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Alexander von Pfeil, director of the upcoming opera production "Elegy for Young Lovers" by Hans Werner Henze and professor of music drama, has thought about the piece and his production in advance and reflects on the opera's major themes in a interview.

The “Staging Realities” festival will mark the opening of the Mozarteum University’s new X-Reality-Lab at the Kurgarten (UMAK) from 24 to 26 September 2026. From October onwards, the lab will explore new narrative forms shaped by post-digital aesthetics.

In collaboration with the artist and curator Oliver Ressler, Magdalena Hofer, a student at the University Mozarteum Salzburg, has developed an exhibition design for "Overground Resistance" at frei_raum Q21 in Vienna's MuseumsQuartier that opens up spaces.

The new Institute for Open Arts at the Mozarteum University, currently under construction, offers an inter-, trans- and nondisciplinary workspace. A conversation with Claudia Lehmann, who has headed the institute since March 1st.

6 years of the Mozarteum Research Competition: Since 2019, the Mozarteum University's research management has awarded an annual prize for artistic, scientific and scholarly research projects. Director Eugen Banauch takes stock.

On 8 November 2025, at the closing dinner of the AEC Conference in the Carabinierisaal of the Residenz Salzburg – a gathering that brought together delegates from more than 120 music universities across Europe and beyond – the Mozarteum University awarded honorary doctorates to Dame Janet Ritterman and Professor Michael Worton. This marks only the second time in the university’s history that this distinction has been conferred: after Nikolaus Harnoncourt received the first honorary doctorate in 2008, it has now been bestowed on two individuals who have played a decisive role in shaping the Mozarteum’s research profile.

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Starting on December 7, the Department of Opera & Music Theater, together with the voice classes and students of Claudia Lehmann, will bring Engelbert Humperdinck's fairy tale play "Hansel and Gretel" to the stage of the Max Schlereth Hall at the Mozarteum University. Five questions to the musical director of the production, Kai Röhrig.

26th January 2026 sees the premiere of Benjamin Britten’s The Rape of Lucretia in the Max Schlereth Saal at the Mozarteum University. We spoke to the production team, Lena Matterne and Theresa Staindl, to learn more about their views on female identity, self-determination and social conscience.