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Laure M. Hiendl has been an assistant professor* of composition at the Mozarteum University since 2021, and her new piece is a harbinger of a festival to be held in Nuremberg in July 2022.

You are also active in chamber music. Were there many cancellations?I enjoy playing in the orchestra, chamber music and also solo.(folk) music educator - Rupert Pföß  Alumnus Rupert Pföß has been working as a music teacher at MusikumHis busy seminar and jury activities at various music weeks and music competitions enrich his everyday

Julia Maria Eckes, Anastasia Fedorenko and Anna-Maria Husca are about to complete their Master's degree in Opera & Music Theatre at the Mozarteum University. In this interview, they give us an insight into their everyday life as students and let us in on the rehearsal process for the opera ‘Medusa / Giuditta’.

Senior Lecturer for wind band conducting

Inspired by the polyartist Bob Dylan and his approaches of appropriation and transformation, nine artistic-explorative teams of two from the Mozarteum University were on the road in South Africa, the US, Mexico, Europe and Latin America during the first half of 2022. The results are nine art projects that will be premiered on October 14 and 15 as part of Jazz & The City, accompanied by a symposium "Inspired by ... commemorating 60 Years of Bob Dylan.".

Univ.-Prof. of Piano

Senior Lecturer / Collaborative Pianist

Senior Lecturer for Saxophone

The film LOST IN DIMENSIONS by pianist Róza Radnóti makes an attempt to find visually expressible events in music, aiming to give the audience an intense and complex experience by interpreting the second movement of the Piano Sonata in C major (KV 545) in an abstract, non-narrative way.

The winners of the excellent Master's theses 2022/2023 are Viktoria Anna Hirschhuber, Christiaan Josef Willemse, Giorgio Musolesi and Iris Vonolfen - congratulations!

"What qualities must a person possess in order to dominate both dramaturgically and vocally in an opera?" and "What must a man of mature age look like who is in close relationships with a crazy old lady, a young girl and a doctor at the same time?"

More than 330 years after the premiere of the only complete opera by Henry Purcell, the French composer Henry Fourès composes a musical setting for Dido and Aeneas and calls it Elissa. A conversation with Rector Elisabeth Gutjahr, who wrote the libretto for it.

Univ.-Prof. of Violoncello, Head of Cello Studies