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Reference work and finding aid: On the occasion of the 10th anniversary of the Mozarteum University Archives, the doors were opened again and, among other things, the second volume of Ilse Tiebert's Historical Aspects was presented. The audience was pleased to see a comprehensive reference work on just about all relevant activities of the Mozarteum University in the context of the book presentation.

In two open workshop phases, students from the Department of Scenography and teachers from the Mozarteum University met with employees of the Red Bull Media House to examine and explore sounds in a minor key by W. A. Mozart and the fascinating visual worlds of the Red Bull Media House film and image archive.

Unbounded deals with the transformation process of the first movement of Mozart's Symphony in A major (KV 201) into a gradually emerging abstract painting, realized in the form of an animated film.

Singing in Music Education (SiME) 01.10.2020 Research project SiME (Singing in Music Education) is aSpecial Focus Group of EAS (European Association for Music in schools) and was founded in 2017 by HelmutSanna Salminen, University of Jyväskylä (FIN) Johannes van der Sandt, Free University of Bozen-Bolzano (ITThe Special Focus Group currently has over 90 members and meets at the annual EAS conference in a European

On January 20 and 21, the Thomas Bernhard Institute, in cooperation with the Department of Scenography of the Mozarteum University, presented Philoktet by Heiner Müller, Gaia in a version by Till Ernecke and The Bacchae by Euripides, three directorial works on the theme of classical music at the Theater im KunstQuartier.

Accompanied by the sounds of Mozart's Violin Sonata in E minor, which lays over the smoldering conflicts like an ideal world, IDYLL tells of a family in upheaval…

play, La Folle journée by the scandalous author Pierre Auguste Caron de Beaumarchais was banned in ViennaAnd most fascinating of all: the event does not care about rules, conventions or decorum, it simply existssetting for Dido and Aeneas and calls it "Elissa".officers Ferrando and Guilelmo* do not want to let their fatherly friend Don Alfonso get away with it

Mozart had to deal with the problem of being an ordinary person and at the same time an extremely sensitive musician. Was it difficult to accept himself? Did he frighten himself when he realised his extraordinary talent? Was his humour helpful in accepting himself? In the search for answers to these questions, many themes can be discerned that can be symbolic and meaningful for any generation and at any time.

The project MOZART-REALTIME QUINTETT offers an audiovisual experience in which the music of W. A. Mozart is realized as a synesthetic, interactive visualization by means of computer-generated real-time graphics. With the aim of creating an active playful and at the same time creative access to the work of Mozart, Mozart's Clarinet Quintet (KV 581) was realized as an interactive fulldome environment. With the help of a touch interface, the visitors can intervene in the audiovisual composition and change it.

: he turns again to the magic theme, which was almost frowned upon.And most fascinating of all: the event does not care about rules, conventions or decorum, it simply existsand "What must a man of mature age look like who is in close relationships with a crazy old lady, a youngofficers Ferrando and Guilelmo* do not want to let their fatherly friend Don Alfonso get away with it

"A personal journey"- In the lecture, Martin Poschauko tells the creative life story that he has lived through together with twin brother Thomas over the past years as a designer.

The 13th International Mozart Competition of the University Mozarteum Salzburg came to an end with the final concert of the vocal section on February 15 in the Great Hall of the Mozarteum Foundation. The 1st prize of 15,000 euros, donated by the International Salzburg Association, went to the soprano Anna ElKhashem.

Hollitzer Vienna

Senior Artist in the field of art practice

Univ.-Prof. of Guitar