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Florentine Klepper and Kai Röhrig discuss their upcoming production of the two one-act operas Der Kaiser von Atlantis and L'Hirondelle inattendue, which will premiere on 6 December in the Max Schlereth Saal.

The Orff Institute of the Mozarteum University is characterized by a contemporary art practice and a pedagogy emphasizing creativity. Music, dance, language are designed and taught in an inter- and transdisciplinary approach.

Alumnus Rupert Pföß has been working as a music teacher at Musikum Salzburg since 1996 and has been head of the folk music and harmonica department since 2012. He is also an extended board member of the Salzburger Volksliedwerk. His busy seminar and jury activities at various music weeks and music competitions enrich his everyday life as a musician time and again. 

Meral Guneyman is a versatile classical musician, with numerous releases, who is comfortable in both pop and jazz music, has transcribed many original works and is also an enthusiastic arranger and improviser. Her ability to move between classical and jazz with lightning speed and conviction is a rarity. In 2021, her arrangements of classic David Bowie songs were presented for the first time on ‘Steinway-Spirio’ - a high-resolution self-playing system of the highest quality.

Wolfgang Richter studied German and History at the University of Salzburg and Art Education at the Mozarteum University. As an educator, he taught as an assistant at the Mozarteum University and at a Salzburg grammar school.

The protection of personal data is important to us at the Mozarteum University. We treat all personal data that we collect confidentially and in compliance with the legal provisions.

This led me to my most successful cycle of work, KLONES.

Judith Valerie Engel is an Austrian pianist, musicologist & feminist. After years of study in Salzburg, Helsinki and Vancouver, she is currently completing a PhD in Historical Musicology at Oxford University. She is a recipient of the Stone-Mallabar Doctoral Scholarship awarded by Oxford College Christ Church. She is also one of the ‘Public Scholars’ in the Public Scholars Initiative of the University of British Columbia. Both academically and artistically, her focus is on historical and contemporary women composers.

Contact to fellow students and teachers, information about events and university life, further education and service offers - all these are the advantages of a membership in the alumni network of the Mozarteum University.

Her desire to pursue her passion for filigree music-making led her to Paolo Taballione at the Mozarteum

A.o. Univ.-Prof. of Historical Musicology