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From the very beginning, the 'World Exhibition' fascinated visitors with its overambitious plan to stage the 'world' and its present in a limited space in one place within six months. An endeavour that challenges the superlative in all its facets: conceptually, logistically and financially.

Against oblivion: when Cécile Chaminade (1857-1944) looked back on her extremely productive life of some 400 compositions two years before her death, she seemed skeptical: "I hope not to be forgotten."

How did you set up the piece?

A portrait of the legendary composer Helmut Lachenmann and a conversation with Johannes Maria Staud about the planned Helmut Lachenmann Days at the Mozarteum University.

The interdisciplinary teacher training programmes in art & design and technology & design have not only been given new names, but also a new focus in terms of content.