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On 2nd June 2025, the University Council of the Mozarteum University voted on the shortlist presented by the Senate and elected Univ.-Prof. Dr. Constanze Wimmer as the new Rector of the Mozarteum University Salzburg for the term 1st April 2026 – 31st March 2030.

But the four concerts are a first step and they probably wanted to stay present for the audience andThen the phase got longer and longer and at some point it was no longer foreseeable.Martin Mumelter and Prof.Wolfgang Gratzer and from the Guildhall School of Music and Drama in London under Prof.

Personal ambition, egomania and sexuality as an instrument of power: Claudio Monteverdi's (1567-1643) "L'incoronazione di Poppea" is as topical as ever, even 380 years after it was written. A conversation with Gernot Sahler, the musical director of the opera production.

"Of light and shadow and abundant expressive palettes" tells the program of the first concert eveningand is known today primarily for her Concertino for flute and orchestra op. 107  pianist and composerrooted in the late Romantic tradition and captivates with a wide range of expression and extreme cantabileand Iris Mangeng for their support and tireless enthusiasm in making this project happen," says Biliana

, stage sets and so on.and then say, hurray, here I am, and if he wouldn't then ask me what I had sung so far.Martin Mumelter and Prof.Wolfgang Gratzer and from the Guildhall School of Music and Drama in London under Prof.

Ion Marin, internationally sought-after conductor, founder of the Cantus Mundi National Program and holder of the Claudio Abbado Endowed Professorship at the University Mozarteum, will conduct the University Mozarteum Symphony Orchestra for the first time at the Haus für Mozart on October 18. A conversation about truth, happiness and the power of music.

Teacher of Dance

about composers and their works.make people linger and marvel.for IOS and Android in German, English, Italian, Greek and Spanish."In Rome, we first announced the project in a short speech and pointed out to also download the app and

Could Dionysus be a queer trans* deity? What if their companions simply do not conform to any norm and are not mad at all? Cat Jugravu's performance DIONYSOS. MADNESS POURS UPON MY LOVELY FACE invites us to reinterpret the myth as a manifesto for otherness and queerness. With the Maenads - the dissident entourage of Dyonisos - the audience tries to approach a life without the norm in ritual, dance and rave.

Univ.-Prof. of Piano and Piano Didactics

Lecturer in Performance, Audition and Competition Coaching

In the doctoral programme of the inter-university institution Wissenschaft & Kunst (W&K), doctoral students research and work closely networked at the interface of science and art.

Armela Madreiter, graduate of the Mozarteum University and dramaturge for the current music theatre production by Florentine Klepper and Kai Röhrig's opera class, Medusa / Giuditta, talks about fruitful collaboration, exciting female characters and crossing boundaries.

Teacher of Theoretical Studies in Voice

Univ.-Prof. of Violoncello, Head of Cello Studies

Senior Lecturer