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Interested parties will have the opportunity to get comprehensive information about the study program at the Orff Institute, to participate in workshops, to exchange ideas with students and teachers as well as to enjoy the social program. Please register by 9.11. to orff@moz.ac.at

Lecture & workshop with Sara Hassan as part of the UN initiative "16 Days against Violence against Women. With the publication "There are no gray areas" Sara Hassan has developed a model to identify the first signs of abuse of power - especially in the form of sexual harassment.

Film presentation & review of the Italy tour 2023

Elective affinities in travel, politics and works - a morning in the Mozart Sound and Film Collection (International Mozarteum Foundation) including a study concert.

The discussion concert takes place in cooperation between the Department of Musicology, Voice, Keyboard Instruments, Strings and Plucked Instruments and the Institute of Chamber Music (Conception & Moderation: Bernadeta Czapraga)

Instrumental – Vocal – Performance: Invitation to the Open Stage!

The hook was honey - in French also Miel - and the rest is process: seven large-format paintings are arranged in the KunstWerk as part of the Department of Fine Arts and Design as a kind of paper theater. The content of the staging deals with onomatopoeia and the search.

Excerpts from the memoirs of the artist's grandmother and great-grandmother were illustrated with the help of watercolors, creating exciting and emotional insights into the lives of two generations.

Final concert of the Masterclass of French Song with Prof. Anne Le Bozec.

Birgit Neuwirth-Hemmers will give a tour of the ORF Salzburg regional studio for the Salzburg music history focus, Silvia Steiner-Span will then present the archive of the regional studio, accompanied by the well-known former ORF editor Hannes Eichmann.

Opera in one act by Nikolai Rimsky-Korsakov based on a drama by Alexander Pushkin: Driven by the agonizing realization that he is hopelessly inferior to Mozart's genius, Salieri, obsessed with his art, sees only one way out: to poison his opponent.