With her production, Rosamund Gilmore embarked on a journey into the subconscious and combined the deep psychological layers of the fairy tale with the film-visualized works of Claudia Lehmann's students.
Six finalists out of a total of 19 participants from the Mozarteum University competed yesterday with an overall artistic concept in the string and wind instrument categories for the coveted The Sir Ian Stoutzker Prize 2023, which is once again endowed with 20,000 euros this year. The prize honours an outstanding student personality who knows how to impress with their musical creativity, poetry and unique charisma. The outstanding winner is 25-year-old cellist Ema Krečič.
Applications for ARCO - Art, Research and Creation Opus 2024 are now open! The French-Austrian Academy for Contemporary Composition, a cooperation between the Mozarteum University and the GMEM - Centre national de création musicale Marseille, will take place in Salzburg from 3 to 13 July 2024.
Memorizing music plays an important role for instrumentalists and has been little researched to date. Elisabeth Eder took on this topic in her dissertation and was able to identify or categorize 100 learning strategies and show aspects that support memorization.
Recorder player Max Volbers and baroque violinist Mayumi Hirasaki were recently awarded an OPUS KLASSIK 2023. A conversation about the lively character of early music, the search for the new and the intensive research into the repertoire at the Department of Early Music at the Mozarteum University.
A conversation with director Rosamund Gilmore about Engelbert Humperdinck's fairytale play "Hansel and Gretel", which premieres on December 7 in the Max Schlereth Saal at the Mozarteum University. Insights into the directing concept, into the joint development and creation of roles and about truthfulness on the opera stage.
Anton Bruckner and the Mozarteum University. A review with a look ahead to the commemorative year 2024 on Bruckner's 200th birthday.
On November 27, the 2023 Cultural Fund Awards of the City of Salzburg were presented at the Solitär. Among others, Andreas Bernhofer, Thomas Ballhausen and Gordon Safari from the Mozarteum University were honored.
The English vocal ensemble Voces8 is one of the world's leading a cappella formations. The three ladies and five gentlemen set standards in unaccompanied solo singing in terms of intonation, legato culture, vocal homogeneity and stylistic diversity. Voces8 celebrates its 20th anniversary in 2023. At the invitation of the Mozarteum University and the Salzburg Bach Society, the ensemble will be available for a workshop on November 20.
The Sir Ian Stoutzker Prize, endowed with 20,000 euros, honors the outstanding student personality in the competition who knows how to convince with musical creative power, poetry and unique charisma. In 2023 it will be awarded in the categories string and wind instruments.
Mayumi Hirasaki (Univ.-Prof. of Baroque Violin) is honored in the category “Concert Recording of the Year” for her CD “Pisendel” with Concerto Köln on the Berlin Classic label, Max Volbers (Senior Lecturer at the Department of Early Music) in the category “ Young Artist of the Year” for his CD “Whispers of Tradition” on the Genuin label.
Numerous master classes, a contemporary BaroqueLab, concerts and an opera production: The Baroque Summer Academy of the Department of Early Music of the Mozarteum University will take place for the third time in 2023 within the framework of the renowned Accademia Musicale Chigiana in Siena, Italy. A highlight in 2023 is the performance of the baroque opera "Dido & Aeneas" by H. Purcell with contemporary prologue and epilogue "Elissa" by Henry Fourès and Rector Elisabeth Gutjahr. "Elissa" was successfully premiered at the Mozarteum University in June 2023.
After four intensive weeks with 520 participants from 51 nations, 51 master classes and 16 additional courses with a focus on musicians' health as well as around 60 public events, the International Summer Academy 2023 came to an end last week with much positive feedback. Twelve young artists were also awarded prizes of 1,000 euros each, sponsored by the Cultural Fund of the City of Salzburg.
The winners of the excellent master theses 2021/2022 are Patric Pletzenauer, Franziska Schneider, Tamara Obermayr and Friederike Klek - congratulations!
On July 16, this year's edition of the top-class French-Austrian Academy of Composition came to a successful close in Marseille with four concerts. For the first time, the prize winners of the International Mozart Competition were invited to Marseille and performed in the concerts.
200 singers and musicians proved on July 2, 2023 that Dresden is located by the sea: The University Choir of Dresden, the Mozarteum UniChoir and the Staatskapelle Dresden let mighty waves of sound roll over the heads of 500 enthusiastic concertgoers with a brilliant program on the theme of "Beauty and Horror of the Sea" in the Kreuzkirche.
Intensive one-week master classes with 53 renowned, top-class artists and teachers from the Mozarteum University and the international music industry, numerous public concerts and a colorful supporting program: from July 17 to August 12, the International Summer Academy will once again open its doors. It has evolved visually, but above all in terms of content.
Independent scientific publications, peer-reviewed conference papers and teaching assignments at renowned institutions: Our students contribute significantly to representing the Mozarteum University in artistic-scientific research and pedagogy in music theory nationally and internationally. Congratulations to our students in the ZKF Music Theory.
Oscar Jockel is currently Kirill Petrenko's conducting assistant with the Berlin Philharmonic and a conducting fellow of the Karajan Academy for two years. He has been appointed the first Composer in Residence of the Brucknerhaus Linz for the 2020/21 season. Previous commissions range from works for solo instruments to sound installations and orchestral works, the latter for the Bruckner Orchestra Linz or the Camerata Salzburg, for example.
More than 330 years after the premiere of the only complete opera by Henry Purcell, the French composer Henry Fourès composes a setting for Dido and Aeneas and calls it "Elissa". A second name for the queen that allows the character to exist on its own, without direct ties to Aeneas.
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