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Lecturer

Univ.-Prof. of Voice (Early Music)

The information days are aimed at anyone interested in studying choral conducting at the Mozarteum University. Professors and teachers will give an introduction and overview of the programme content, curricula, examinations etc. and offer trial lessons and mock examinations in the central subjects.

Anton Bruckner and the Mozarteum University. A review with a look ahead to the commemorative year 2024 on Bruckner's 200th birthday.

So the play and the music will influence each other.In 1971 it was set to music for solo violin by Alan Ridout.Music is created to generate emotions and, especially in this case, images.Music therefore lends itself very well to telling stories.

First, it was the total love of music.Coming from the piano, growing up I was able to convey everything through music.(folk) music educator - Rupert Pföß  Alumnus Rupert Pföß has been working as a music teacher at MusikumHis busy seminar and jury activities at various music weeks and music competitions enrich his everyday

‘Reflections’ is a project that pursues an egalitarian approach to the development and exploration of the arts: works by female composers from earlier centuries that have been forgotten or overlooked, rarely heard or never heard in this country are reflected in the diverse musical languages of today's musicians.

Senior Lecturer

Award-winning composer Sarah Nemtsov is one of the most sought-after musical voices of her generation. A conversation about her professorship at the Mozarteum University, her personal creative process, and one of her 2022 highlights.

More than 330 years after the premiere of the only complete opera by Henry Purcell, the French composer Henry Fourès composes a musical setting for Dido and Aeneas and calls it Elissa. A conversation with Rector Elisabeth Gutjahr, who wrote the libretto for it.

As part of the International Summer Academy and numerous masterclasses, the renowned American pianist, teacher, Mozart researcher and Harvard professor Robert Levin has been a regular guest at the Mozarteum University for many years. From May, he will take up his teaching position at the Department of Keyboard Instruments. We are very much looking forward to it!

Unbounded deals with the transformation process of the first movement of Mozart's Symphony in A major (KV 201) into a gradually emerging abstract painting, realized in the form of an animated film.

Our students Vivi Vassileva and Richard Putz are the winners of this year's Prix Iannis Xenakis. The prize, established by the Schleswig-Holstein Musik Festival in cooperation with the percussion class on the initiative of Martin Grubinger, promotes young percussion soloists and is intended to pave the way to the major concert halls and international music festivals. The participants had to conceive an extensive solo recital concert and present it in front of a 6-person jury.

Born in Minsk on April 24, 1982, Kalesnikava studied flute and conducting at the State Academy of Musicin Minsk, then early and contemporary music at the Stuttgart University of Music and Performing ArtsShe played in various ensembles, taught music in Belarus and Germany, worked on numerous transnationalmusic projects, and in 2019 became artistic director of the cultural center "OK-16" in Minsk.

Senior Lecturer in Saxophone

Laure M. Hiendl has been an assistant professor* of composition at the Mozarteum University since 2021, and her new piece is a harbinger of a festival to be held in Nuremberg in July 2022.