With her production, Rosamund Gilmore embarked on a journey into the subconscious and combined the deep psychological layers of the fairy tale with the film-visualized works of Claudia Lehmann's students.
A conversation with director Rosamund Gilmore about Engelbert Humperdinck's fairytale play "Hansel and Gretel", which premieres on December 7 in the Max Schlereth Saal at the Mozarteum University. Insights into the directing concept, into the joint development and creation of roles and about truthfulness on the opera stage.
Starting on December 7, the Department of Opera & Music Theater, together with the voice classes and students of Claudia Lehmann, will bring Engelbert Humperdinck's fairy tale play "Hansel and Gretel" to the stage of the Max Schlereth Hall at the Mozarteum University. Five questions to the musical director of the production, Kai Röhrig.
Numerous master classes, a contemporary BaroqueLab, concerts and an opera production: The Baroque Summer Academy of the Department of Early Music of the Mozarteum University will take place for the third time in 2023 within the framework of the renowned Accademia Musicale Chigiana in Siena, Italy. A highlight in 2023 is the performance of the baroque opera "Dido & Aeneas" by H. Purcell with contemporary prologue and epilogue "Elissa" by Henry Fourès and Rector Elisabeth Gutjahr. "Elissa" was successfully premiered at the Mozarteum University in June 2023.
More than 330 years after the premiere of the only complete opera by Henry Purcell, the French composer Henry Fourès composes a setting for Dido and Aeneas and calls it "Elissa". A second name for the queen that allows the character to exist on its own, without direct ties to Aeneas.
More than 330 years after the premiere of the only complete opera by Henry Purcell, the French composer Henry Fourès composes a musical setting for Dido and Aeneas and calls it Elissa. A conversation with Rector Elisabeth Gutjahr, who wrote the libretto for it.
Munich baritone Jakob Hoffmann is the winner of the 5th International Haydn Competition for Classical Song and Aria, endowed with 8,000 euros, which took place over the Whitsun weekend at Rohrau Castle (Bruck/Leitha district, Lower Austria). Hoffmann also picked up two special prizes.
The young officers Ferrando and Guilelmo* do not want to let their fatherly friend Don Alfonso get away with it - after all, he doubts the fidelity of their fiancée! But instead of the demanded duel, they accept his proposal of a wager and thus become handmaidens in the work of destroying their love relationships.
Continuation of Opera out of Opera: Don Giovanni in Rome, Così fan tutte in Porto, Le nozze di Figaro in Stockholm and La Bohème in Oslo and Salzburg. What began in 2018 under the project title Opera out of Opera will be continued across Europe from 2023 to 2025. Co-funded by the European Commission's Creative Europe program, Opera out of Opera II builds on the results of the first project period - with the aim of developing innovative opera formats for new target groups.
The Mozarteum University mourns the loss of an extraordinary educator, artist and colleague who was known for his discipline and openness, contributed much to the institution and remained connected to the university as a curious spirit even years after his retirement.
After A Midsummer Night's Dream and Owen Wingrave, the Department of Opera & Music Theater at the Mozarteum University will once again devote itself to Benjamin Britten's abysmal music-theatrical oeuvre. This winter semester, two of his masterpieces will be performed: Albert Herring in December 2022 will be followed by The Turn of the Screw in January 2023.
From gathering atmospheric images to analyzing characters. From conception to craft: a conversation with set designer Yea Eun Hong about the process of designing the stage for Benjamin Britten's comic opera "Albert Herring".
Personal ambition, egomania and sexuality as an instrument of power: Claudio Monteverdi's (1567-1643) "L'incoronazione di Poppea" is as topical as ever, even 380 years after it was written. A conversation with Gernot Sahler, the musical director of the opera production.
