares her thoughts on the various facets of music theatre.

Berlin composer Frank Schwemmer was "very satisfied" after the world premiere of his new piece "mein Wort mein Glück mein Weinen" on 9 March 2024 in the Great Hall of the Mozarteum Foundation.

The singers Donata Meyer-Kranixfeld and Génesis Beatriz López Da Silva provide insights into their everyday studies at the Department of Opera & Music Theatre at the University Mozarteum. A conversation about the highs and lows on the path to becoming an opera singer.

As part of the Salzkammergut Capital of Culture 2024, the Lehár Theatre in Bad Ischl, in cooperation with the Mozarteum University and the Lehár Festival, will be the venue for a short operetta festival that aims to revive the operetta condemned by the National Socialists. The aim: short, topical, critical.

With the first edition of the new interdisciplinary ORA Early Music Festival, the Mozarteum University is celebrating a special premiere. Over three days, early music, contemporary musical language and improvisation come together in numerous concerts and sound performances.