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With the Moz-Art-Zone, the Mozarteum University will offer an expanded music and art education program starting in the winter semester of 2022/23 with an interdisciplinary offering that aims to awaken enthusiasm and interest in students and opens the doors of the university wide for this purpose.

Senior Artist in the field of sculpture

The rediscovery and revival of (choral) works of the Baroque are matters close to the heart of Jörn Hinnerk Andresen, who has been Professor of Choral Conducting at the Mozarteum University since fall 2019.

Co-CreART is a four-year project of the Mozarteum University Salzburg, which is funded by the Climate and Energy Fund and was honoured with the Sustainability Award in Gold in November 2024.

FAiR stands for Female Artist in Residence and is a funding programme for young female artists on their way to becoming university professors. It was recently launched at the Mozarteum University and is committed to greater fairness and equal opportunities in the professional lives of women at music and art universities.

Platform for quality, research-based education of music, art and theater educators

Personal ambition, egomania and sexuality as an instrument of power: Claudio Monteverdi's (1567-1643) "L'incoronazione di Poppea" is as topical as ever, even 380 years after it was written. A conversation with Gernot Sahler, the musical director of the opera production.

The mission of the Erasmus+ programme is to promote mobility and international cooperation in the areasituations: Contact the Austrian Embassy or Consulate.If there is no Austrian diplomatic mission in the areainternationalisation and globalisation are more than idealistic visions and a common European educational areaAnother meausre in the area of mobility for the 2022-2024 performance agreement period is the relaunch

The interdisciplinary teacher training programmes in art & design and technology & design have not only been given new names, but also a new focus in terms of content.

Florentine Klepper has been Professor of Music Drama (scenic) at the Department of Opera & Music Theatre since the summer semester 2024. In the interview, she provides insights into her working methods, previous and ongoing projects and shares her thoughts on the various facets of music theatre.

From gathering atmospheric images to analyzing characters. From conception to craft: a conversation with set designer Yea Eun Hong about the process of designing the stage for Benjamin Britten's comic opera "Albert Herring".

Writer, literary and cultural scholar and university lecturer Thomas Ballhausen has been head of the Inter-University Centre for Science & Art since October 2023. A conversation about his new role at the "interface".

The latest volume in the publication series "klang-reden" by the Institute for the History of Musical Reception and Interpretation is a plea for empirical repertoire research - and opens up new perspectives on Mozart.