
Award-winning composer Sarah Nemtsov is one of the most sought-after musical voices of her generation. A conversation about her professorship at the Mozarteum University, her personal creative process, and one of her 2022 highlights.
Award-winning composer Sarah Nemtsov is one of the most sought-after musical voices of her generation. A conversation about her professorship at the Mozarteum University, her personal creative process, and one of her 2022 highlights.
Ion Marin, internationally sought-after conductor, founder of the Cantus Mundi National Program and holder of the Claudio Abbado Endowed Professorship at the University Mozarteum, will conduct the University Mozarteum Symphony Orchestra for the first time at the Haus für Mozart on October 18. A conversation about truth, happiness and the power of music.
Awards for excellent master theses 2020/2021 Since the academic year 2016/2017, the Mozarteum University has been awarding the "Prize for excellent master theses". This award recognizes outstanding theses of graduates who dedicate themselves to their chosen topics in an innovative, original, unusual or particularly sustainable way. The winners of the excellent master theses 2020/2021 are: Caroline Fritz (MA IGP Guitar - Classical): "Slavko Avsenik und seine Original Oberkrainer: Untersuchung von Herkunft und Einflüsse mit der Analyse ausgewählter Beispiele" (scientific work, supervisor: Franz Zaunschirm) Pavle Krstic (MA Piano Soloist Training - Concert): "Analyse als Mittel der Interpretation der Préludes op.28 von Chopin" (scientific work, supervisor: Barbara Dobretsberger) We congratulate you!
Under the theme "Sharing", this new event format will enable encounters and networking between all pedagogical fields of study at the Mozarteum University.
Every year, the Ruhr Piano Festival honours artists whose life's work is closely connected to the festival with its prize. The duo Yaara Tal & Andreas Groethuysen played their 17th concert at the Ruhr Piano Festival on 8 July 2023. The "desire for shared sound" characterises each of their performances, for which they often put together special programmes for the Piano Festival.
Personal ambition, egomania and sexuality as an instrument of power: Claudio Monteverdi's (1567-1643) "L'incoronazione di Poppea" is as topical as ever, even 380 years after it was written. A conversation with Gernot Sahler, the musical director of the opera production.
The International Summer Academy of the Mozarteum University starts anew and expands with ARCO - Art, Research and Creation Opus and the Summer Academy Baroque (in Siena). The program connects teachers, students and musicians from all over the world in Salzburg and establishes cultural connections across Europe.
Raimonda Žiūkaitė's opera composition "Salt is My Heritage" was chosen as the Work of the Year in the category of stage works by the Composers' Union of Lithuania. The work was performed by Lidia Luciano (soprano), students of the Mozarteum University and the œnm under the direction of Félix Marest. The premiere took place on October 28, 2021, as part of the Crossroads Festival. It was directed by Giulia Giammona and the libretto was written by Franz Jäger.
Five finalists competed for the coveted 20,000 euro The Sir Ian Stoutzker Prize 2022 (made up from 2021) at the Solitaire of the Mozarteum University yesterday (14 April). The evening's double winner was pianist Robert Bily, who enchanted both the high-calibre jury and the audience with a breathtaking interpretation of Ludwig van Beethoven's Waldstein Sonata (Piano Sonata No. 21 in C major op. 53), Claude Debussy's Images I and Siegfried Thiele's Perpetuum Mobile.
30 years of folk music studies and study programs at the University Mozarteum: Together with the Lucerne School of Music, teachers and students of the University Mozarteum go on a search for traces between yodel and yodel, tradition and new trends.
In the anniversary year "100 Years of the International Society for New Music (IGNM)", a diverse program reflects on its role as a major peace project after World War 1, on Salzburg's role as an international city in the interwar period, and on New Music's timeless claim to (re)learn how to listen.