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"Go back, Tarquinius!" – comes the warning from the opera's narrator to the son of the Etruscan king. But the tragedy is already unfolding at pace: Tarquinius falls upon Lucretia, the wife of his comrade Collatinus, and rapes her, in spite of her fierce reistance. The next day, Lucretia takes her own life in public. Benjamin Britten's dark chamber opera, premiered in 1946 at Glyndebourne, resounds with the traumatic experiences of fascism and war.

Senior Artist in the field of painting

The versatile and renowned violinist, project manager and lecturer Franziska Strohmayr grew up in Augsburg and came to Salzburg to study, where she still lives today after graduating from the Mozarteum University under Prof. Martin Mumelter and Prof. Wolfgang Gratzer and from the Guildhall School of Music and Drama in London under Prof. Jacqueline Ross.

The art and love of the viola led German Tcakulov from Vladikavkaz to St. Petersburg, on to Berlin, Munich, Karlsruhe and now to Salzburg, where he took up a professorship for viola on 1 October 2024.

Salzburg music sources, bibliographies, pre & post bequests as well as academic theses on Salzburg music history

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Twenty violinists from 17 countries gathered at the International Mozart Competition in the violin category from February 6 to 12 at the Mozarteum University in Salzburg. First prize went to Xunyue Zhang, second prize to Yuki Serino, and third prize to Maxim Tzekov.

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Vincenzo Bellini's highly romantic bel canto opera I Capuleti e i Montecchi celebrates its premiere in the Max Schlereth Saal on 10 December under the direction of Alexander von Pfeil and musical direction of Gernot Sahler. A conversation with maestro Gernot Sahler about Bellini's inventiveness and the challenge of dealing with special stage situations.

Musikfestival, Musiktriennale Köln, Aurora Chambermusic Festival, Rheingau Musikfestival, Festival Musicale di

The performance of Vincenzo Bellini's opera I Capuleti e i Montecchi delivered a powerful reinterpretation of the masterpiece. Directed by Alexander von Pfeil, the production centred on the relentless feud between two rival clans and the profound despair of its victims. This staging transcended specific eras, placing the story in a universal, timeless setting that brought Bellini's dark vision of love and war to the stage with harrowing clarity.

Univ.-Prof. of Piano

The commissioning of a "European Symphony" marks the start of a wide-ranging research project that combines digital technology and classical music in a new way: Musicians in 12 different locations will use innovative technology to overcome physical distances and perform a joint concert for symphony orchestra and large chorus. The Mozarteum University is also contributing to the project, in the form of a choir.

The Association Européenne des Conservatoires, Académies de Musique et Musikhochschulen (AEC) is a trans-national organisation with the aim of networking music colleges across Europe and jointly maintaining high international standards of education. Between 5 and 8 November 2025, the AEC will hold a congress at the Mozarteum University in Salzburg, which will focus on topics such as leadership, resilience, professional skills and health care within university-level music education.

Through purgatory to paradise – two voices of resistance. Two works – two perspectives on the unimaginable. Even 80 years after the end of the war, they raise big questions about the value of life, the power of art and human resilience. An evening full of intensity, musical beauty and profound humanity.