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  • BA in Instrumental Pedagogy - Diatonic Accordion
    Music Education
    BA in Instrumental Pedagogy - Diatonic Accordion 
    Study program
  • Postgraduate Certificate in Clarinet
    Music, Music Education
    Postgraduate Certificate in Clarinet 
    Study program
  • MA in Instrumental Pedagogy - Clarinet
    Music, Music Education
    MA in Instrumental Pedagogy - Clarinet 
    Study program
  • MA in Clarinet
    Music, Music Education
    MA in Clarinet 
    Study program
  • BA in Instrumental Pedagogy - Clarinet (Innsbruck)
    Music, Music Education
    BA in Instrumental Pedagogy - Clarinet (Innsbruck) 
    Study program
  • BA in Instrumental Pedagogy - Clarinet
    Music, Music Education
    BA in Instrumental Pedagogy - Clarinet 
    Study program
  • BA in Clarinet
    Music, Music Education
    BA in Clarinet 
    Study program
  • Postgraduate Certificate in Bassoon
    Music, Music Education
    Postgraduate Certificate in Bassoon 
    Study program
  • MA in Instrumental Pedagogy - Bassoon
    Music, Music Education
    MA in Instrumental Pedagogy - Bassoon 
    Study program
  • MA in Bassoon
    Music, Music Education
    MA in Bassoon 
    Study program
  • Raimonda Žiūkaitė's Opera "Salt is My Heritage" is Stage Work of the Year
    17.5.2022
    Raimonda Žiūkaitė's Opera "Salt is My Heritage" is Stage Work of the Year 
    Raimonda Žiūkaitė's opera composition "Salt is My Heritage" was chosen as the Work of the Year in the category of stage works by the Composers' Union of Lithuania. The work was performed by Lidia Luciano (soprano), students of the Mozarteum University and the œnm under the direction of Félix Marest. The premiere took place on October 28, 2021, as part of the Crossroads Festival. It was directed by Giulia Giammona and the libretto was written by Franz Jäger.
    News
  • Long Night of Research 2022
    20.5.2022
    Long Night of Research 2022 
    News … Home News Long Night of Research 2022 Long Night of Research 2022 20.05.2022 Research project © Christian Schneider Long Night of Research 2022: Live presentations, experiments to watch, join in and marvel at With over 2,000 stations, guided tours, workshops, lectures, live presentations and experiments to watch, participate in and marvel at, the Long Night of Research offers something for everyone: for science professionals and those who want to become one, for the adventurous and the curious, for those who think outside the box, for tinkerers, for small and large discoverers and for everyone who wants to know exactly. Research is multifaceted: from society, environment and health to natural sciences, technology, energy, business, digitization and culture, researchers present their achievements! This ranges from pre-scientific work at schools to cutting-edge research, from basic research to leading projects in application-oriented research or successful innovations from companies. www.langenachtderforschung.at Program points Salzburg ATTENTION INTERNATIONAL "100 years IGNM" ON THE EUROPEAN MOZART WAYS (Bella Musica project of the Pre-College Salzburg & Archiv Spielforschung) MOZART MACHT MINT (exhibition and workshops) NACHTMUSIK IN DER BIBLIOTHEK (voyage of discovery through library, book depository and reading room) How does performative art ask questions about ecology? Participation station (Anna Töller and Anna Maria Kalcher) What moves us? Participation station (Elisabeth Pieper and Magdalena Gassner-Castillo) How do dances contribute to the community experience? Participation station (Andrea Ostertag) Participation station/workshop: How to make textiles audible and sound tangible? Workshop (Gertrud Fischbacher and Marius Schebella) Data and Algorithms: An Artistic Exploration Lecture and Sound Installation (David Pirrò) Literature Meets AI (Thomas Ballhausen and Eugen Banauch) Medial Text Lab - Spot On MozART (Thomas Ballhausen and Marcel Kieslich) Thinking with Models (Magdalena Hofer & Selina Nowak) AKT / NUDE (Stefan Bachmann) Practice of drawing as a form of artistic exploration Program points Innsbruck "Research-based learning" in music education - an interview study on the curriculum for the teaching profession ( Julia Wieneke) "Fundamental ideas" in piano methodology - holistic approaches to (practical) piano playing (Reinhard Blum) Stability of tempo ideas based on selected pop songs (Heike Henning) Cultural participation in the context of virtual (T)spaces - an interactive lecture  (Heike Henning) Gallery Skip slider © Christian Schneider © Christian Schneider © Christian Schneider © Christian Schneider © Christian Schneider © Christian Schneider © Christian Schneider © Christian Schneider © Christian Schneider © Christian Schneider © Christian Schneider © Christian Schneider Jump to slider start Dates 20. May 2022 from 17.00-23.00 Cinemax, Theatrum, Department of Music Education Innsbruck, Small Studio, Orff Institute, University Library
    News
  • Controlled Loss of Control: Whith Dylan on the Road
    11.6.2022
    Controlled Loss of Control: Whith Dylan on the Road 
    With the project "With Dylan On The Road" the Mozarteum University together with The International Society of Mozarteum University Salzburg offers students the unique opportunity to go on a journey with a scholarship in their luggage to develop art projects inspired by Bob Dylan.
    News
  • Eugen Banauch
    Rectorate
    Eugen Banauch 
    Vice-Rector for Research
    Person
  • Workshop of artistic exchange
    11.6.2022
    Workshop of artistic exchange 
    The International Summer Academy of the Mozarteum University starts anew and expands with ARCO - Art, Research and Creation Opus and the Summer Academy Baroque (in Siena). The program connects teachers, students and musicians from all over the world in Salzburg and establishes cultural connections across Europe.
    News
  • Amoral Fabric - Back to the Beginnings of Modern Opera
    22.6.2022
    Amoral Fabric - Back to the Beginnings of Modern Opera 
    Personal ambition, egomania and sexuality as an instrument of power: Claudio Monteverdi's (1567-1643) "L'incoronazione di Poppea" is as topical as ever, even 380 years after it was written. A conversation with Gernot Sahler, the musical director of the opera production.
    News
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